Play it against your MoFi or Heavy Vinyl pressing and you will quickly see why those LPs bore us to tears. Who in his right mind would want to suffer through a boring Beatles record?
Drop the needle on any song on the first side to see why we went crazy over this one. The emotional quality of the boys’ performances really comes through on this copy. They aren’t just singing — they’re really BELTIN’ it out. Can you imagine what that sounds like on the title track? We didn’t have to imagine it, WE HEARD IT!
It’s (Almost) All About The Midrange
There are two important traits that all the best copies have in common. Tonally they aren’t bright and aggressive (which eliminates 80 percent of the AHDN pressings you find), and they have a wonderful midrange warmth and sweetness that brings out the unique quality of the Beatles’ individual voices and harmonies.
When comparing pressings of this record, the copies that get their voices to sound present, while at the same time warm, smooth, and sweet, especially during the harmonies and in the loudest choruses are always the best. All the other instruments seem to fall in line when the vocals are correct. This is an old truism — it’s all about the midrange — but in this case it really is true.
This music has a HUGE amount of upper midrange and high frequency information. (Just note how present the tambourines are in the mixes.) If the record isn’t cut properly, or pressed properly for that matter, the sound can be quite unpleasant. (One of our good customers made an astute comment in an email to us — the typical copy of this album makes you want to turn DOWN the volume.)
The Old CD – You Know, the Original Mono One that Everybody Used to Like…
On another note, I have the early generation mono CD of this album. Although my car has a very good stereo system, you would never know there was any magic to the sound of these recordings by playing that CD. The whole thing is hopelessly flat and gray. (more…)