Classical – Works for the Violin

Beethoven / ’Kreutzer’ Sonata – Putting Your System to the (Violin and Piano) Test

More of the music of Ludwig van Beethoven

More ’Kreutzer’ Sonata

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Another in our series of Home Audio Exercises with advice on what you should be listening for when critically evaluating this kind of recording.

Do you want a recording that is going to put your system to the test? Well this is that record! That violin is REAL. As you compare equipment or tweak your system, you will hear the sound of that violin change and it should be obvious when it gets better and when it gets worse.  (more…)

Vintage Violin Recordings – What to Listen For

More of the music of Ludwig van Beethoven (1770-1827)

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This copy had practically no smear on either the violin or the orchestra. Try to find a violin concerto record with no smear. We often say that Shaded Dogs, being vintage All Tube recordings, tend to have tube smear. But what about the ’70s Transistor Mastered Red Label pressings – where does their smear come from?

Let’s face it: records from every era more often than not have some smear and we can never really know what accounts for it. The key thing is to be able to recognize it for what it is. (We find modern records, especially those pressed at RTI, to be quite smeary as a rule. They also tend to be congested, blurry, thick, veiled, and ambience-challenged. For some reason most audiophiles — and the reviewers who write for them — rarely seem to notice these shortcomings.) (more…)

Heifetz on Classic – An Overview

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The RCA pressing of the Brahms Violin Concerto with  Heifetz and Reiner you see pictured, LSC 1903, is yet another Hall of Shame pressing and yet another Classic Records LP debunked.

The Classic reissue of LSC 1903 is a disaster: shrill, smeary and unmusical.

The best Heifetz records on Classic were, if memory serves, LSC 2734 (Glazunov), LSC 2603 (Bruch) and LSC 2769 (Rozsa). They aren’t nearly as offensive as the others. If you can pick one up for ten or twenty bucks, you might get your money’s worth depending, I suppose, on how critically you listen to your classical records. The CDs are better for all I know. That’s probably the first place to go, considering Classic’s generally poor track record.
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The Dvorak Violin Concerto with Accardo on Philips – Was Sound This Good Still Possible in 1980?

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You’ll find amazing nearly White Hot Stamper sound on side two of this exceptionally quiet Philips recording.

Yes, it was still possible to record classical music properly in 1980, though few labels managed to do it.

A SUPERB performance from Salvatore Accardo, certainly competitive with the best we have heard.

Yes, it was still possible to record classical music properly in 1980, though not many labels managed to pull it off. (Londons from this era are especially opaque and airless. We find them as irritating and frustrating as most of the Heavy Vinyl releases being foisted on the audiophile public today.) (more…)

Beethoven Violin Concerto with Heifetz (LSC 1992)

More of the music of Ludwig van Beethoven (1770-1827)

More on Beethoven / Violin Concerto / Heifetz

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

The reproduction of the violin here is superb — harmonically rich, natural, clean, clear, resolving. What sets the truly killer pressings apart is the depth, width and three-dimensional quality of the sound, as well as the fact that they become less congested in the louder passages and don’t get shrill or blary. The best copies display a Tubey Magical richness — especially evident in the basses and celli — that is to die for.

Big space, a solid bottom, and plenty of dynamic energy are strongly in evidence throughout. Practically zero smear, exceptional resolution, transparency, tremendous dynamics, a violin that is present and solid — this copy takes the sound of the recording right to the limits of what we thought possible. (more…)

Brahms Violin Concerto – Is the 1s Pressing Always the Best?

More recordings featuring the violin

More Brahms Violin Concerto

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This early Shaded Dog pressing of a 1958 recording has surprisingly good Super Hot stamper sound on side two. On the second side the sound opens up and is very sweet, with the violin becoming much more present and clear. The whole of side two is transparent with an extended top. Usually the earliest Living Stereo titles suffer from a lack of top end extension, but not this one.

Maybe the 1S is that way. For some reason audiophiles tend to think that the earliest cuttings are the best, but that’s just another Record Myth in our experience, easily refuted if you’ve played hundreds of these Living Stereo pressings and noted which stampers sound the best and which do not.

The 1S pressings do not win all that many shootouts around here. Of course, to avoid being biased the person listening to the record doesn’t know the stamper numbers, and that may help explain why the 1S loses so often! (more…)

Bizet’s Carmen Fantaisie on Speakers Corner Vinyl

More Georges Bizet (1838-1875)

More Carmen Fantaisie, etc. – Ricci / Gamba

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Sonic Grade: C

Speakers Corner remastered this title back in the ’90s and did a decent enough job; I would guess my grade would be about a “C.” We carried it and recommended it at the time. I doubt if I would have very many kind things to say about it now. We’ve played an enormous number of superb classical records in the last ten years or so, raising the bar dramatically higher than it used to be.  (more…)

Mendelssohn & Prokofiev Concertos (LSC 2314) on Classic Records Heavy Vinyl

More of the music of Felix Mendelssohn (1809-1847)

More of the music of Sergei Prokofiev (1891-1953)

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Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked. 

Classic Records ruined this album, as expected. Their version is dramatically more aggressive, edgy and smeared than the better vintage pressings. In fact it’s just plain awful, like most of the classical recordings they remastered.

We have a section for all the Classical Records we have reviewed on the site to date.

We also have a section for all the Heavy Vinyl Classical Records we have reviewed on the site.

We have a number of Commentaries specifically addressing issues we’ve encountered when playing classical recordings.

The Brahms Violin Concerto – Unplug or Suffer the Consequences!

More recordings featuring the violin

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The massed strings here, such as those found at the opening, are close miked and immediate in the “Mercury recording style.” Your electricity better be good when you play this record, because it presents a test many of you will have trouble passing at even moderate levels. 

We’ve often encouraged our readers and customers to go about unplugging things in their homes in order to test the effect of clean electricity on their playback systems. The opening of this record is a perfect example of the kind of material with which everyone should be testing in order to hear these changes. I’d be very surprised if the strings on this record don’t sound noticeably better after you’ve unplugged a few things in your house, and the more the better. (more…)

Beethoven / Violin Concerto in D – Classic Records Reviewed

More of the music of Ludwig van Beethoven

More recordings featuring Jascha Heifetz

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Sonic Grade: D

Hall of Shame pressing and another Classic Records LP debunked.

It is an airless fraud, a cheap fake reproduction that’s incapable of fooling anyone with two good ears, a properly set up stereo and a decent collection of Golden Age violin concertos. 

The Classic pressing of this album does not present the listener with the sound of a real, wood instrument bowed by horsehair in physical space.

Notes from a Recent Hot Stamper Pressing (more…)