Classical – Chamber Music

Beethoven Kreutzer and Spring Sonatas – Shaded Dogs Vs. Red Seals

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The Shaded Dog original RCA pressings are the best, right?

Not in our experience. We think that’s just another Record Myth.

In this listing for one of our Hot Stamper 2-packs we compare the sound of the originals (which tend to be crude, veiled, recessed and a bit smeary) with the reissues, which can be awful or wonderful depending on which side of which copy you are playing.

OUR COMMENTARY

This Red Seal Super Hot stamper Two-Pak may be comprised of reissue pressings, late ones even, but the sound is SUPERB. And with a Two-Pak, you get two great sides (just not on the same records of course). The immediacy of the violin was shockingly good; it was Right There, solidly between the speakers, the kind of sound that left the vast majority of pressings we’ve played of LSC 2377 in the dust. (Including the sound on the “bad” sides, which are mediocre at best.)
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Live Sound Versus Chesky Sound

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Schubert / The Trout Quintet / Curzon

What I hear on this pressing is sound that is absolutely free from any top end boost, much the way live music is. There’s plenty of tape hiss and air; the highs aren’t rolled off, they’re just not boosted the way they normally are in a recording.

A few years back I had a chance to see a piano trio play locally; they even performed a piece by Schubert. The one thing I noticed immediately during their performance was how smooth and natural the top end was. I was no more than ten feet from the performers in a fairly reverberant room, and yet the sound I heard was the opposite of what passes in some circles for Hi-Fidelity.

More of the music of Franz Schubert (1797-1828)

This is the OPPOSITE of those echo-drenched recordings that some audiophiles seem to like, with microphones placed twenty feet away from the performers so that they are awash in “ambience.” If you know anything about us, you know that this is not our sound.

I have never heard live music sound like that and that should settle the question. It does in my mind anyway. The CHESKY label (just to choose one awful audiophile label to pick on) is a joke and always will be. How anyone buys into that phony sound is beyond me, but any audio show will prove to you that there is no shortage of audiophiles who love the Chesky “sound”, and probably never will be. (more…)