Not long ago we found a White Hot Stamper pressing of Last Time Around that really blew our minds. We were surprised to hear some of the breathiest, silkiest vocals we’ve ever heard on ANY Buffalo Springfield album, with startling presence and immediacy to boot! This side two had BY FAR the most energy and life of any side of any copy we’ve ever played. Man, does it ROCK.
Even as recently as 2010 we would not have expected to find that kind of sound on a vintage ’60s pop/rock album. We know better now.
When you get hold of the right copy and know how to clean it and play it right, these vintage pressings (well, the White Hot ones anyway) are a damn sight better than the vast majority of audiophiles think they are. How is such apparently never-before-possible sound being heard now, 45 years after the record came out? Our answer can be found below.
Tubey Magical Midrange
The kind of MIDRANGE MAGIC on this pressing let us hear into the music in a way we (and you too I’m guessing) never imagined was possible.
Most copies have no bass, no real top, and are compressed so badly they sound more like cardboard than vinyl. But not this copy — it breaks the mold, revealing to the world (well, our world anyway, the world at Better Records) that those badly recorded Buffalo Springfield records from the ’60s weren’t so badly recorded after all.
It Only Takes One
Badly mastered, badly pressed, yes, we can all agree on that.
But all it takes is an amazing sounding copy like this one to disprove the theory that these are bad recordings — an inconvenient truth shall we call it? — and we found more than one. The proposition that this band’s records can’t sound good has officially and definitively been falsified. (more…)