Artist Overview – Jazz

Monk’s Criss-Cross from 1963

1963 – A Great Year for Top Quality Recordings of Timeless Music

When you look closely at all the great records that were released that year — some of which can even be purchased in Hot Stamper form on this very site — you may come to agree with us that 1960 was a wonderful year for recorded music.

Click HERE to see the records currently on the site that were recorded or released in 1963.

And HERE to see the records from 1963 that we’ve reviewed, a substantially larger group as you can imagine, with more than 90 entries at the time of this writing.

 

  • This early stereo pressing won our shootout – Triple Plus (A+++) on the first side and Double Plus (A++) on the second
  • Columbia records produced by Teo Macero in the early ’60s have consistently open, natural sound – this one from ’63 is no exception
  • The piano sounds amazing here — natural and dynamic, letting Monk’s passionate playing shine
  • “Thelonious Monk’s second album for Columbia Records features some of the finest work that Monk ever did in the studio with his ’60s trio and quartet … This is prime Monk for any degree of listener.” — Allmusic

 

See all of our Thelonious Monk albums in stock

I wish more Blue Note records had this kind of sound — natural, full-bodied, and sweet up top. The bass here is well-defined with real weight and lots of punch. Monk’s piano sounds correct from the highest notes all the way down to the lower register, and the sax sounds tonally right on the money. The clarity and transparency are superb throughout.

The Piano Is Key

The copies of the album with a piano that sounded lean or hard always ended up having problems with the other instruments as well. (This should not be surprising; the piano was designed to be the single instrument most capable of reproducing the sound of an entire orchestra.)

If you have big, full-range speakers one of the qualities you may recognize in the sound of the piano is WARMTH. The piano is not hard, brittle or tinkly. Instead the best copies show you a wonderfully full-bodied, rich, smooth piano, one which sounds remarkably like the ones we’ve all heard countless times in piano bars and restaurants.

In other words like a real piano, not a recorded one. Bad mastering can ruin the sound, and often does, along with worn out stampers and bad vinyl and five gram needles that scrape off the high frequencies. But a few — a very few — copies survive all such hazards. They manage to capture these wonderful musical performances on vinyl, showing us the sound we never expected to hear.

 

 

   

Today’s Cool Record Find from 1961 – Jack Sheldon And His All-Star Band

Our White Hot Shootout Winner

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  • With a Triple Plus (A+++) side two and a better than Double Plus (A++ to A+++) side one, here’s a copy that’s practically as good as it gets
  • This fun, lively, superbly well-recorded 1961 release is a real SLEEPER of Demo Disc Quality West Coast Jazz
  • Huge, spacious, clear, Tubey Magical, natural and above all REAL, this copy blew our minds when we stumbled on it in our shootout
  • 4 Stars: “High-quality and consistently swinging West Coast jazz … this was the initial album to gain wide recognition and helped to introduce the L.A.-based trumpeter’s talents to the East Coast.”

See all of our Jack Sheldon albums in stock

This is a wonderful example of the kind of record that makes record collecting FUN.

If you large group swinging West Coast Jazz is your thing — think Art Pepper Plus Eleven — you should get a big kick out of this one. (more…)

Art Pepper’s Modern Jazz Classic

A Superb Hot Stamper Pressing

  • A Big, Bold and Lively copy, with each side rating a Double Plus (A++) or BETTER for this exceptionally well recorded album
  • The sound is rich, warm and full-bodied, both clear and open — the brass sounds phenomenal on this pressing
  • Here is the Tubey Magic of the originals without the problems that make the average original so much less involving
  • A longtime audiophile favorite – 5 stars on Allmusic: “This is a true classic. Essential music for all serious jazz collections.”

This Contemporary Yellow Label LP has got that Modern Jazz Classics Magic. On a great copy such as this one you can really pick out each of the musicians and follow them throughout the course of the track. When you’re able to appreciate everyone’s contributions you really get a sense of how much work went into the making of this album. It’s nothing short of epic.

This is one DYNAMIC jazz record — drop the needle on any track and prepare yourself to be very impressed. The sound is full-bodied and energetic with tight bass, breathy brass, and lots of ambience.

See all of our Art Pepper albums in stock

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