Artist Overview – Classical

Where Cheap Turntables Fall Flat

More of the music of Franz Liszt (1811-1886)

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Classical music is unquestionably the ultimate test for proper turntable/arm/cartridge set-up. The Liszt recording you see pictured is a superb choice for adjusting tracking weight, VTA, azimuth and the like.

One of the reasons $10,000+ front ends exist is to play large scale, complex, difficult-to-reproduce music such as Liszt’s two piano concertos. You don’t need to spend that kind of money to play this record, but if you choose to, it would surely be the kind of record that can show you the sound your tens of thousands of dollars has paid for.

It has been my experience that cheap tables more often than not collapse completely under the weight of a mighty record such as this.
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Beethoven’s Symphony #6 with Ansermet – Our Favorite for Performance and Sound

More of the music of Ludwig van Beethoven (1770-1827)

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Beethoven / Symphony #6 (Pastoral) / Ansermet

    • With Double Plus (A++) or better grades on both sides, this is a wonderful find from our first shootout in two years
    • The texture on the strings is captured perfectly – this is an area in which modern pressings fail almost completely
    • Everything sounds so right on this record, so much like live music, there is almost nothing to say about the sound other than You Are There
    • Recorded in Geneva’s exquisite Victoria Hall in 1959, this is a top performance from Ansermet and the Suisse Romande, the best we know of

Everything sounds so right on this record, so much like live music, there is practically nothing to say about the sound other than You Are There.

This is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage. None of them, I repeat none of them, will ever begin to sound the way this record sounds. Quality record production is a lost art, and it’s been lost for a very long time.

The texture on the strings is captured perfectly; this is by the way an area in which modern pressings fail almost completely. We have discussed this subject extensively on the site. The “rosin on the horsehair” is a sound that is apparently impossible to encode on modern vinyl.

Other Pressings (more…)

Bernard Herrmann on Vinyl

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Click here to see Four that Didn’t Make the Grade

These are just some of the recordings of the music of Bernard Herrmann that we’ve auditioned and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place on our site, in your collection, and might even belong in a Hall of Shame.

A Free Service provided to the Audiophile Public, courtesy of Better Records.

Hot Stamper pressings of Bernard Herrmann’s Music
Various Pressings of Bernard Herrmann’s Music We’ve Reviewed

Modest Mussorgsky on Vinyl

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Three that Didn’t Make the Grade

These are just some of the recordings of the music of Mussorgsky that we’ve auditioned and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place on our site, in your collection, and may even belong in a Hall of Shame.

A Free Service provided to the Audiophile Public, courtesy of Better Records.

Hot Stamper Pressings of Mussorgsky’s Music

Pressings of Mussorgsky’s Music We’ve Reviewed

The Tale of Tsar Saltan

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See all of our Rimsky-Korsakov albums in stock

  • This AMAZING side one with the complete Tsar Saltan was so good we gave it our rare Four Plus (A++++) grade
  • We freaked out when we heard this side – it took the sound beyond anything we had ever experienced for the work
  • It’s so rich and real, with huge WHOMP factor down low, as well as clear, uncolored brass and robust lower strings – wow!
  • We figure about one out of a hundred sides earn our Four Plus grade – you can’t get much more rare than that

We award this copy’s side one our very special Four Plus (A++++) grade, which is strictly limited to pressings (really, individual sides of pressings) that take a recording to a level never experienced by us before, a level we had no idea even existed. We estimate that about one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade.

This London pressing contains a stunningly BEAUTIFUL Tale of the Tsar Saltan Suite. It’s clearly one of the great Demo Disc Quality recordings from the Golden Age (or any age for that matter), with everything that a top Golden Age Orchestral recording should have: all the magic; all the timbral and harmonic subtlety; all the sweetness and warmth; all the Tubey Magical richness.

All that and more. Folks, this is the kind of record that makes you sit up and take notice. Finally, HERE is the kind of sound that can bring an orchestra to life in your very own listening room. (more…)