Some Forum posters at audiokarma.org were raking us over the coals a while back, questioning the legitimacy of our so-called “hot stampers”. If you have an hour or two to kill check it out.
The first entry in the thread is from 2009. The headline reads “Hot Stampers….Anyone own any?”
Even though they were calling us every name in the book I found their comments to be so fascinating and entertaining as to be positively addicting; I couldn’t stop myself from going back over and over again to see what new foolishness might have been added since my last visit.
No wonder people love these forums — you get to rant to your heart’s content. You can even discuss the sound of records you’ve never played and yet no one finds it the least bit strange. Certainly no one will call you on it; it’s about ranting, not reality, and not even really about the sound of records, truth be told. What could possibly be more fun than that?
Hoffman Don’t Play That
There aren’t any on Hoffman’s forum because discussion of the subject is verboten.
If you know of any more threads where we get dragged through the internet mud, send me the links, I’ll put them right here for everyone to read. They are a hoot!(more…)
I expected our amazing sounding original to win the shootout, but it didn’t!
The reprocessed fake stereo copy here is to be avoided at all costs. It sounds as bad as any fake stereo record I can remember playing. What were they thinking?
A KILLER sounding copy with Triple Plus (A+++) sound or very close to it from start to finish, on quiet vinyl to boot
This is one of the best sounding Billie Holiday records we have ever heard – it’s even a clear step up from the originals we had on hand
This 2 LP set features most of the tracks from the original release plus another handful of recordings from the same period (1955-1956)
“… features some of Billie Holiday’s top Verve performances from the mid-’50s… she runs the emotional gamut from summery optimism to pathos-rich musings. Befitting her perennial after-hours mood, the majority of songs here feature Holiday in a low-down mood of the highest order.” – All Music
Naturally, the highest quality vocal reproduction has to be the main focus on a Hot Stamper pressing for any Billie Holiday record we would offer. Her voice should be rich and tubey, yet clear, breathy and present.
In addition to being tonally correct and natural, the pressings we offer must also be highly resolving. With the right room and the right equipment, properly set-up and adjusted of course, you will hear everything that these vintage recordings have to offer, including the three-dimensional space of the studios in which the various sessions were recorded, under the auspices of Norman Granz.
The Sound of the Original
The original Trumpet Player Verve mono we had on hand to play suffered from an EQ problem we run into frequently in our shootouts for vintage vocal albums. Actually, to be clear, there were two main problems in the case of All or Nothing At All: a boosted midrange and occasional sibilance issues.(more…)
No two copies of a record sound the same. That’s the undeniable reality of the analog LP, as well as the driving force that turned a hobby into a full-fledged livelihood for our staff of six.
Many people find the ideas (and the prices!) on this website shocking. Frankly, they would be shocking to us too if we weren’t hearing such dramatic differences in the sound quality of the large numbers of copies we play every day.
Our staff devotes its time to finding, cleaning and playing as many pressings of an album as we can get our hands on. We take only the best sounding copies – we call them “Hot Stampers” – and make them available exclusively to those who appreciate (and can afford) the ultimate in analog sound.
We’re unique in that we’re the only record dealers who base the price of their records on the quality of their sound. Although we’ve been finding Hot Stamper pressings for close to thirty years, it has only become the main focus of our business in the last decade or so.
It began simply enough as a personal quest to find better sounding records for our own collections. As more audiophiles have come to recognize just how impressive a Hot Stamper can be compared with any other pressing, we’ve evolved to keep up with the demand. Our staff now concentrates all its efforts into finding these exceptional copies. We are proud to have established ourselves as the team with both the resources and expertise to carry out this intensely specialized, time-consuming work.
We offer a 100% Money Back, No Questions Asked Guarantee on every record we sell. If you are not completely satisfied with a Hot Stamper for any reason, send it back within 30 days for a full refund. That’s how confident we are in the records we offer. Our return rate? Somewhere in the low single digits.
The links below should help you get acquainted with our site. We know it can be a bit overwhelming so please feel free to drop us a line if you have any questions about what we do and how we do it.
We encourage you to sign up for our weekly mailer, where you’ll find our best sounding new arrivals each week as well as special offers and exclusive discounts.
Thanks for checking out our site and we look forward to helping you on the journey to amazing analog sound. You can either browse our selection of Hot Stampers or continue learning more about what we do with the links below.