Advice – What to Listen For – Tonality

The Dynamic Energy of Neil Young and His Crazy Pals – They’re LIVE in the Studio

More Neil Young

More on Zuma

xxxxx

Hot Stampers are all about finding those rare and very special pressings that manage to represent the master tape at its best.

Notice I did not say ACCURATELY represent the master tape, because the master tape may have faults that need to be corrected, and the only way to do that is in the mastering phase.

I can tell you without fear of contradiction that fidelity to the master tape should never be, and rarely is, the goal of the mastering engineer.

Which, as a practical matter, means that flat transfers are usually a mistake.

Chesky is famous for boasting that their early remasterings of the Living Stereo catalog were flat transfers. They sure sound flat all right. If there is a more clueless bunch of audiophiles on the planet than the people running Chesky you would have a hard time proving it to me.

But I digress.

Whether we like or dislike the presentation of any given recording is of course a matter of taste. When listening we constantly make judgments about the way we think the recording at any moment ought to sound, based on what we like or don’t like about the sound of recordings in general and how our stereos deal with them. (more…)

We Don’t Need an Analog Revival If It Means Sound As Wrong As This

xxx

Acoustic Sounds had Stan Ricker remaster this record a number of years ago, and of course they (he) ruined it. A twinkly top end and flabby bass were just two of the major shortcomings of their version.

Nothing surprising there, as Stan Ricker is famous for his “smile” curve, boosting both ends of the audio spectrum whether they need boosting or not. 

And half-speed mastered bass is almost always bloated and ill-defined.

If you add too much top end to a guitar record and ruin the sound of the guitar, how can anyone take you seriously?

Please note that not a single title from the Analog Revival series is any good, to the best of my knowledge, and all should be avoided. The same is true for all the 180 gram jazz titles on Analogue Productions mastered by Doug Sax, as you may have read elsewhere on the site.

Those records received rave reviews in the audiophile press when they came out, but you won’t find too many audiophile reviewers sticking up for them now, as they are, without exception, murky, compressed disasters of the worst kind.

I guess these reviewers eventually acquired equipment accurate enough to notice how bad those pressings are, which I guess goes to show there is hope for practically anyone!

Mozart / Quintet – Piano + Winds & Trio

xxxxx

Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your chamber music recordings.

This is a handy record for VTA setup as well. Listen for fullness and solidity, especially in the piano, although a rich, full sounding clarinet is a joy here as well. 

Some of the copies lacked the weight and solidity to balance out the qualities of transparency and clarity. The resulting sound is less natural, with the kind of forced detail that CDs do so well, and live music never does. There is a balance to be found.

The right VTA will be critical in this regard. When you have all the space; the clearest, most extended harmonics; AND good weight and richness in the lower registers of the piano, you are where you need to be (keeping in mind that it can always get better if you have the patience and drive to tweak further).  (more…)

Schubert / Symphony #9 (“The Great”) / Skrowaczewski

xxxxx

A distinguished member of the Better Records Orchestral Music Hall of Fame.

This Colorback Maroon Label RFR pressing (SR 90272) has wonderful orchestral sound, with both sides having Hot Stampers. Side two earned the full Two Pluses for its relatively rich strings, a quality one rarely hears on Mercury recordings from this era. The string texture is superb here, so critical to the enjoyment of a large scale romantic symphony such as this. 

  • A Superb Super Hot side two – rich strings on a Merc? Yes!
  • Nearly as good on side one – spacious and open, with a huge stage
  • Reasonably quiet vinyl for a vintage Mercury
  • One of the great symphonic works of the Romantic period

(more…)

Bob Seger – Night Moves – MoFi Debunked

xxxxx

Sonic Grade: F

A Hall of Shame pressing and another Half Speed debunked.

The last time I played a copy of the MoFi I could not believe how ridiculously bright it was.  

Grieg / Music From Peer Gynt / Fiedler – A Cisco Disaster

More of the music of Edvard Grieg (1843-1907)

Music From Peer Gynt / Fiedler

xxxxx

Sonic Grade: F

Hall of Shame pressing from Cisco / Impex

Pretty bad, on a par with the shrill crap Classic Records has been dishing out for years, but in the opposite tonal direction: dull and deadsville. (more…)