Advice – What to Listen For – Midrange Congestion

An Extraordinary Recording of the Carmen Fantasie – This Is Why You Must Do Shootouts

Dear Reader,

We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.

Tom Port – Better Records

 

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This London Whiteback LP has DEMO DISC sound like you will not believe, especially on side two, which earned our coveted A Triple Plus rating. The sound is warm, sweet and transparent; in short, absolutely GORGEOUS. We call it AGAIG — As Good As It Gets!

As this is one of the Greatest Violin Showpiece Albums of All Time, it is certainly a record that belongs in every right-thinking audiophle’s collection. (If you’re on our site and taking the time to read this, that probably means you.) Ruggiero Ricci is superb throughout.

And side one was just a step below the second side in terms of sound quality, with very solid A++ sound. To find two sides of this caliber, on quiet vinyl no less, is no mean feat. You could easily go through ten copies without finding one as consistently good sounding as this one.

A True Demo Disc, Or Was It?

Ricci’s playing of the Bizet-Sarasate Carmen Fantasie is OUT OF THIS WORLD. There is no greater perforrmance on record in my opinion, and few works that have as much Audiophile Appeal.

Which is why I’ve had a copy of this record in my own collection for about fifteen years marked “My Demo Disc”. But this copy KILLED it. How could that be?

It just goes to show: No matter how good a particular copy of a record may sound to you, when you clean and play enough of them you will almost always find one that’s better, and often surprisingly better. Shootouts are the only way to find these kinds of records. Nothing else works. If you’re not doing shootouts (or buying the winners of shootouts from us) you simply don’t have top quality copies in your collection, except in the rare instances where you just got lucky. In the world of records luck can only take you so far. The rest of the journey requires effort. (more…)

Bob Seger – Night Moves – Our Shootout Winner from 2012

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  • A KILLER vintage pressing with Shootout Winning Triple Plus (A+++) sound throughout for Bob Seger’s breakthrough album (the 8th time’s the charm)
  • A big step up over every other copy we heard – richer, fuller, more dynamic, more lively and just plain more fun
  • Knock the album if you like, but there’s no denying it’s one of Seger’s best and certainly a ’70s classic – every song’s a hit, and deservedly so
  • 5 stars: “One of the universally acknowledged high points of late-’70s rock & roll. And, because of his passion and craft, it remains a thoroughly terrific record years later.”

It’s not easy to find good pressings of this album — it took us plenty of fruitless shootouts before we figured anything out. Most copies out there are thin and dry, which is no way to hear these classic ’70s tracks. We brought in copy after copy that made us think, “I swear this sounds better on the radio!”

Finally, after pulling together a ton of copies from different eras, we started to realize that there were indeed vinyl pressings of Night Moves that sounded right… but they are few and far between, the exception and not the rule so to speak. This copy is one of the better ones we played in our most recent shootout, no question about it.

Knock this album if you like, but there’s no denying it’s one of Seger’s best and certainly a ’70s classic. It may not have the audiophile appeal of Tea For The Tillerman, but it’s a blast when it sounds this good. (more…)

Joe Walsh – The Best of…

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  • An outstanding copy of Walsh’s first compilation album, with Nearly Triple Plus (A++ to A+++) sound on side one matched to a Hot Stamper side two 
  • With sound close to our Shootout Winner on side one, Turn To Stone and Rocky Mountain Way are amazing here
  • We expected to hear dubby, sub-generation tape copy sound, but instead we discovered that these tracks – on the right pressings, natch – sound pretty darn close to the ones on the albums they originally came from
  • The perfect sampler for a casual Joe Walsh fan, featuring songs from his tenure with the James Gang along with some of his best known solo tracks

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Joe Walsh – The Smoker You Drink…

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  • Walsh’s sophomore release finally returns to the site with outstanding Double Plus (A++) sound throughout
  • This copy has rich, warm guitars and tight, punchy bass, there’s real weight to the bottom end, and Joe’s vocals sound exactly right to our ears
  • 4 1/2 stars: “The Smoker You Drink, the Player You Get features some of the most remembered Joe Walsh tracks, but it’s not just these that make the album a success. Each of the nine tracks is a song to be proud of. This is a superb album by anyone’s standards.”

We grew quite fond of this music once we heard it sound this good. If you’re already a fan of the album, I bet you’ll get a real thrill out of hearing this copy. (more…)

Simon and Garfunkel’s Bookends – Here’s an Audio Exercise You Can Do at Home

Musically side two is one of the strongest in the entire Simon and Garfunkel oeuvre (if you’ll pardon my French). Each of the five songs could hold its own as a potential hit on the radio, and no filler to be found whatsoever. How many albums from 1968 can make that claim?

The estimable ROY HALEE handled the engineering duties. Not the most ‘natural” sounding record he ever made, but that’s clearly not what he or the duo were going for. The three of them would obviously take their sound much farther in that direction with the Grammy winning Bridge Over Troubled Water from 1970.

The bigger production songs on this album have a tendency to get congested on even the best pressings, which is not uncommon for Four Track recordings from the ’60s. Those of you with properly set up high-dollar front ends should have less of a problem than some. $3000 cartridges can usually deal with this kind of complex information better than $300 ones.

But not always. Expensive does not always mean better, since painstaking and exacting set up is so essential to proper playback.

The Wrecking Crew provided top quality backup, with Hal Blaine on drums and percussion, Joe Osborn on bass and Larry Knechtel on piano and keyboards.


In-Depth Track Commentary

Side One

Bookends Theme
Save the Life of My Child
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Joe Walsh – So What

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  • With a Triple Plus (A+++) shootout winning side two and a better than Double Plus (A++ to A+++) side one, this copy is practically as good as it gets
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the only way to go
  • Includes a couple of classic tracks, notably Welcome to the Club and a remake of Turn to Stone
  • You’ll hear most of the Eagles playing on this one, produced and engineered by the redoubtable Bill Szymczyk
  • “So What sees Walsh in top form as a guitarist. Most of the nine tracks feature solos of unquestionable quality in his usual rock style.”

We were impressed with how rich and punchy this copy sounded after hearing dozens of dry, thin, lifeless pressings over the years. Once we had heard at least one copy sound good we proceeded to gather up every LP we could get our hands on and make this shootout happen.

Unfortunately, most of what we ended up playing had the kind of mediocre sound we had been suffering through for decades. The best copies had real energy, surprising dynamics, and lots of that ’70s Tubey Magic we love so much and never tire of talking about. (It’s also a sound that you will have a very hard time finding on most Heavy Vinyl pressings being made these days, as you doubtless know.)

The best pressings have (relatively; this is still Joe Walsh album we’re talking about) rich, warm guitars and vocals, supported by tight, punchy bass. Most copies were far less energetic and dynamic than this one. Excellent transparency as well.

All in all, this is pretty much as good as it gets for Joe Walsh in 1974. The very next year he would become an Eagle and help those boys knock it out of the park with Hotel California. (more…)

Joe Walsh – But Seriously, Folks…

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Triple Plus sound, a rarity for this really fun album! Most copies have a tendency to be gritty, thin, and/or edgy — a quality you may recognize from the typical Eagles pressing — but this one is rich, full and smooth in all the right ways.

Life’s Been Good is the big hit here, and it sounds excellent, but there are plenty of other great songs here. It’s one of the more solid rock albums from 1978 to hit our table in a while. Check out the Allmusic review linked above, they rave about the album (4 1/2 stars) and even compare it to Pet Sounds! (more…)

The Pretenders – Learning To Crawl – Our Shootout Winner from 2013

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A distinguished member of the Better Records Rock Hall of Fame.

This copy has real rock and roll energy in its grooves, a quality which earned it serious points here at Better Records. With Robbie McIntosh having joined the band, this is first and foremost a ROCK GUITAR record; his jangly, grungy riffs drive every song.

Think of Middle of the Road — everything that’s good about this band on this album is there in the song: it’s uptempo, with a driving beat and guitars well up in the mix. Only the best pressings convey the energy and enthusiasm of the band while avoiding the grunge, flatness and hardness that make the typical pressing all but unlistenable at loud volumes.

This is where Chrissie Hynde matured into a top class songwriter; every track is good and many are brilliant. We’ve been through a lot of pressings of this album over the years: Japanese, British, domestic; you name it, we’ve played it, and nothing could beat our good domestic pressings. (more…)

Joe Walsh – But Seriously, Folks…

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  • This solo effort boasts Shootout Winning Triple Plus (A+++) sound or close to it on both sides – exceptionally quiet vinyl too
  • A hard album to find with sound like this AND quiet surfaces, but here one is@
  • We guarantee there is dramatically more richness, fullness and presence on this copy than others you’ve heard, and that’s especially true for whatever godawful Heavy Vinyl pressing is currently being foisted on an undiscerning record buying public
  • 4 1/2 stars: “As far as studio albums go, But Seriously Folks is Joe Walsh’s most insightful and melodic… The album’s introspective outlook glides through rejuvenation (‘Tomorrow,’ ‘Over and Over’), recapturing the simple pleasures of the past (‘Indian Summer’), mid-career indecision, and a melancholy instrumental.”

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Simon & Garfunkel – Bookends – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

TWO KILLER SIDES including a STUNNING Demo Quality A+++ side one! Bring over your audio buddies and blow their minds by dropping the needle on America — I guarantee that they’ve never heard it sound like this before (unless, of course, they happen to be one of our top-shelf Hot Stamper customers already). Everything you’d hope for on a killer pressing of this album is right here on this side one, and most of it is on the A++ side two as well.

This Original Columbia 360 Label pressing has DEMO QUALITY SOUND. We know well that the average copy makes it hard to believe that a pressing like this exists, but one quick drop of the needle on any track will show you the light. We played a couple dozen copies this week and most of them weren’t fit to serve dinner on.

This one’s got the SILKY SWEETNESS and TUBEY MAGICAL ANALOG sound that Bookends demands! If your old copy left you with the idea that this is not an audiophile quality recording, we can’t say we’re surprised — most copies just plain stink.

Both sides are rich, sweet, and unusually full-bodied. A copy like this one really conveys the emotional quality of these songs in a direct and powerful way. If you love Bookends as much as we do, you’re gonna flip out when you hear this copy.

Just drop the needle on any track for a taste of what this album is supposed to sound like. I can’t tell you how many disappointing copies of Bookends that we’ve played over the last few years, and especially this last week. The typical copy is hardly worth the vinyl it’s pressed on — the spit and grain are pretty much intolerable. (more…)