If you have a copy or two laying around, there is a very good chance that side two will be noticeably thinner and brighter than side one. That has been our experience anyway, and we’ve been playing batches of this album for well over a decade. To find a copy with a rich side two is rare indeed.
Most copies lack the top end extension that makes the sound sweet, opens it up and puts air around every instrument. It makes the high hat silky, not spitty or gritty. It lets you hear all the harmonics of the guitars and mandolins that feature so prominently in the mixes.
If you’re looking for a big production pop record that jumps out of your speakers, is full of TUBEY MAGIC, and has consistently good music, look no further.
Until I picked up one of these nice originals I had no idea how amazing the record could sound. For an early ’70s multi-track pop recording it’s about as good as it gets. It’s rich, sweet, open, natural, smooth most of the time — in short, it’s got all the stuff audiophiles like you and me LOVE. (more…)