Advice – What to Listen For – Treble

Little Feat – Waiting for Columbus – A Passable (!) MoFi

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Sonic Grade: C

Another Mobile Fidelity Pressing reviewed. Our Audiophile Scorecard has plenty more where this one came from

This is actually a pretty good sounding record, all things considered. We put this one through our cleaning process and gave it a listen. Although our Hot Stamper copies do sound better, they’re also quite a bit more expensive. This copy had the best sound we heard out of the three or four we played, which makes it a Hot Stamper I suppose, but we are instead just calling it a Very Good Sounding Copy.

Waiting for Columbus is one of the greatest live rock and roll albums ever made, containing performances by one of the greatest rock and roll bands to ever play. If you only buy one Little Feat album in your lifetime, make it this one.

We spent years trying to get shootouts together for this album, but kept running into the fact that in a head to head shootout the right MoFi pressing — sloppy bass and all — was hard to beat.

This is no longer the case, courtesy of that same old laundry list you have no doubt seen on the site countless times: better equipment, tweaks, record cleaning, room treatments, etcetera, etcetera. Now the shortcomings of the MoFi are clear for all to see, and the strengths of the best non-half-speed mastered pressings are too, which simply means that playing the MoFi now would be an excruciating experience. All I can hear is what it does wrong. I was so much happier with it when I didn’t know better. (more…)

Dick Schory – Music for Bang, Baa-room and Harp – Check Your Polarity!

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Another in our series of Home Audio Exercises .

An amazing discovery from Better Records. Many copies of this album are REVERSED POLARITY on side two (the side with Buck Dance, one of the better tracks on that side and great for testing). Yes, once again you heard it here first, folks. We had two 4S copies of the album and both of them had side two out of polarity.  

NEWSFLASH: 7s on side two is out of polarity too. Just played one today. There’s practically no real top end extension until you reverse the polarity.

Reversing the absolute phase on this record today was a REVELATION. There before me was all the ambience, openness, sweetness, silkiness and warmth I had come to expect from the best pressings of this longtime member of HP’s TAS List of Super Discs, a record that really is a Super Disc when you hear a good one, and this is a very very good one indeed, on side two anyway. (more…)

Dick Schory – Music for Bang, Baa-room and Harp – Our Shootout Winner from 2016

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This one is absolutely As Good As It Gets on side one. It’s a real treat to hear such a crazy assortment of percussion instruments with this kind of amazingly clear, high-resolution sound! It’s just bigger, richer and clearer than any side we can remember playing. 

Harry Pearson put this record on his TAS List of Super Discs, and rightfully so. It certainly can be a Super Disc, but only when you have the right pressing. This is one of the Demo Discs on the TAS List which truly deserves its status when, and only when, you have the right copy. (The typical copy is quite good, but it sure doesn’t sound like this.) Nothing else in our shootout could touch it. And it’s IN PHASE. Many copies are not.

What to Listen For (WTLF)

Top end, plain and simple. It’s the RARE copy that really has the incredible extension of this side two. The space, the clarity, the harmonic complexity — perhaps one out of ten copies will show you a side two such as this. (more…)

Weather Report – Heavy Weather – Finding the Rare Pressing with an Actual Top End

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Another in our series of Home Audio Exercises.

It has been our experience that the copies with high frequency extension and the clarity, space and percussive energy that results from it are consistently the best sounding. You may have read elsewhere on the site that what separates many of the best Columbia LPs from their competition is an open, extended top end. For some reason Columbia, more than most labels, had a habit of making slightly dull records. Dull does not work for this album.   

When the highs on the record are right, it all comes together. Unfortunately, most copies don’t have those highs. There’s more to it than that of course: some copies lack bass, some are a bit grainy and gritty sounding — the normal problems associated with vinyl records are all here.

But when you have good highs you are about 80 to 85% of the way toward a Hot Stamper. Complete the picture with bass, dynamics, etc. (and a big speaker system) and there’s a good chance the sound will blow your mind.


Heavy Weather is a classic case of yet another in the long list of recordings that really comes alive when you Turn Up Your Volume.

This is music that doesn’t make any sense unless you play it LOUD. This is a BIG SPEAKER recording. I know this because I was playing it too quietly, which is to say at normal listening volumes, and it just wasn’t thrilling me. As soon as I turned it up, it really started to work, both as a piece of music and as a recording. So much gets lost in a mix as dense as this one at moderate levels. Everything comes out into the open when you give it the volume it needs. Trust me on this one; without a big dynamic speaker this music is never going to do what it wants to do — which is to ROCK YOUR WORLD. (more…)

June Christy – The Intimate Miss Christy

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Both sides of this 1962 All Tube Recorded and Mastered record are just as rich and relaxed as you would expect. The balance is correct, which means the top is there as well as the bottom, with good vocal presence throughout.

We are HUGE fans of this album at Better Records, but it’s taken us a long time to pull together enough clean copies to make this shootout happen. We’re happy to say it worth all the trouble.

Get the volume just right and June will be standing between your speakers and putting on the performance of a lifetime. This is one of our favorite female vocal albums (along with Clap Hands, Julie Is her Name and a fair number of others) and this amazingly good copy will show you why – the sound and music are wonderful.

The Mono Is King

This early mono pressing is the only way to find the MIDRANGE MAGIC that’s missing from modern records. As good as the best of those pressings may be, this record is dramatically more REAL sounding. (more…)

Bennett & Evans – The Tony Bennett / Bill Evans Album – More Mistaken MoFi EQ

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Sonic Grade: F

Hall of Shame pressing and another MoFi LP debunked. 

That weird boost around 10k that Stan Ricker liked to add to practically every record he mastered wreaks havoc on the sound of Tony Bennett’s voice. I would be very surprised if the current in-print CD doesn’t sound more tonally natural, and for us audiophile record lovers – not lovers of audiophile records, but guys who love records with audiophile sound – that’s simply another nail in the coffin for one of the most laughably inept remastering labels in the history of that sad enterprise. (more…)

Dave Grusin – Discovered Again – Our Shootout Winner from 2008

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A distinguished member of the Better Records Jazz Hall of Fame.

This Sheffield Direct to Disc pressing has AMAZING SOUND! Out of the six copies we played, this was the White Hot Stamper WINNER of our shootout with the kind of life and musical energy simply not to be found on the average Sheffield copy.

The typical direct to disc pressing of Discovered Again leaves much to be desired. Two areas are especially lacking as a rule: the top end tends to be rolled off, and there is a noticeable lack of presence, which can easily be heard in the drum sound: the snare sounds like it’s covered with a towel on most copies of this album. Wha’ happen?

Who knows? Even though the mastering is fixed at the live event, there are many other variables which no doubt affect the sound. The album is cut on two different lathes — M (Master) and S (Slave), and pressed in two different countries: Japan and Germany. Many mothers were pulled from the acetate and many, many stampers made from those mothers. (I saw one marked stamper number 15!)  (more…)

Airto – Fingers – Top End Extension Is Key to the Best Pressings

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Fingers.

The best copies have the highs that are missing from so many of the CTI originals. When you play them against most copies there is an extension to the top end that you won’t hear elsewhere. Since this album is heavy on percussion, that difference is critical. The HARMONICS of the percussion are critically important to the music. When they go missing it’s as if the music seems to slow down, a strange effect but a fairly common one with rhythmically dense arrangements such as these. 

With an extended top end the sound is SWEET, not HARSH. Believe us when we tell you, the last thing you want is a harsh sounding pressing of a Rudy Van Gelder recording. (Not unless you have a dull, dull, deadly dull stereo. Those “Old School” stereos are practically the only way one can tolerate some of his early recordings.) (more…)

Bizet-Shchedrin / Carmen Ballet Suite / Rozhdestvensky – Our Shootout Winner from 2011

More of the music of Georges Bizet (1838-1875) 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This White Hot Stamper copy of Bizet’s Carmen, rearranged by Soviet composer Rodion Shchedrin for strings and 47 percussion instruments, has two AMAZING sides back to back, which makes it only the second copy of this quality to ever hit the site, and the first to do so in two years.

Demo Quality Sound barely begins to do it justice. If you have the system to play it, this copy is a KNOCKOUT. (more…)

The Band – The Band (2011)

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Holy mother of god, this is one KNOCKOUT copy of The Band’s self-titled masterpiece! Both sides earned our top grade of A+++ and beat the pants off every other copy — including quite a few RL-mastered originals — in the shootout. On top of that, both sides play between Mint Minus and Mint Minus Minus, which is pretty dan quiet for this album. We love this music, but most copies out there have flimsy sound, trashed vinyl, or both. Here’s the exceedingly rare copy that does just about everything right WITHOUT the typical crackly campfire surface noise!

This Capitol Green Label pressing mastered by Robert Ludwig has TWO KILLER SIDES. When you play either side of this copy, you are going to lose your mind. It’s got Master Tape clarity, You Are There presence, and unbelievable transparency. Drop the needle on Night They Drove Old Dixie Down or Up On Cripple Creek and get ready for some SERIOUS MAGIC! (more…)