Advice – What to Listen For – Top End Extension

Bryan Ferry – Boys and Girls

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  • You’ll find excellent Double Plus (A++) sound on both sides of this classic Ferry album from 1985 
  • This copy was super big, full and lively with plenty of presence and bottom end weight
  • On this record, bigger bass and punchier drums make all the difference in the world
  • “Instead of ragged rock explosions, emotional extremes, and all that made his ’70s work so compelling in and out of Roxy, Ferry here is the suave, debonair if secretly moody and melancholic lover, with music to match…”

Excellent sound and quiet vinyl on both sides! If you’ve spent any time with this album, you will be blown away by how great both sides of this copy sound.

Key Listening Test

The song Valentine, the second track on side two, is a key test for that side. Note how processed Ferry’s vocals are; on the best copies they will sound somewhat bright. The test is the background singers; they should sound tonally correct and silky sweet. If Ferry sounds correct, they will sound dull, and so will the rest of the side. That processed sound on his vocal is on the tape. Trying to “fix” it will ruin everything. (more…)

Sketches Of Spain on Six Eye in Stereo

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1960 – It Was a Very Good Year

When you get a Hot Stamper like this one the sound is truly MAGICAL. (AMG has that dead right in their review.) Tons of ambience, Tubey Magic all over the place; let’s face it, this is one of those famous Columbia recordings that shows just how good the Columbia engineers were back then. The sound is lively but never strained. Davis’s horn has breath and bite just like the real thing. What more can you ask for?

We Was Wrong in the Past About HP and Six Eye Labels

In previous commentary we had written:

Harry Pearson added this record to his TAS List of Super Discs a few years back, not exactly a tough call it seems to us. Who can’t hear that this is an amazing sounding recording?

Of course you can be quite sure that he would have been listening exclusively to the earliest pressings on the Six Eye label. Which simply means that he probably never heard a copy with the clarity, transparency and freedom from distortion that these later label pressings offer.

The Six Eyes are full of Tubey Magic, don’t get me wrong; Davis’s trumpet can be and usually is wonderful sounding. It’s everything else that tends to suffer, especially the strings, which are shrill and smeary on most copies, Six Eyes, 360s and Red Labels included.

Over the course of the last few years we’ve come to appreciate just how good the right Six Eye stereo pressing can sound.

In fact, the two copies earning the highest grades were both original stereo pressings. Other pressings did well, but none did as well as the originals. This has never been our experience with Kind of Blue by the way. The later pressings have always done the best job of communicating the music on that album. (more…)

Listening in Depth to Fingers – Airto’s Masterpiece

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This is without a doubt the BEST ALBUM the man ever made. On top of that, this copy really has the kind of sound we look for, with an open, fully extended top end that gives all the elements of this complex music room to breathe.

We Love Fingers

Fingers is one of our all time favorite records, a Desert Island disc to be sure. I’ve been playing this album for more than thirty years and it just keeps getting better and better. Truthfully it’s the only Airto record I like. I can’t stand Dafos, and most of the other Airto titles leave me cold. I think a lot of the credit for the brilliance of this album has to go to the Fattoruso brothers, who play keyboards, drums, and take part in the large vocal groupings that sing along with Airto.

At times this record really sounds like what it is: a bunch of guys in a big room beating the hell out of their drums and singing at the the top of their lungs. You gotta give RVG credit for capturing so much of that energy on tape and transferring that energy onto a slab of vinyl. (Of course this assumes that the record in question actually does have the energy of the best copies. It’s also hard to know who or what is to blame when it doesn’t, since even the good stampers sound mediocre most of the time. Bad vinyl, worn out stampers, poor pressing cycle, it could be practically anything.) (more…)

June Christy – Gone For The Day – Fifties Capitol Magic

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Side two of this White Hot Stamper June Christy record on the original Capitol Turquoise label is AMAZING, both musically and sonically. It has all the TUBEY MAGIC we know these old records are famous for, but this copy gives you something you may never have heard on a vintage pressing before: real frequency EXTENSION, both high and low. Who knew an old record could have extended highs like these and such deep bass?

I can honestly say I have never heard any June Christy record sound as good as this copy does. (more…)

Audiophile Wire Testing with Jethro Tull and His Friend Aqualung

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… who seems to have a rather nasty bronchial condition…

Another in our series of Home Audio Exercises.

Like Heart’s Little Queen album, Aqualung presents us with a Demo Disc / Test Disc that really puts a stereo through its paces, assuming it’s the kind of stereo that’s designed to play an album like Aqualung.

Not many audiophile systems I’ve run across over the years were capable of reproducing the Big Rock Sound this album requires, but perhaps you have one and would like to use the album to test some of your tweaks and components. I used it to show me how bad sounding some of the audiophile wire I was testing really was.

Here’s what I wrote:

A quick note about some wire testing I was doing a while back. My favorite wire testing record at the time (2007)? None other than Aqualung!

Part One

Here’s why: Big Whomp Factor. Take the whomp out of Aqualung and the music simply doesn’t work, at all. To rock you need whomp, and much of Aqualung wants to rock.
(more…)

Listening in Depth to Aja (Includes Free Cisco Debunking Tool)

Aja

 

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Another in our series of Home Audio Exercises with specific advice on What to Listen For (WTLF) as you critically evaluate your copy of Aja.

Our track commentary for the song Home at Last makes it easy to spot an obvious problem with Cisco’s remastered Aja: This is the toughest song to get right on side two. Nine out of ten copies have grainy, irritating vocals; the deep bass is often missing too. Home at Last is just plain unpleasant as a rule, which is why it’s such a great test track.

Get this one right and it’s pretty much smooth sailing from there on out.
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This Is the Kind of Thing You Notice When You Play Scores of Copies of the Same Album

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If you have a copy or two laying around, there is a very good chance that side two will be noticeably thinner and brighter than side one. That has been our experience anyway, and we’ve been playing batches of this album for well over a decade. To find a copy with a rich side two is rare indeed.

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Most copies lack the top end extension that makes the sound sweet, opens it up and puts air around every instrument. It makes the high hat silky, not spitty or gritty. It lets you hear all the harmonics of the guitars and mandolins that feature so prominently in the mixes.

If you’re looking for a big production pop record that jumps out of your speakers, is full of TUBEY MAGIC, and has consistently good music, look no further. (more…)

Listening in Depth to Joe Jackson – Balancing Night with Day

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Balancing Night with Day

Listening in Depth

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There are basically four elements that go into the making of Night and Day: vocals; keyboards (mostly the piano); percussion (in the mids and highs) and rhythm (drums and bass).

No two copies will get all of these elements to sound their best. The trick to finding the hotter of the Hot Stamper pressings is to find copies of the album that reproduce these four elements clearly and correctly, in balance, and reveals their placement in a large, three-dimensional studio space.

It may sound easy but I assure you it is not. With this many instruments in the mix it’s a lot to get right.

Vocals

Pop records live and die by the quality of their vocals and Night and Day is no different in that respect. The vocals have to be front and center. Veiling in the midrange costs a fair number of points. They should also be smooth, not thin or edgy. I would rather have slightly veiled vocals relative to thin and edgy ones, but some copies manage to give you full, clear, present vocals, and those are the ones we tend to like the best.

Keyboards

When the sound is thin in the lower midrange and upper bass the piano will lose its weight and solidity. In the denser mixes it can easily get washed out, and nobody wants a washed out piano.

There is no guitar on this record. The piano carries much of the structural energy of the music. You need to be able to hear the piano clearly and hear that it is both full-bodied and percussive. (more…)