Advice – What to Listen For – Top End Extension

Airto – Fingers – Truly a Desert Island Disc

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A distinguished member of the Better Records Jazz Hall of Fame.

Fingers is one of our all time favorite records, a Desert Island disc to be sure. I’ve been playing this album for more than thirty years and it just keeps getting better and better. Truthfully it’s the only Airto record I like. I can’t stand Dafos, and most of the other Airto titles leave me cold. I think a lot of the credit for the brilliance of this album has to go to the Fattoruso brothers, who play keyboards, drums, and take part in the large vocal groupings that sing along with Airto. 

At times this record really sounds like what it is: a bunch of guys in a big room beating the hell out of their drums and singing at the the top of their lungs. You gotta give RVG credit for capturing so much of that energy on tape and transferring that energy onto a slab of vinyl. (Of course this assumes that the record in question actually does have the energy of the best copies. It’s also hard to know who or what is to blame when it doesn’t, since even the good stampers sound mediocre most of the time. Bad vinyl, worn out stampers, poor pressing cycle, it could be practically anything.)

Stampers and Promos

There are a couple of stampers we like for both sides, but knowing the numbers is not particularly helpful since there are not all that many stampers to choose from, and the good stampers can sound just plain awful on some copies. Side one is either A1, A2, or A3 and side two is B1, B2, or B3. I have never seen any other stamper numbers for a domestic pressing and I have seen scores of copies of this album over the last twenty plus years. (Quad doesn’t count; those pressings rarely if ever sound good in stereo.)

Some that we’ve put on the site are White Label Promos. I have a number of them and practically every stamper is represented for both sides, so the promo designation has almost no bearing on the quality of the sound. Which is not saying much because it almost never does.


This is Airto’s Masterpiece as well as a Desert Island Disc for yours truly.

What qualifies a record to be a Masterpiece needs no explanation. We will make every effort to limit each of the artists to a maximum of one masterpiece per artist or group, although some exceptions have already occurred to me, so that rule will be broken from time to time.

For a record to belong on my Desert Island Disc, said record: 1) must have at some time during my fifty years as a music lover and audio enthusiast been played very heavily, fanatically perhaps, even if only for a short time; 2) my current sixty year old self must still strongly respect the album, and; 3) I must want to listen to the album well into the future.

How many records meet the Desert Island Disc criteria? Certainly many more than you can see when you click on the link, but new titles will be added as time permits.

AMG Review

One of the five-star gems [although they actually give it 4 1/2!] that the Brazilian percussionist recorded for CTI was Fingers, which employs Purim on percussion and vocals, David Amaro on guitar, Hugo Fattoruso on keyboards and harmonica, Jorge Fattoruso on drums and Ringo Thielmann on electric bass. Produced by Taylor and recorded at Rudy Van Gelder’s famous New Jersey studio, this LP demonstrates just how exciting and creative 1970s fusion could be. When Moreira and his colleagues blend jazz with Brazilian music, rock and funk on such cuts as “Wind Chant,” “Tombo in 7/4” and “Romance of Death,” the results are consistently enriching. Fingers is an album to savor.

The Tale of Tsar Saltan – What to Listen For: The Triangle

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your pressing of the album. 

This is a work that makes extensive use of the triangle, and I don’t know when I’ve ever heard a better recording of that instrument. (I think there are actually two being played.) It’s incredibly sweet, detailed and extended, without calling attention to itself in an unnatural manner. When you hear it, you know it, and I’m hearing it in my head as this is being written. 

Want a good tweeter test next time you’re in the market for new speakers? Play a record with a well-recorded triangle. It’s a surprisingly hard instrument to reproduce.  (more…)

Tears For Fears – Songs From The Big Chair – What to Listen For

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Another in our series of Home Audio Exercises with advice on what you should be listening for when critically evaluating your copy (or ours) of the album.   

There is one quality that the best copies always have and that the worst copies always lack: Frequency Extension, especially on the top end. (more…)

Jackson Browne’s Debut – What to Listen For

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF)  as you critically evaluate your copy of Jackson Browne’s first (and best) album. 

The real trick with this album is in striking the right balance between richness and presence. A White Hot Stamper from years back made me change my mind about this recording. I used to think it was dull, but I was wrong. I used to think that even the best copies of this recording sounded rolled off on the top end. I no longer believe that to be true. On the best pressings the top end is correct for this music.

It took the right pressing to show me the error of my ways. (more…)

Airto Fingers – Listening in Depth

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Presenting another entry in our extensive Listening in Depth series.

At times this record really sounds like what it is: a bunch of guys in a big room beating the hell out of their drums and singing at the the top of their lungs. You gotta give RVG credit for capturing so much of that energy on tape and transferring that energy onto a slab of vinyl. 

Of course this assumes that the record in question actually does have the energy of the best copies. It’s also hard to know who or what is to blame when it doesn’t, since even the good stampers sound mediocre most of the time. Bad vinyl, worn out stampers, poor pressing cycle, it could be practically anything.

In-Depth Track Commentary (more…)

Leonard Bernstein – West Side Story (Soundtrack)

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  • Outstanding sound throughout for this Columbia 2-pack* with both sides rating a Triple Plus (A+++)
  • The overall sound here is incredibly big, rich, smooth and tonally right on the money (for once!)
  • The biggest selling album of the ’60s – 54 weeks at Number One (!)
  • “The soundtrack of the West Side Story film is deservedly one of the most popular soundtrack recordings of all time, and one of the relatively few to have attained long-term popularity beyond a specialized soundtrack/theatrical musical audience.” – AMG, 5 Stars

Our 2-pack sets combine two copies of the same album, with at least a Super Hot Stamper sonic grade on the better of each “good” side, which simply means you have before you a pair of records that offers superb sound for the entire album.

NOTE: We have mated an original Six-Eye pressing with a ’70s reissue pressing to give you two amazing Triple Plus (A+++) sides that play with no marks, a tall order for this title! See below for more on our 2-packs. (more…)

Bryan Ferry – Boys and Girls

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  • You’ll find excellent Double Plus (A++) sound on both sides of this classic Ferry album from 1985 
  • This copy was super big, full and lively with plenty of presence and bottom end weight
  • On this record, bigger bass and punchier drums make all the difference in the world
  • “Instead of ragged rock explosions, emotional extremes, and all that made his ’70s work so compelling in and out of Roxy, Ferry here is the suave, debonair if secretly moody and melancholic lover, with music to match…”

Excellent sound and quiet vinyl on both sides! If you’ve spent any time with this album, you will be blown away by how great both sides of this copy sound.

Key Listening Test

The song Valentine, the second track on side two, is a key test for that side. Note how processed Ferry’s vocals are; on the best copies they will sound somewhat bright. The test is the background singers; they should sound tonally correct and silky sweet. If Ferry sounds correct, they will sound dull, and so will the rest of the side. That processed sound on his vocal is on the tape. Trying to “fix” it will ruin everything. (more…)

Sketches Of Spain on Six Eye in Stereo

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1960 – It Was a Very Good Year

When you get a Hot Stamper like this one the sound is truly MAGICAL. (AMG has that dead right in their review.) Tons of ambience, Tubey Magic all over the place; let’s face it, this is one of those famous Columbia recordings that shows just how good the Columbia engineers were back then. The sound is lively but never strained. Davis’s horn has breath and bite just like the real thing. What more can you ask for?

We Was Wrong in the Past About HP and Six Eye Labels

In previous commentary we had written:

Harry Pearson added this record to his TAS List of Super Discs a few years back, not exactly a tough call it seems to us. Who can’t hear that this is an amazing sounding recording?

Of course you can be quite sure that he would have been listening exclusively to the earliest pressings on the Six Eye label. Which simply means that he probably never heard a copy with the clarity, transparency and freedom from distortion that these later label pressings offer.

The Six Eyes are full of Tubey Magic, don’t get me wrong; Davis’s trumpet can be and usually is wonderful sounding. It’s everything else that tends to suffer, especially the strings, which are shrill and smeary on most copies, Six Eyes, 360s and Red Labels included.

Over the course of the last few years we’ve come to appreciate just how good the right Six Eye stereo pressing can sound.

In fact, the two copies earning the highest grades were both original stereo pressings. Other pressings did well, but none did as well as the originals. This has never been our experience with Kind of Blue by the way. The later pressings have always done the best job of communicating the music on that album. (more…)

June Christy – Gone For The Day – Fifties Capitol Magic

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Side two of this White Hot Stamper June Christy record on the original Capitol Turquoise label is AMAZING, both musically and sonically. It has all the TUBEY MAGIC we know these old records are famous for, but this copy gives you something you may never have heard on a vintage pressing before: real frequency EXTENSION, both high and low. Who knew an old record could have extended highs like these and such deep bass?

I can honestly say I have never heard any June Christy record sound as good as this copy does. (more…)

Audiophile Wire Testing with Jethro Tull and His Friend Aqualung

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… who seems to have a rather nasty bronchial condition…

Another in our series of Home Audio Exercises.

Like Heart’s Little Queen album, Aqualung presents us with a Demo Disc / Test Disc that really puts a stereo through its paces, assuming it’s the kind of stereo that’s designed to play an album like Aqualung.

Not many audiophile systems I’ve run across over the years were capable of reproducing the Big Rock Sound this album requires, but perhaps you have one and would like to use the album to test some of your tweaks and components. I used it to show me how bad sounding some of the audiophile wire I was testing really was.

Here’s what I wrote:

A quick note about some wire testing I was doing a while back. My favorite wire testing record at the time (2007)? None other than Aqualung!

Part One

Here’s why: Big Whomp Factor. Take the whomp out of Aqualung and the music simply doesn’t work, at all. To rock you need whomp, and much of Aqualung wants to rock.
(more…)