Advice – What to Listen For – Smear

Burt Bacharach – Reach Out – What to Listen For

More Burt Bacharach

More Reach Out

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Reach Out.

What to listen for? Brightness, Blare, Lifelessness, Smear.

We played a good-sized stack of these recently, but not many of them sounded like this one. The majority of copies had a tendency to be bright, which is MURDER when the horns start blaring at the levels we like to play our records at. (more…)

Offenbach Gaite Parisienne with Fiedler – More Smeary Dreck from Classic Records

More Jacques Offenbach (1819-1880)

More Gaite Parisienne / Fiedler

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Sonic Grade: F

Another Classic Records LP found wanting. 

The last time I played the Classic I thought it was a smeary mess, as awful as their awful Scheherazade (both shamefully on the TAS List as I recall). If I were to play it today I’m guessing it would join the other Classic Records entries in our Hall of Shame. 

 I love Fiedler’s performance and the 1954 two track RCA Living Stereo sound but finding an original Shaded Dog pressing in clean condition under $500 with the right stampers (something above 10 as a rule) is all but impossible nowadays.

If you want to go that way more power to you. 

This 1954 2-track recording is RCA’s first stereo recording of the work. 1954. Can you believe it? Two mics and two channels and it blows away 99% of all the classical recordings ever done! Some old record collectors and tube lovers say classical recording quality ain’t what it used to be. This record proves it.

Beethoven Violin Concerto with Heifetz (LSC 1992)

More of the music of Ludwig van Beethoven (1770-1827)

More on Beethoven / Violin Concerto / Heifetz

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

The reproduction of the violin here is superb — harmonically rich, natural, clean, clear, resolving. What sets the truly killer pressings apart is the depth, width and three-dimensional quality of the sound, as well as the fact that they become less congested in the louder passages and don’t get shrill or blary. The best copies display a Tubey Magical richness — especially evident in the basses and celli — that is to die for.

Big space, a solid bottom, and plenty of dynamic energy are strongly in evidence throughout. Practically zero smear, exceptional resolution, transparency, tremendous dynamics, a violin that is present and solid — this copy takes the sound of the recording right to the limits of what we thought possible.

In fact, side one of this very pressing was the one that allowed me to hear how good the 1959 recording with Heifetz could be. I marked it as a “ref copy” so that in preparing the shootout we would use this side one to dial in the VTA, knowing that the sound I had heard was tonally right on the money.

If we found one in the shootout with superior sonic qualities, so much the better — it happens all the time — but at least we knew we had one copy that really sounded right. (more…)

Iberia (LSC 2222) on Classic Records – Part of the First Batch of Their RCA Reissues from 1994

More of the music of Claude Debussy

More Iberia

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Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked.

The Classic of LSC 2222 is all but unlistenable on a highly resolving system. The opacity, transient smear and loss of harmonic information and ambience found on Classic’s pressing is enough to drive us right up the wall. Who can sit through a record that sounds like that? Way back in 1994, long before we had anything like the system we do now, we were disparaging the “Classic Records Sound” in our catalogs.

With each passing year — 24 and counting — we like it less. 

The Classic may be on Harry’s list — sad but true — but that certainly has no bearing on the fact that it’s not a very good record. (more…)

Rockin’ the Mandolin with Loggins and Messina

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A recent White Hot Stamper pressing of L&M’s fourth release demonstrates pretty convincingly just what an amazing DEMO DISC this album can be. When Jim Messina rips into his mandolin solo half way through Be Free your jaw is likely to hit the ground. On the best copies it positively LEAPS out of the left speaker. I can’t recall another pop or rock recording that captures either the plucked energy or the harmonic nuances of the instrument better. To hear such a well-recorded mandolin on a copy of this quality is nothing less than a THRILL.
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Basie & Peterson – Probably Bad Sounding on Heavy Vinyl, But Who Really Knows?

More Count Basie

More on The Timekeepers

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Analogue Productions remastered this longtime favorite of ours, The Timekeepers, on 45 RPM vinyl. Considering their dismal track record — an unbroken string of failures, scoring not a single winner with which I am familiar — I’m guessing the Hot Stamper we offered here would have blown the doors off their version as well as any other Basie album they will ever do on vinyl. (more…)

An Extraordinary Recording of the Carmen Fantasie – This Is Why You Must Do Shootouts

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This London Whiteback LP has DEMO DISC sound like you will not believe, especially on side two, which earned our coveted A Triple Plus rating. The sound is warm, sweet and transparent; in short, absolutely GORGEOUS. We call it AGAIG — As Good As It Gets!

As this is one of the Greatest Violin Showpiece Albums of All Time, it is certainly a record that belongs in every right-thinking audiophle’s collection. (If you’re on our site and taking the time to read this, that probably means you.) Ruggiero Ricci is superb throughout.
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