Advice – What to Listen For – Shrillness in the Upper Midrange

Setup Discs, Part Two – Dialing in the Anti-Skate

Setup Discs, Part Two – Dialing in the Anti-Skate

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Another in our series of Home Audio Exercises

This is a superb Demonstration disc, but it is also an excellent Test disc. The sound of the best copies is rich, full-bodied, incredibly spacious, and exceptionally extended up top. There is a prodigious amount of musical information spread across the soundstage, much of it difficult to reproduce. Musicians are banging on so many different percussive devices (often at the back of the stage, exactly where they should be) that getting each one’s sonic character to clearly come through is a challenge — and when you’ve met it, a thrill.

If you’ve done your homework with VTA, Azimuth, Anti-Skate and Tracking Weight, this is the record that will make clear just how much you’ve accomplished.

More of the music of Georges Bizet

But boy is it a difficult record to reproduce! You better have everything working right when you play this one — it’s guaranteed to bring practically any audiophile system to its knees. And if you have any peaky audiophile wire in your system, the kind that is full of detail but calls attention to itself, you are in big trouble with a record like this. More than anything this is a record that rewards your system’s neutrality.

On the best copies the strings have wonderful texture and sheen. If your system isn’t up to it (or you have a copy with a problem in this area), the strings might sound a little shrill and possibly grainy as well, but I’m here to tell you that the sound on the best copies is just fine with respect to string tone and timbre. You will need to look elsewhere for the problem. (more…)

Billie Holiday – All Or Nothing At All

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I expected our amazing sounding original to win the shootout, but it didn’t!

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The reprocessed fake stereo copy here is to be avoided at all costs. It sounds as bad as any fake stereo record I can remember playing. What were they thinking?

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  • A KILLER sounding copy with Triple Plus (A+++) sound or very close to it from start to finish, on quiet vinyl to boot 
  • This is one of the best sounding Billie Holiday records we have ever heard – it’s even a clear step up from the originals we had on hand
  • This 2 LP set features most of the tracks from the original release plus another handful of recordings from the same period (1955-1956)
  • “… features some of Billie Holiday’s top Verve performances from the mid-’50s… she runs the emotional gamut from summery optimism to pathos-rich musings. Befitting her perennial after-hours mood, the majority of songs here feature Holiday in a low-down mood of the highest order.” – All Music

Naturally, the highest quality vocal reproduction has to be the main focus on a Hot Stamper pressing for any Billie Holiday record we would offer. Her voice should be rich and tubey, yet clear, breathy and present.

In addition to being tonally correct and natural, the pressings we offer must also be highly resolving. With the right room and the right equipment, properly set-up and adjusted of course, you will hear everything that these vintage recordings have to offer, including the three-dimensional space of the studios in which the various sessions were recorded, under the auspices of Norman Granz.

The Sound of the Original

The original Trumpet Player Verve mono we had on hand to play suffered from an EQ problem we run into frequently in our shootouts for vintage vocal albums. Actually, to be clear, there were two main problems in the case of All or Nothing At All: a boosted midrange and occasional sibilance issues. (more…)

Simon and Garfunkel – Bridge Over Troubled Water – Classic Records Reviewed

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Sonic Grade: C

Not Bad, But Hot Stampers Rule 

What do the best copies give you? They’re the ones with textured strings in the orchestral arrangements. The string tone on the average copy is hard and steely. (The Classic 200 gram pressing suffers from a case of slightly steely strings. Play it yourself and see.) When the strings are blasting away at the end of the title song, you want to be able to hear the texture without the strings sounding shrill and edgy. This is no mean feat, for the record or the stereo. (more…)

Listening in Depth to ELO’s Masterpiece – A New World Record

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Listening in Depth

 

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As a result of Jeff Lynne’s everything-but-the-kitchen-sink production approach, it will be the rare copy that provides enough transparency and resolution to bring out all the elements in these incredibly dense mixes, strings included. But when you find a copy that does, what a THRILL it is. This is the band’s MASTERPIECE in my humble opinion. For audiophiles ELO on LP doesn’t get any better.

In-Depth Track Commentary

Side One

Tightrope

Both sides start off with a uptempo rocker, and this side’s is Tightrope.

Watch your string tone. If it’s shrill or grainy you are going to find yourself in trouble on practically every song on A New World Record — they all have strings and lots of them. (more…)