Advice – What to Listen For – Polarity

TAS List Thoughts about Festival – Harry, This One Is Out of Phase, Man!

More orchestral music conducted by Fritz Reiner (1888-1963)

TAS List Thoughts about Festival

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Harry Pearson put this on his list of the best Classic Records RCAs.

If you can reverse your absolute phase this record actually sounds fairly decent. Do you think Harry knows to do that, or even how to do it? I have my doubts. [He’s gone now so the point is moot, but I maintain it’s the rare reviewer who grasps these kinds of issues with anything approaching the depth and understanding required to be informative and accurate.) 

Dick Schory – Music for Bang, Baa-room and Harp – Our Shootout Winner from 2016

More Dick Schory

More Music for Bang, Baa-room and Harp

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This one is absolutely As Good As It Gets on side one. It’s a real treat to hear such a crazy assortment of percussion instruments with this kind of amazingly clear, high-resolution sound! It’s just bigger, richer and clearer than any side we can remember playing. 

Harry Pearson put this record on his TAS List of Super Discs, and rightfully so. It certainly can be a Super Disc, but only when you have the right pressing. This is one of the Demo Discs on the TAS List which truly deserves its status when, and only when, you have the right copy. (The typical copy is quite good, but it sure doesn’t sound like this.) Nothing else in our shootout could touch it. And it’s IN PHASE. Many copies are not.

What to Listen For (WTLF)

Top end, plain and simple. It’s the RARE copy that really has the incredible extension of this side two. The space, the clarity, the harmonic complexity — perhaps one out of ten copies will show you a side two such as this. (more…)

The Heifetz-Piatigorsky Concerts

More of the music of Amadeus Mozart (1756-1791)

The Heifetz-Piatigorsky Concerts

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This is one of the pressings we’ve discovered with Reversed Polarity.

This IMMACULATE set has dry, edgy, screechy sound — until you reverse your absolute phase! Then it sounds pretty good! It certainly will never win any awards, but it’s practically unlistenable without the phase reversed. 

Now I can’t say that’s true for all six sides. I play graded all six sides — they range from M- to slightly worse, about as quiet as these Soria pressings ever are — but I only reversed the phase on side one after dropping the needle on the other sides and suffering through the brittle sound. (more…)

Offenbach & Chopin / Gaite Parisienne & Les Sylphides – Reverse Your Polarity

More Jacques Offenbach (1819-1880)

Reverse Your Polarity

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This is one of the pressings we’ve discovered with Reversed Polarity.

Amazing in every way! The top end of this record is clear, clean and correct. No other copy sounded like this one on the first side. When you hear all the percussion instruments — the tambourines, triangles, wood blocks and what-have-you — you know instantly that they sound RIGHT.

The overall sound is very different from many of the other recordings of the work that we have offered in the past. Rather than smooth, rich and sweet, the sound here is big and bold and clear like nothing we have ever played.

This is Front Row Center sound for those whose systems can reproduce it!

And this is truly a top performance by Fistoulari and the Royal Philharmonic. I know of none better. For music and sound this is the one!

Side One

The Triple Plus sound makes this THE Gaite Parisienne to Own.

If you have a hot copy of LSC 1817 consider yourself very fortunate. If your copy of LSC 1817 has never thrilled you, then this pressing will beat the pants off it, as it is pretty darn THRILLING. Even if you do have a great 1817 I would still put this up against it and expect it to win the shootout.

It’s clear, clean and above all, TRANSPARENT. This is a claim no modern remastered record, in our opinion, can make. The energy is spectacular on this side. Not only that, but listen to the bite of the brass — that’s some high-rez sound! (more…)

Dave Grusin – Discovered Again – Our Shootout Winner from 2008

More Dave Grusin

More Discovered Again

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A distinguished member of the Better Records Jazz Hall of Fame.

This Sheffield Direct to Disc pressing has AMAZING SOUND! Out of the six copies we played, this was the White Hot Stamper WINNER of our shootout with the kind of life and musical energy simply not to be found on the average Sheffield copy.

The typical direct to disc pressing of Discovered Again leaves much to be desired. Two areas are especially lacking as a rule: the top end tends to be rolled off, and there is a noticeable lack of presence, which can easily be heard in the drum sound: the snare sounds like it’s covered with a towel on most copies of this album. Wha’ happen?

Who knows? Even though the mastering is fixed at the live event, there are many other variables which no doubt affect the sound. The album is cut on two different lathes — M (Master) and S (Slave), and pressed in two different countries: Japan and Germany. Many mothers were pulled from the acetate and many, many stampers made from those mothers. (I saw one marked stamper number 15!)  (more…)

Brahms / Piano Concerto No. 2 / Gilels / Reiner – Reviewed in 2010

More of the music of Johannes Brahms 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This is one of the pressings we’ve discovered with Reversed Polarity

This Very Nice Plum Label Victrola has excellent sound — sweet and spacious — but only if you reverse your absolute phase. The vinyl is quiet and, most importantly, this is arguably the greatest performance of all time. The LSC might be a tad better overall; they’re so darn rare it’s hard to know.

Brahms, Handel, Chopin – Lincoln Mayorga, Pianist – Reverse Your Polarity!

More Brahms, Handel, Chopin

More Direct to Disc recordings

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This IMMACULATE Sheffield Direct-to-Disc LP with Very Little Sign Of Play (VLSOP) is one of the best Sheffields. Lincoln Mayorga is an accomplished classical pianist: this is arguably his best work. (I had a chance to see him perform at a recital of Chopin’s works early in 2010 and he played superbly — for close to two hours without the aid of sheet music I might add.) 

You might want to try reversing the phase when playing this LP; it definitely helps the sound, a subject we discuss below.

This is another one of the Pressings We’ve Discovered with Reversed Polarity.

Reversing the absolute phase on this record recently was quite interesting. The sound of the piano itself was already very good. With the phase reversed what really changed with the sense of space surrounding it, which immediately became much more palpable. The piano, though tonally similar to the way it sounded with the phase left alone, came to life more — more solid and punchy and percussive.

How do you change the absolute phase you ask? You must either switch the positive and negative at the speaker, the amp, or at the head shell leads, or you must have a switch that inverts phase on your preamp or phono stage. (The EAR 324p we use has just such a switch and let me tell you, it comes in very handy in situations like these.) If you can’t do any of those, or are unwilling to do any of those, this record will still sound good. It just won’t sound as good.

Rossini-Respighi / La Boutique Fantasque – Reversed Polarity Copy!

More Ottorino Rossini

More La Boutique Fantasque / Fiedler

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This is one of the pressings we’ve discovered with Reversed Polarity.

This is a WONDERFUL sounding, very quiet original Shaded Dog pressing of one of the rarest Living Stereo titles. Dropping the needle on side one was a shock — the sound was terrible: thin, shrill and practically unlistenable. Since I know this to be an exceptionally good sounding record, there was only one possibility: reverse absolute phase. Sure enough, the magic of Living Stereo reappeared. If you can’t reverse your phase, this is not the record for you! 

Are they all that way? I have no way of knowing. I run across a clean quiet copy like this about every ten years. If any of you out there own this record and yours is not reversed phase let me know what your stamper numbers are, I’d be very interested.

This has always been a favorite title with audiophiles. It’s full of lovely orchestral colors, much like The Nutcracker. As usual, Fiedler and the Boston Pops are accorded superb sound.

Sergio Mendes + Psych + Your Mind Will Be Blown

Stillness

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Allow me to quote a length a wonderful review from Brasil66.com before we get into What to Listen For on Stillness.

A radical departure from anything that had gone before, Stillness remains the one album that Brasil ’66 fans either love or hate. Most complaints about it center on the fact that the familiar bossa sound of the earlier records was now mostly gone.

Nonetheless, Stillness is arguably one of the most fluid albums of Mendes’ career. It takes its cue from the work of many of the singer/songwriters of the day (Carole King, James Taylor, Joni Mitchell, etc.), with thoughtful lyrics and often delicate arrangements. It is a almost a concept album, with the theme expressed in the title song — the words of which are even printed on the front cover — and an outdoorsy, peaceful feeling running through many of the other lyrics. (This feeling is also reflected in the cover photos, which were shot in a rural setting.)

Stillness is also Lani Hall’s final album with Mendes; she left the group during these sessions and was replaced by Gracinha Leporace, who does lead vocals on several songs. Standout tracks include “Chelsea Morning” and “Viramundo,” both of which contain traces of the earlier Brasil ’66 sound; “Righteous Life” and Buffalo Springfield’s “For What It’s Worth,” both of which reflect the mood of late ’60s America through their lyrics; and the very pretty “Sometimes in Winter,” featuring an elegant orchestral arrangement by Dick Hazard.

If you are looking for DEMO DISC QUALITY SOUND with music every bit as wonderful, look no further — this is the record for you.

If I had one song to play to show what my stereo can really do, For What It’s Worth on a Hot Stamper copy would probably be my choice. I can’t think of any material that sounds better. It’s amazingly spacious and open, yet punchy and full bodied the way only vintage analog recordings ever are. (more…)

THE Gaite Parisienne to Own – A Classic Case of Reversed Polarity

The Music of Jacques Offenbach

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  • This amazing Readers Digest disc has A+++ Out of This World Demo Disc sound for Gaite Parisienne
  • The dynamic energy, clarity and power of this work come through on this pressing like nothing you have ever heard
  • But only if you can reverse your polarity – if you can’t (or won’t) just forget hearing this record sound the way I describe it
  • “This is unpretentious, well-crafted music, and while it will not appeal to those exclusively interested in serious listening, it is undeniably masterful within its genre.”

Amazing in every way! The top end of this record is clear, clean and correct. No other copy sounded like this one on the first side. When you hear all the percussion instruments — the tambourines, triangles, wood blocks and what-have-you — you know instantly that they sound RIGHT. (more…)