Advice – What to Listen For – Midrange Congestion

Counting Down to Ecstasy and Singing Along with My Old School

More Countdown to Ecstasy

 

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Another in our series of Home Audio Exercises with specific advice on What to Listen For (WTLF) as you critically evaluate your copy of Countdown to Ecstasy, Steely Dan‘s wonderful second album.

We’ve found that two songs are especially helpful in this regard: Razor Boy on side one, and My Old School on side two.

This album shares top honors with Katy Lied as the toughest Steely Dan album to get to sound right. It’s a positive shame that so many copies are such sonic let-downs: congested, bass-shy, veiled, compressed and grainy. There’s a good reason we don’t do this album but once a year, and it’s not because of a lack of demand. It’s because so many copies sound so bad.
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An Extraordinary Recording of the Carmen Fantasie – This Is Why You Must Do Shootouts

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This London Whiteback LP has DEMO DISC sound like you will not believe, especially on side two, which earned our coveted A Triple Plus rating. The sound is warm, sweet and transparent; in short, absolutely GORGEOUS. We call it AGAIG — As Good As It Gets!

As this is one of the Greatest Violin Showpiece Albums of All Time, it is certainly a record that belongs in every right-thinking audiophle’s collection. (If you’re on our site and taking the time to read this, that probably means you.) Ruggiero Ricci is superb throughout.
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An Audio Exercise that You Can Do at Home with Bookends

A Killer Copy

Musically side two is one of the strongest in the entire Simon and Garfunkel oeuvre (if you’ll pardon my French). Each of the five songs could hold its own as a potential hit on the radio, and no filler to be found whatsoever. How many albums from 1968 can make that claim?

The estimable ROY HALEE handled the engineering duties. Not the most ‘natural” sounding record he ever made, but that’s clearly not what he or the duo were going for. The three of them would obviously take their sound much farther in that direction with the Grammy winning Bridge Over Troubled Water from 1970.

The bigger production songs on this album have a tendency to get congested on even the best pressings, which is not uncommon for Four Track recordings from the ’60s. Those of you with properly set up high-dollar front ends should have less of a problem than some. $3000 cartridges can usually deal with this kind of complex information better than $300 ones.

But not always. Expensive does not always mean better, since painstaking and exacting set up is so essential to proper playback.

The Wrecking Crew provided top quality backup, with Hal Blaine on drums and percussion, Joe Osborn on bass and Larry Knechtel on piano and keyboards.


In-Depth Track Commentary

Side One

Bookends Theme
Save the Life of My Child
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