Another in our series of Home Audio Exercises with advice on what you should be listening for when critically evaluating your copy (or ours) of the album.
Many copies have no bass, while other copies are bright, a combination which ruins the sound of the acoustic guitars that dominate the album. On the better Hot Stamper pressings the bass will be deep and well-defined and the tonal balance will be correct.
The copies that fared the best in our shootouts were rich, warm, tubey and full-bodied — in other words, analog sounding.
What To Listen For
It’s nice when the copy in hand has all the transparency, space, layered depth and three-dimensionality that makes listening to records such a fundamentally different experience than listening to digitally-sourced material, but it’s not nearly as important as having that rich, relaxed tonal balance. A little smear and a lack of resolution is not the end of the world on this album. Brightness, along with too much grain and grit, can be.
What To Listen For — Side Two
The harmonica on the second track is devilishly difficult to get right. If there is any aggressiveness or grit in the sound of your copy, you will have no trouble recognizing it when that harmonica starts to play. (more…)