Advice – What to Listen For – Ambience, Size and Space

Zoot Sims – Passion Flower – Our Shootout Winner from 2014

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A distinguished member of the Better Records Jazz Hall of Fame.

One of the all time great Pablo sleepers. Why is no one else writing about records like these? The music is wonderful and the sound is top drawer on the best copies. If you’ve tried and failed with other Pablo Zoot Sims records, fear not: this title is one of his best, musically and sonically. 

If you want to hear the Duke’s music swing in top sound, get this album.

This is a big group, probably at least a dozen pieces at any given time, and all that energy is captured on the best copies with tremendous engineering skill. The lively arrangements are by none other than Benny Carter, a man who knows his jazz. His career started in the ’20s(!) and lasted into this century if you can believe it. I consider myself fortunate to have seen him play locally when he was more than 90 years old. He stlll had it, kind of. (more…)

The Knack – Get The Knack – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock Hall of Fame.

This Monster Power Pop Debut by the Knack is an AMAZINGLY well-recorded album, with the kind of Wall to Wall Big Beat Live Rock Sound that rivals Back in Black and Nevermind — if you’re lucky enough to have a copy that sounds like this one! (If you’re not then it doesn’t.)

Side two here has White Hot Stamper sound, and let me be clear: this is a Rock Demo Disc that is very likely to lay waste to whatever rock demo disc you currently treasure. My Sharona is simply OUT OF THIS WORLD here. You just can’t record drums and bass any better!

And let’s not forget the song Lucinda on this side. It’s got exactly the same incredibly meaty, grungy, ballsy sound that Back in Black does, but it managed to do it in 1979, a year earlier!

Mike Chapman produced this album and he is a recording GENIUS. How much better could it get you ask? The answer is: None more better. (more…)

Passion Flower Is Better Than For Duke

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This is one of the all time great Pablo sleepers.

Why is no one else writing about records like these? The music is wonderful and the sound is top drawer on the best copies. If you’ve tried and failed with other Pablo Zoot Sims records, fear not: this title is one of the best we have ever played, musically and sonically.
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The Dave Brubeck Quartet – Time Out

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A distinguished member of the Better Records Jazz Hall of Fame.

This time around no other copy of Time Out could touch our good Six Eye Stereo pressings — they were in a league of their own.

If you’ve been with us for a long time you may remember that this was not always the case. We used to really like some 360s as I recall, as well as the original mono pressing. This time around, not so much. 

This time around most everythings’s different. Allow us to explain.

1. Our stereo is different; we’ve made quite a number of changes to it since our last big shootout for Time Out a few years back.

2. We’re different; we have better (I would hope) listening skills. In fact I’m sure we listen for different qualities in a recording than we might have years ago.

3. Even more importantly, we don’t have the same pile of pressings we had years ago. They’re gone, replaced by a new batch. This new batch had some killer original pressings, some good 360s, and not much to speak of on the later labels.

With a different batch we might have found a great sounding 360 pressing; we have to believe they exist, and we certainly can’t say that our best copy here could not have been bettered in some way. That would be foolish; anything can be bettered. But for us, in 2014 (and probably through 2015), this is it. This is the right sound. (more…)

Traffic – The Low Spark of High Heeled Boys

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The Low Spark of High Heeled Boys

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  • This is an outstanding Island Sunray domestic pressing offering spacious Tubey Magical Double Plus (A++) sound throughout – exceptionally quiet vinyl too
  • Low Spark is clearly one of the best sounding Proggy/Arty Rock records ever made – the space it recreates in your listening room is HUGE 
  • A Better Records Top 100 album and a real Demo Disc on a pressing that sounds as good as this one does
  • 4 1/2 stars: “The commercial and artistic apex of the second coming of Traffic… The standout was the 12-minute title track, with its distinctive piano riff and its lyrics of weary disillusionment with the music business. “

After doing the shootout for John Barleycorn recently, a record we love in spite of its problematic sound, this album was truly a breath of fresh air. I can honestly and enthusiastically say that the sound we heard on the best pressings was OUT OF THIS WORLD. This album is a permanent member of our Rock And Jazz Top 100, that’s how good it is. (more…)

The Dave Brubeck Quartet – Time Out – Our Shootout Winner from 2011

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More Time Out

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A distinguished member of the Better Records Jazz Hall of Fame.

STUNNING A+++ SOUND AND QUIET VINYL ON BOTH SIDES! Breathtakingly spacious and transparent, this copy has the big three-dimensional soundstage that makes this record such a joy to listen to. The piano has weight and heft, the drums are big and dynamic, and everything is relaxed and sweet — in short, this copy does everything we want it to.

Listen to the drums on Everybody’s Jumpin’ . This album was recorded on a big sound stage and there is a HUGE room which can clearly be heard surrounding the drum kit. Add to that that some of the drums are in the left channel and some of the drums are in the right channel and you have one big drum kit — exactly the way it was intended to sound. (more…)

Esquivel and Other Vintage Recordings – What to Listen For

More Esquivel and Other Vintage Recordings

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your vintage ’50s and ’60s All Tube recordings.

Folks, I can tell you right now most original LSP pressings, of this or any other Living Stereo Popular title, do not begin to recreate the Studio Wizardry found on this album. The sound rivals the best Chet Atkins albums and Bob and Rays in all their delicious three-dimensional Cinerama staging.  (more…)

Shoot Out The Lights – Loud Versus Live Versus The Heavy Vinyl Reissue

Shoot Out The Lights

 

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Here’s a thought: if 180 gram records are supposed to be an improvement over the original pressings, why is it that they NEVER sound Big and Bold like this pressing? And I do mean never; I’ve played hundreds of them over the years and have yet to hear this kind of sound on any of them. At this point I would have to conclude that it is simply not possible.

If you have big speakers, a large listening room and like to play your records loud, there is no modern reissue that will ever give you the thrill that a record like this can. (Of course, to fully appreciate the effect it obviously helps if you have a White Hot Stamper copy to play.)

Loud Versus Live

I’ve seen Richard Thompson on a number of occasions over the years, and as loud as my stereo will play, which is pretty darn loud, I could never make his guitar solos 20 dB louder than everything else, because it’s not on the record that way. That’s why live music can’t be duplicated properly in the home: the dynamic contrasts are much too great for the typical listener or his stereo.

Having said that, when you actually do turn this record up, way up, you get the feeling of hearing live music, and that’s not easy to do! Only the best recordings, in my experience, can begin to give you that feeling. We discuss this subject in a number of commentaries under the heading of Turn Up Your Volume.
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Led Zeppelin – Physical Graffiti on Classic Records

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More Physical Graffiti

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Sonic Grade: D

Hall of Shame pressing and another Classic Records LP debunked.

Tonally correct, which is one thing you can’t say for most of the Zeps in this series, that’s for sure. Those of you with crappy domestic copies, crappy imported reissues and crappy CDs, which is pretty much all there is of this recording, will not know what you’re missing.

Compare this title to some of the better Classic Zep releases and I expect you will notice that hearing into the midrange is a more difficult proposition on these songs, with reduced ambience and space around the voices and instruments.

What is lost in these newly remastered recordings? Lots of things, but the most obvious and bothersome is TRANSPARENCY. (more…)

Frank Sinatra – Duke Ellington – Francis A. & Edward K. – What to Listen For

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More Duke Ellington

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album. 

Notice that, at least for most of the material, and perhaps all of it, Sinatra does not seem to be stuck in a vocal booth. He sounds like he is actually standing on the same stage as Ellington’s band.

Whether this is a recording trick — he’s in a booth but the engineer did a great job creating a sound for the booth that matched the ambience and space of the studio — or whether he is standing front and center with the band, the illusion is convincing and adds greatly to the “reality” of the performance..

Recorded one year after the remarkable Sinatra-Jobim record that we treasure here at Better Records, Sinatra takes the opportunity to work with one of the greatest bandleaders in the history of jazz, the Duke himself. We had good luck with the stereo originals on the lovely Blue and Green Reprise labels — they can be as big, rich and warm as Sinatra’s legendary Capitol recordings when you find the right pressing, and that’s really saying something. (more…)