Records – When Louder Is Better

These records sound much better when you play them good and loud.

The Rolling Stones – Sticky Fingers

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A distinguished member of the Better Records Rock and Roll Hall of Fame.

This is the best record the Stones ever made (along with Let It Bleed and Beggars Banquet – all three have the potential for outstanding sound — the trick is, as always, finding the right pressing).

The sound is exactly what you want from a Stones album: deep punchy bass and dynamic grungy guitars. This record is to be played loud like it says on the inner sleeve and the surface noise is to be ignored. The louder you play it, the less bothersome the noise will be. This album ROCKS and it was not made to be listened to in a comfy chair with a glass of wine. (more…)

Ten Years After – A Space In Time – Our Shootout Winner from 2010

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

MASTER TAPE SOUND on BOTH sides of this White Hot Stamper copy! Folks, it just does not get any better than this. It’s been more than two years (08/08) since last we embarked on a Hot Stamper shootout for this great album. I always knew it could sound good, but I sure never heard it sound like this! (I said that last time around too you may recall. Two years is a long time in audio. If your stereo and room are undergoing regular improvements, as they can and should be, the sound will be noticeably better every year, dramatically better after two.) 

This is some of the best high-production-value rock music of the ’70s. The amount of effort that went into the recording of these songs is similar to that of bands like Supertramp, Yes, Jethro Tull, Ambrosia, Pink Floyd and the like. In other words, no effort was spared to make the home listening experience as compelling as possible.

Big Production British Rock & Roll

Just listen to the guitar solo on ‘Let The Sky Fall’. It comes complete with multiple guitar parts, acoustic and electric, with some backwards guitar thrown in for good measure! This kind of dense aural soundscape, presented with so many carefully placed elements from side to side and front to back, truly rewards repeated listening.

No matter how many times you play the album you will hear (and hopefully appreciate) something new in the mix. I’ve been playing ASIT for thirty years and I heard lots of things this time around I never knew were there. This is why we keep improving our systems, right? There is never going to be a time when these nearly forty year old recordings have nothing new to offer. (more…)

Queen – A Night at the Opera – Our Shootout Winner from 2017

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Triple Plus (A+++) on side one and nearly that on side two (A++ to A+++) make this the best copy to ever hit the site. The sound is HUGE with WHOMP like nothing you have ever heard on this album – finally, the code has been cracked.

We noted on the site last time around:

As we are fond of pointing out (although we wish it were not the case), for some reason it’s incredibly tough to find good-sounding Queen albums, which is why you almost never see them on the site. (News of the World and The Game are much easier to find with good sound.)

Most of the copies of this album we played weren’t even worth putting a grade on. We wouldn’t bother trying to sell a record that sounded as bad as those dogs. This copy gets it mostly right and that alone makes it exceptional. For Queen, mostly right is hard to come by.

All that is still true, but here’s the copy that has all of the Queen Magic you heard in your head — and only in your head — while Bohemian Rhapsody was playing on the radio.

Here’s the pressing that finally can let you hear that BIG, BOLD sound in your very own listening room. You can even play it for your audiophile friends now. (more…)

Weather Report – Heavy Weather – Our Shootout Winner from 2011

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A distinguished member of the Better Records Jazz Hall of Fame. 

TWO AMAZING SIDES ON QUIET VINYL, including an A+++ side one! The sound was positively jumping out of the speakers and dynamic as all get out. The grit, grain and grunge of the typical pressing was nowhere to be found on EITHER side of this copy, and that alone puts it in a very special league. Drop the needle on either side and get ready for some of the most dynamic, wall-to-wall, floor-to-ceiling jam-packed sound ever committed to vinyl.

As we noted on previous Hot Stamper listings of Heavy Weather, we’ve discovered that the key to the hot sounding pressings is a fairly simple one: the copies with high frequency extension and the tremendous energy that results from it are consistently the best sounding. You may have read elsewhere on the site that what separates many of the best Columbia LPs from their competition is an open, extended top end. For some reason, Columbia, more than any other label, seems to have a bad habit of making slightly dull records. Slightly dull does not work on this album. (more…)

Heart – Little Queen

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A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.

This is a Classic Rock Demo Disc to beat practically anything you could throw at it. Love Alive and Barracuda on this copy will deliver the full Rock and Roll Power of your system. If you’ve got The Big Sound, this is the record that will truly show it off. 

Even though our graphic scale only goes to three pluses, you’ll know the Four Plus sound on this side one the moment you hear it.

You get HUGE meaty guitars, BIG bass, a smooth top end, full-bodied vocals, incredible rock energy and dynamics, loads of richness and incredible transparency.

There are plenty of commentaries that discuss the sound of this recording and what it can really do when you get hold of a good pressing… and have the system that can play it… and turn up the volume good and loud. We proudly present here a copy with the kind of Big Sound that we think backs up every claim we make. (more…)

Rod Stewart / Every Picture Tells a Story – Big Drums in a Big Room

 

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What could be better?

If you’re a fan of BIG DRUMS in a BIG ROOM, with jump-out-of-the-speakers practically direct-to-disc sound quality, this is the album for you. The opening track on side one has drums that put to shame 99% of the rock drum kits ever recorded. The same is true of I Know I’m Losing You on side two. It just doesn’t get any better for rock drumming, musically or sonically. Micky Waller is brilliant throughout. Kenney Jones, who only plays on the showstopping “(I Know) I’m Losing You”, is clearly out of his mind).

Some of the best rock bass ever recorded can be found here too — punchy, note-like and solid as a rock. If you have the system for it you are going to have a great time playing this one for your friends, audiophiles and otherwise.

Nevermind

I Know I’m Losing You on this album rocks as hard as anything from the era. If you have BIG DYNAMIC SPEAKERS and the power to drive them to serious listening levels, you will be blown away by the power of this recording.

You know what this album is? It’s the Nirvana Nevermind of the early ’70s. It has that kind of power in the bass and drums.
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Roxy Music – Roxy Music – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock Hall of Fame.

The legendary first Roxy Music album returns to the site in tip top White Hot Stamper form, boasting no less than an incredible A+++ White Hot Side Two coupled with a superb A++ Super Hot Side One! Folks, it doesn’t get much better than this!

In considering both music and sound, this is arguably the best record the band ever made. Siren, Avalon and Country Life are all musically sublime, but the first album has the kind of dynamic, energetic, POWERFUL sound that their other records simply never show us. And we’ve played them by the dozens, so there’s a pretty good chance we will never find copies with the abundant richness and power we found here. (more…)

Neil Young – Rust Never Sleeps

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  • Outstanding Double Plus (A++) sound or BETTER on both sides, making this one of the more enjoyable copies we’ve heard in quite a while
  • It’s not easy to find copies that get both the quieter, acoustic material and the big, rockin’ Crazy Horse stuff right, but this one did
  • With some fairly quiet passages of music, both sides play about as well as the record ever does – Mint Minus to Mint Minus Minus
  • 5 stars: “His strongest collection since Tonight’s the Night, its obvious antecedent was Bob Dylan’s Bringing It All Back Home, and, as Dylan did, Young divided his record into acoustic and electric sides while filling his songs with wildly imaginative imagery.”

This copy has some of the best Rust Never Sleeps sound we have ever had the privilege of playing. The acoustic guitars are full-bodied and sweet, with lovely, delicate harmonics. The vocals had a natural quality that we didn’t hear on some copies, with no trace of thinness or edginess, yet still present and clear. If you are looking for a copy that gets the folkie stuff right, this is the one.

Play track three, Ride My Llama, to hear the kind of rich, sweet, Tubey Magic to be found on this side. Tubey Magic in 1979? Yes, analog was still alive and well then — this copy proves it. The disastrously synthesized ’80s were on their way but thankfully they hadn’t gotten here yet.

Side two is where the harder-rockin’ electric material can be found, including two of the best songs on the album: Powderfinger and Sedan Delivery. The sound is full and smooth and lively – this side was rockin’ like no other. (more…)

The Pretenders – Get Close – Our Shootout Winner from 2016

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Get Close has long been a personal favorite of mine. Side one starts off with a bang with My Baby, one of the best tracks this band ever recorded. Of course at this point it’s hard to call The Pretenders a band as it is pretty much Chrissie Hynde’s show. She continues to mature as a songwriter, and the arrangements and production value are excellent as well, with heavy hitters such as Steve Lillywhite, Bob Clearmountain and Jimmy Iovine involved. 

We have a link to the left entitled Women Who Rock. It would look better with Chrissie Hynde’s picture instead of some Lillith Fair type in a granny dress, but that’s neither here nor there. The fact is that no other woman on earth can rock the way Chrissie Hynde can, and this album, along with Learning to Crawl, is all the proof anyone would ever need. (more…)

Supertramp – Crime of the Century – Ken Scott’s Producing / Engineering Masterpiece

More Supertramp

More Crime of the Century

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Yet another in the long list of recordings that really comes alive when you Turn Up Your Volume.

AMAZING White Hot Stampers for the greatest KEN SCOTT production in history. This is his (and the band’s) MASTERPIECE, and now we have a pressing that allows us to revel in the GLORY that is Crime of the Century! 

This killer copy rates A+++ on BOTH sides. Wow is the only word I can think of to describe it. (more…)