Advice – Louder Is Better

These records sound much better when you play them good and loud.

The Pretenders – Get Close

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What to Listen For

Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

The best copies have superb extension up top, which allows the grit and edge on the vocals to almost entirely disappear. Some of it is there on the tape for a reason — that’s partly the sound they were going for, this is after all a Bob Clearmountain mix and a Jimmy Iovine production — but bad mastering and pressing adds plenty of grit to the average copy, enough to ruin it in fact.

You can test for that edgy quality on side one very easily using the jangly guitar harmonics and breathy vocals of My Baby. If the harmonic information is clear and extending naturally, in a big space, you are more than likely hearing a top quality copy.

Size Matters

Take it from us, it is the rare pressing that manages to get rid of the harshness and congestion that plague so many copies.

Look for a copy that opens up the soundstage — the wider, deeper and taller the soundstage the better the sound — as long as the tonal balance stays right.

When you hear a copy sound like this one, relatively rich and sweet, the minor shortcomings of the recording no longer seem to interfere with your enjoyment of the music. Like a properly tweaked stereo, a good record lets you forget all that audio stuff and just listen to the music as music. Here at Better Records we — like our customers — think that’s what it’s all about.

And we know that only the top copies will let you do that, something that not everyone in the audiophile community fully appreciates to this day. We’re doing what we can to change that way of thinking, but progress is, as you may well imagine, slow.

Get Close has long been a personal favorite of mine. Side one starts off with a bang with the song My Baby, one of the best tracks this band ever recorded. Of course at this point it’s hard to call The Pretenders a band as it is pretty much Chrissie Hynde’s show. She continues to mature as a songwriter, and the arrangments and production value are excellent as well, with heavy hitters such as Steve Lillywhite, Bob Clearmountain and Jimmy Iovine involved.

The Domestic LP and CD

The domestic LP is pretty awful, and the domestic CD is even worse, practically unlistenable in fact. I have one in my car; only the judicious use of the treble control, steeply downwards, makes the sound even tolerable.

But the album rocks — it’s great driving music.

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The Rolling Stones Sticky Fingers – Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Sticky Fingers.

A QUICK TEST: The best copies have texture and real dynamics in the brass. The bad copies are smeared, grainy and unpleasant when the brass comes in. Toss those bad ones and start shooting out the good ones. Believe me, if you find a good one it will be worth all the work.

And don’t forget to Turn Up Your Volume. (more…)

Fleetwood Mac – Rumours – Listening in Depth

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  • A KILLER copy with Triple Plus (A+++) sound or close to it on both sides
  • Tubey Magical Analog – The sound is open, spacious and transparent, with a huge three-dimensional soundfield 
  • When you hear it sound as good as it does here, you’ll know why we consider Rumours a Better Records Top 100 Demo Disc
  • 5 stars: “Each tune, each phrase regains its raw, immediate emotional power—which is why Rumours touched a nerve upon its 1977 release, and has since transcended its era to be one of the greatest, most compelling pop albums of all time.”

When you hear a good copy of Rumours, it’s very easy to understand why this is one of the best-selling pop music albums of all time. Just about everyone knows how great these songs are, but I bet you didn’t know they could sound like this!

It’s tough finding Hot Stamper copies of this album. With over 75 sets of stamper numbers for each side, it’s an extremely taxing project, even for us! We know some of the better stampers and have been acquiring them since then in preparation for this shootout.

Demo Disc Sound

This is a rock album — it needs to be played LOUD and it needs to be played on a DYNAMIC system. Case in point: consider how quietly The Chain starts out and how loud it is by the end. Those kinds of macro-dynamics are very rare on a pop recording. Rumours has the kind of dynamics you just don’t hear anymore, which is why the killer copies are a such a THRILL to play on a big dynamic system fitted with a top-notch turntable! (more…)

The Doors’ Strange Days – A True Demo Disc


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  • A stunning Demo Disc quality early pressing of one of the most difficult-to-find records in the world of Classic ’60s Rock
  • You get two incredible sides each rating a Triple Plus (A+++) or very close to it
  • The sound is HUGE, full-bodied and lively throughout – check out that killer bottom end and the amazing transparency
  • Amazing sound for so many classics: When The Music’s Over, Moonlight Drive, Love Me Two Times and more
  • Nearly impossible to find copies that play anywhere near this quietly, let alone ones that sound like this!

See all of our Doors albums in stock

PHENOMENAL sound for the Doors sophomore classic. You won’t believe how good this copy is — incredibly rich and full yet still clean, clear and dynamic with a big bottom end, driving rock and roll energy and huge amounts of space. Thanks Bruce Botnick, you are da man!

Honestly, we must return or reject 80% of the copies that come through the door, which should go a long way towards explaining why they hit the site with such irregularity. We know what the best stampers are and have for quite a while. What we have a devil of a time doing is finding anyone selling the album who knows how to grade it properly, especially when it comes to the kind of groove damage that’s common to records played on turntables that lack anti-skate adjustment. What good is a record with distortion on vocal peaks, not to mention inner grooves that are borderline unlistenable? (more…)

Roundabout Vs. South Side of the Sky

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Another in our series of Home Audio Exercises with specific advice on What to Listen For (WTLF) as you go about critically evaluating your copies of Fragile.

This shootout taught us that track one is not as well recorded as the rest of side one. On copy after copy, and there were well over a dozen, it was the other big track on side one, South Side of the Sky, that had consistently better sound. You really hear it in the choruses, where the voices are so full-bodied, powerful, rich and energetic on that fourth track, and less of all of these qualities on the first.

You really hear it in the choruses, where the voices are so full-bodied, powerful, rich and energetic on that fourth track, and less of all of these qualities on the first. We play both songs, but we play them in reverse order, knowing that the mind-boggling sound is really going to be on South Side, not so much Roundabout.

This record should give any record you own a run for its money. It’s as BIG and as BOLD a statement about raising the bar for rock recordings as any I know. Without a doubt one of the Best Rock Recordings of all time.

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Here’s How You Know You Have a Hot Stamper of Songs in the Attic

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It’s the side you play through to the end. When the sound is right you want to hear more. Since the opening track of this record is one of the keys to knowing whether it’s mastered and pressed properly, once you get past the sibilance hurdle on track one, the next step is to find out how the challenges presented by the rest of the tracks are handled on any given LP. Some advice follows.

Actually, what you really want to know is how good each song can sound — what it sounds like when it’s right. Once the quality of the mastering has been established, the fun part is to play the rest of the album, to hear it really come alive!
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Who’s Next – An Album We Are Clearly Obsessed With

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WHO’S NEXT is an album we admit to being obsessed with — just look at the number of commentaries we’ve written about it.  

We love the album and we hope you do too. If you have some time on your hands — maybe a bit too much time on your hands — please feel free to check out our commentaries.

Maximum Volume

Now if you like to play records at 70 db, little of the following discussion will make much sense. There are some dumb ideas floating out there in Audiophile land, but playing music at quiet levels surely has to be one of the dumbest. You Want to Turn The Volume DOWN? Are You Out of Your Mind?

Anybody who plays a record like Who’s Next at moderate levels should be taken out and hosed down. How do you think Townsend went deaf, by playing his music too softly? He played his music LOUD because that’s the way he wanted you to hear it. Moon beats the hell out of his drums because he likes the sound of drums beaten HARD. If you don’t have the stereo to play this record right, don’t make excuses and DON’T make up bizarre theories about volume levels in the home. You’re not fooling anybody with those kinds of rationalizations. If your speaker distorts that’s your problem, pal. Don’t lay that trip on me.

Some of us have done our homework and take pride in what we’ve managed to accomplish. We’ve been challenging ourselves and our systems with records like Who’s Next and Aqualung for thirty years. We know how good these records can sound on systems that have what it takes to play them. If you’re not going to turn up the volume, don’t waste your money on a good Track pressing. Buy the Classic; at 70 db it will probably sound good enough for you. Spend the money you save on wine and cigars.

My-Fi Versus Hi-Fi

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We went wild recently over a marvelous copy of the Ted Heath record you see pictured. Talk about Tubey Magic, the liquidity of the sound was positively uncanny. This was vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve upon it.

This is our kind of sound. It’s also important to keep in mind that our stereo seemed to love the record. (Stereos do that.) Let’s talk about why that might be the case.
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Chicago and The Hottest Stampers – Are You a Thrillseeker Too?

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When it comes to sound, I’m a Thrillseeker. I want to hear it LOUDER and BETTER, with more ENERGY and EXCITEMENT, and the reason I spent so many hundreds, even thousands, of hours working on my stereo is that that kind of sound doesn’t happen by accident. You have to work your ass off to get it. And spend a lot of money. And dig through a lot of dusty record bins buying LPs until you find one that sounds the way you want it to.

I don’t play records to drink wine and smoke cigars. I play records to ROCK. Whether the music is rock, jazz or classical, I want to feel the power of the music just as you would feel it at the live event. To me that means big speakers and loud levels. We played Chicago VII as loud as we could… (more…)

Jimi Hendrix – Hendrix In The West

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  • With stunning Triple Plus (A+++) grades on both sides, this British Polydor pressing was rockin’ like crazy 
  • This is a fun live album with stellar performances by Jimi – the best of his many posthumous releases
  • The awesome version of Little Wing is just killer on this copy – it’s Jimi’s best performance of the song
  • 4 stars: “Hendrix in the West is a collection of extremely good live Hendrix performances between 1968-1970. Three different concerts are sampled on this 1972 release, one of the few official live Hendrix releases following his death.”

We’re still surprised at how well recorded the album is. It takes a pressing like this to really show you the live Jimi Hendrix magic Eddie Kramer got onto tape. Drop the needle on Little Wing and you are going to be FLOORED. (more…)