A List of Reissues That Can Beat the Originals

Rimsky-Korsakoff / Scheherazade / Reiner (LSC 2446) – Our Shootout Winner from 2014

More of the music of Rimsky-Korsakov (1844-1908) 

Scheherazade / Reiner (LSC 2446) 

xxxxx

A distinguished member of the Better Records Orchestral Music Hall of Fame

White Hot on Side One! Big brass, so full-bodied and dynamic. The solo violin is present and so real you will not believe it. The highest resolution we have ever heard for this performance. Hard To Fault (HTF). 

This copy is huge in every dimension, just as all the best ones always are, with maximum amounts of height, width, and depth. The transparency is also superb — you really hear into this one in the way that only the best Living Stereos (and other golden age recordings) will allow. (more…)

Rossini Overtures with Maag and the PCO

xxxxx
xxxxx

The London and Decca original pressings are the best, right?

Not in our experience. We think that’s just another Record Myth.

Bad vinyl, bad mastering, who knows why so many copies sound so thick, dull and veiled? 

This Stereo Treasury pressing of Maag’s 1958 recording is shockingly good in many ways. It sure doesn’t sound like a budget reissue. If anything it sounds more original than the originals we played against it! (more…)

Tchaikovsky / Symphony #6 (Pathetique) / Monteux

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

Symphony #6 (Pathetique) / Monteux

xxxxx
xxxxx

A distinguished member of the Better Records Orchestral Music Hall of Fame.

Presenting a first for Better Records: a White Hot Stamper copy of this CORRECTLY remastered version of LSC 1901, which just happens to be a recording from the earliest days of stereo, 1955! It’s guaranteed to KILL any and all original Shaded Dogs, as well as the more common reissues; White Dogs, Red Seals, Gold Seals, Victrolas, Classic Heavy Vinyl, you name it, this pressing will beat the pants off of it and in the process show you precisely what is wrong with each and every one of them.

Over the past twenty years we’ve played hundreds of early RCAs and we have sure never heard one sound like this, with so much richness, Tubey Magic, LIFE and CLARITY.

Where is the cutter head distortion, congestion and frequency limiting that ruins so many of the early pressings?

Mostly — I’m tempted to say completely — gone. We’ve played at least three Shaded Dogs of LSC 1901 since 2011 and all three were AWFUL. (more…)

The Beatles – Help – Our Shootout Winner from 2013

More The Beatles

More Help

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

Folks, you may have noticed that not many copies of Help with knockout sound make it to the site very often. They’re just not easy to find, but we’re happy to report that our last shootout produced some real knockouts! If you like your Beatles albums to sound rich, natural, lively and clear — and who doesn’t — you can’t go wrong here.

Both sides here are truly killer, and better than the typical pressing in almost every way. The soundstage is bigger and more three-dimensional, the overall tonality is fuller and richer, and there’s a level of presence here that just doesn’t exist on most copies. (more…)

David Bowie – Ziggy Stardust – Our Shootout Winning Copy from 2011

More David Bowie

More Ziggy Stardust

xxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

Is this one of the Greatest Rock Albums of All Time? Unquestionably. It’s the pinnacle of Glam Rock. Every track is superb; not a moment is less than stellar from beginning to end.

Is it Bowie’s Masterpiece? Absolutely. No other Bowie record ranks higher in my book. No other Bowie record would command a similar price, regardless of its sonic merits.

Is it amazingly well recorded? You better believe it. This is not just Bowie’s masterpiece; it’s Ken Scott’s as well. For BIG, BOLD, wall to wall, floor to ceiling sound, look no further.

Ken Scott engineered this record and he did his usual amazingly good job. The guitars may not sound “real”, they way they actually do in real life, but they sure sound GOOD! Lots of rich, sweet tubey magic, the sound we love here at Better Records. (more…)

Ray Charles – Soul Meeting

More Ray Charles

Soul Meeting

xxxxx

  • This outstanding pressing of Ray Charles and Milt Jackson’s 1958 collaboration boasts solid Double Plus (A++) grades or close to them on both sides – exceptionally quiet too
  • Wonderful sound from start to finish — full-bodied and warm with wonderfully sweet vocals
  • Kenny Burrell lends his innovative guitar stylings to this soulful jazz collaboration
  • 4 1/2 stars: “With Oscar Pettiford, Connie Kay, and Kenny Burrell in the various lineups, this is bluesy jazz in a laid-back manner; it surprised many hardcore R&B fans when these albums were originally issued.”

This wonderful pressing has superb sound throughout! It’s EXTREMELY rare to find a stereo copy of this title in anything but beat condition. (more…)

Oliver Nelson – The Blues and the Abstract Truth

More Oliver Nelson

More The Blues and the Abstract Truth

xxxxx

  • Oliver Nelson’s masterpiece returns to the site with outstanding Double Plus (A++) sound on both sides
  • Clean, clear and present with a solid bass foundation, as well as the big stage this big group of musicians needs
  • If all you know is Van Gelder’s original cutting, you will surely have your eyes and ears opened by this wonderful Hot Stamper
  • Allmusic calls this album “…his triumph as a musician for the aspects of not only defining the sound of an era… but on this recording, assembling one of the most potent modern jazz sextets ever.” 5 Stars (of course)

The sound is tonally correct, Tubey Magical and above all natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’50s and ’60s jazz you cannot go wrong here.

For those record lovers who still cling to the idea that the originals are better, this record will hopefully set you straight.

Yes, we can all agree that Rudy Van Gelder recorded it, brilliantly as a matter of fact. Shouldn’t he be the most natural choice to transfer the tape to disc, knowing, as we must assume he does, exactly what to fix and what to leave alone in the mix?

Maybe he should be; it’s a point worth arguing.

But ideas such as this are only of value once they have been tested empirically and found to be true. (more…)

Rachmaninoff / Concerto No. 2 / Katchen / Solti – Our Shootout Winner from 2011

More of the music of Sergei Rachmaninoff (1873-1943)

Concerto No. 2 / Katchen / Solti

xxxxx

A distinguished member of the Better Records Orchestral Music Hall of Fame.

Folks, what we are offering here is THE SLEEPER Hot Stamper pressing of all time. Side one earned an amazingly good grade of A++ with side two every bit as good. The buyer of this album is going to be SHOCKED when he sees what pressing it is. 

For those of you who cherish pressings for their best sound and performances — as opposed to the typical audiophile collector who prefers the “right” original labels on his records, of course produced only in the “right” countries — this is the record for you.

Hold it up for your (right-thinking or otherwise) audiophile friends to witness before you put it on your table and BLOW THEIR MINDS.

How did this kind of sound get produced so cheaply, so late in the game? From what tape, by what engineer? It is a mystery to me, one that is very unlikely to be explained.  (more…)

Shostakovich / Sym. No.1 / Age of Gold Suite / Martinon

More Dmitri Shostakovich (1906-1975)

Sym. No.1 / Age of Gold Suite / Martinon

xxxxx
xxxxx

A distinguished member of the Better Records Orchestral Music Hall of Fame

Triple Plus on side one for the Symphony No. 1 – the sound is extraordinarily big, lively, clear and above all Tubey Magical. Side two is nearly as good, with all the same attributes, as rightly befits a true Golden Age Classic from 1959. Recorded in KINGSWAY HALL with the London Symphony, this Decca licensed title has orchestral sound to rival the best you’ve heard.

Both sides of this wonderful pressing are simply phenomenally good sounding, with size and scope the likes of which you rarely hear on record. (more…)

Bloomfield-Kooper-Stills – Super Session – Our Shootout Winner from 2012

More Al Kooper / More Stephen Stills

More Super Session

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

Man’s Temptation, track 3 on side one, has got some seriously bright EQ happening (reminiscent of the first BS&T album), so if that song even sounds tolerable in the midrange you are doing better than expected.

Clean Cutting

What you get with this copy is some of the most transparent, lowest distortion, cleanest cutting we’ve ever heard. This copy is high-rez like you will not believe, with an unusually extended top end on both sides.

Turn It Up

Most copies are far too bright and phony sounding to turn up loud; the distortion and grit are just too much at higher volumes. On a copy like this, with more correct tonality and an overall freedom from distortion, you can TURN IT UP and LET IT ROCK.

Season of the Witch sounds amazing at loud levels on this copy, with its big build-ups and quiet breakdowns. It is nothing less than a thrill to just let it blast away at the levels we were listening at. The band is RIGHT THERE.

Side One

A++, big and clear with absolutely ZERO smear! The bass is solid and tight, and there’s more transparency here than on the typical pressing. So good!

Side Two

We awarded this side a rare A++++ grade, reserved for the kind of sound that makes us completely rethink the possibilities of a recording! Super spacious and three-dimensional with an amazingly extended top end, this absolutely blew away everything else in our shootout. Rich and Tubey Magical with incredible energy and no smear at all, this is doing everything we want it to. AMAZING! (more…)