A List of Reissues That Can Beat the Originals

Schubert / Symphony No. 9 “The Great” / Krips / LSO – Our Shootout Winner from 2013

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A distinguished member of the Better Records Orchestral Music Hall of Fame

Krips’ 1958 recording for Decca (from Kingsway Hall, with the legendary Kenneth Wilkinson behind the board) is here brought to life on a quiet and wonderful World of the Great Classics reissue from 1976. This copy was one of the best we played, showing us depth and transparency that was only hinted at on most pressings, regardless of age.

The strings are so, so rich and sweet — this pressing is yet another wonderful example of what the much-lauded Decca recording engineers of the day were able to capture on analog tape all those years ago. The ’50s master has been transferred brilliantly using “modern” cutting equipment (from 1976, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer.  (more…)

Pink Floyd – Animals

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  • An outstanding vintage UK copy with Double Plus (A++) sound or close to it from first note to last – exceptionally quiet vinyl too (for the most part)
  • Forget the dead-as-a-doornail Heavy Vinyl – only these Brits have the Tubey Magical Midrange that lets Pink Floyd come alive 
  • “Of all of the classic-era Pink Floyd albums, Animals is the strangest and darkest, a record that’s hard to initially embrace yet winds up yielding as many rewards as its equally nihilistic successor, The Wall. Animals is all extended pieces, yet it never drifts — it slowly, ominously works its way toward its destination. For an album that so clearly is Waters’, David Gilmour’s guitar dominates thoroughly …it surges with bold blues-rock guitar lines and hypnotic space rock textures.”

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Offenbach / Gaite Parisienne / Dorati – Our Shootout Winner from 2011

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This lovely Mercury Golden Import LP not only has Super Hot Stamper sound on side one, which is where Gaite Parisienne can be found, but it also boasts one of the greatest performances of the piece ever recorded. 

Dorati is surely The Man when it comes to energy, drive and dynamic excitement with this venerable warhorse. He and his Minneapolis Symphony play the hell out of this boisterous music, and luckily for us audiophiles, the Mercury engineers give us Demonstration Quality Sound to go with it.

The original Mercury release of this record (90016) is a shrill piece of trash, as is the Mercury Wing pressing. So many of the early Mercurys were poorly mastered it seems. We audiophiles must wait for reissues (either by Mercury or in this case by Philips once they had bought Mercury) to show us how good the sound of a particular recording might actually be. (Of course what you really need is the right copy to know ultimately how good the recording can be, and to find it you might have to clean and play ten LPs, or more. That’s where we come in.) (more…)

Sly and The Family Stone – Stand

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Finally, a Triple Plus (A+++) copy of Sly’s classic Stand album from 1969, one of the few times that this album has EVER sounded the way it is supposed to! Man, most copies of this album just plain suck — sonically of course.

Both sides here have lively punchy drums; a big soundfield, front to back and side to side; tonally correct vocals (which obviously are key and sound edgy and thin on most copies), and real resolution to the sound overall. Also just as importantly you lose the sibilance most copies suffer from and the smear on the horns goes away, thank goodness.

There are three Epic labels for this record; the originals are yellow, the first reissue is orange, and the last reissue is black. I can tell you that only one of those labels produced truly great sounding copies in our shootout. Beyond that you will have to buy a sample of each and do your own shootout. (more…)

Roy Orbison – Orbisongs

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  • Excellent sound throughout with Double Plus (A++) or BETTER on both sides
  • This superb pressing is especially Analog Sounding – lively, warm, with rich bass and breathy, clear vocals 
  • Features one of Orbison’s greatest legacies, “Oh, Pretty Woman,” in stereo no less, and it sounds amazing here
  • While this isn’t the quietest copy we’ve ever heard, it’s clearly one of the best sounding
  • “…every track is strong and showcases Orbison’s immense talent both as a vocalist and a songwriter of effective and poignant lyrics… if you are looking at Orbison at his best you need look no further.”

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Roxy Music – Roxy Music – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock Hall of Fame.

The legendary first Roxy Music album returns to the site in tip top White Hot Stamper form, boasting no less than an incredible A+++ White Hot Side Two coupled with a superb A++ Super Hot Side One! Folks, it doesn’t get much better than this!

In considering both music and sound, this is arguably the best record the band ever made. Siren, Avalon and Country Life are all musically sublime, but the first album has the kind of dynamic, energetic, POWERFUL sound that their other records simply never show us. And we’ve played them by the dozens, so there’s a pretty good chance we will never find copies with the abundant richness and power we found here. (more…)

Linda Ronstadt – The Stone Poneys Featuring Linda Ronstadt

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

White Hot on side one, and by far the best sound we heard in our shootout for these 1975 pressings. The originals from 1967 have never impressed us. Much more folk than pop, for the most part the sound here is tubey, rich and sweet. Re-released when HLAW hit big, this album features three great Linda solos.

This copy was clearly the best we played all day, but the sound certainly varies a fair amount from track to track. The best tracks are rich, tubey and clear; the worst thin, bright and hard.

The first track on side one rarely stayed clean when loud, but here it does. It’s a good test for whether or not you have a copy with low distortion mastering. Listen for the least amount of smear and congestion and the most resolution.

The second track is richer and tubier and is the proof that side one is mastered correctly.

On side two the first track is rough, the second track better, the third richer, sweeter and smoother still. (more…)

The Police – Reggatta de Blanc

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This A&M LP has PUNCHY LOW-END that really drives this rhythmically charged music! Sting’s pulsing bass lines and the massive assault of Stewart Copeland’s kick drum really come to life on this White Hot Stamper domestic pressing.

This and Ghost In The Machine are my two favorite Police albums. Reggatta, like Ghost, is consistently good from start to finish. (Their other albums are much less consistent, the first especially so.) It also has the distinction of being the only Police album that has a real Guitar Solo, heard on the song “It’s Alright For You”. With a seriously blistering guitar break that really kicks the song into high gear, you have to wonder why Andy Summers chose to play that way so rarely.  (more…)

Oliver Nelson – More Blues and the Abstract Truth

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  • Nelson’s 1965 release makes its Hot Stamper debut with stunning Shootout Winning Triple Plus (A+++) sound throughout – exceptionally quiet vinyl too
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the only way to hear it
  • 4 stars: “… there are some strong moments from such all-stars as trumpeter Thad Jones, altoist Phil Woods, baritonist Pepper Adams, pianist Roger Kellaway and guest tenor Ben Webster (who is on two songs). The emphasis is on blues-based pieces and there are some strong moments even if the date falls short of its predecessor.” 

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Martin Denny – Exotica – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This second label very quiet Liberty Stereo LP has at least Super Hot Stamper EXOTIC SOUND on both sides, with a side two that may be White Hot. It’s hard to know for sure whether side two can get any better than this — it’s pretty darn amazing, some of the most Magically Delicious sound we played in our recent shootout.  

Recorded in 1958, you can imagine there is a healthy amount of Tubey Magical richness and sweetness, although this second label copy seems to be cut a bit more cleanly and correctly than some of the first label Denny records we auditioned. The tonality is dead on the money, a quality that the most tubey recordings rarely exhibit; they can easily get overly lush and appear murky. (more…)