A List of Records that Are Usually Noisy

Pink Floyd – Animals

xxxxx
xxxxx
xxxxx

  • An outstanding vintage UK copy with Double Plus (A++) sound or close to it from first note to last – exceptionally quiet vinyl too (for the most part)
  • Forget the dead-as-a-doornail Heavy Vinyl – only these Brits have the Tubey Magical Midrange that lets Pink Floyd come alive 
  • “Of all of the classic-era Pink Floyd albums, Animals is the strangest and darkest, a record that’s hard to initially embrace yet winds up yielding as many rewards as its equally nihilistic successor, The Wall. Animals is all extended pieces, yet it never drifts — it slowly, ominously works its way toward its destination. For an album that so clearly is Waters’, David Gilmour’s guitar dominates thoroughly …it surges with bold blues-rock guitar lines and hypnotic space rock textures.”

(more…)

Sly and The Family Stone – Stand

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

Finally, a Triple Plus (A+++) copy of Sly’s classic Stand album from 1969, one of the few times that this album has EVER sounded the way it is supposed to! Man, most copies of this album just plain suck — sonically of course.

Both sides here have lively punchy drums; a big soundfield, front to back and side to side; tonally correct vocals (which obviously are key and sound edgy and thin on most copies), and real resolution to the sound overall. Also just as importantly you lose the sibilance most copies suffer from and the smear on the horns goes away, thank goodness.

There are three Epic labels for this record; the originals are yellow, the first reissue is orange, and the last reissue is black. I can tell you that only one of those labels produced truly great sounding copies in our shootout. Beyond that you will have to buy a sample of each and do your own shootout. (more…)

Creedence Clearwater Revival – Cosmo’s Factory – Our Shootout Winner from 2015

More Creedence Clearwater

More Bayou Cosmo’s Factory

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

Clean copies of the album are rare enough as it is; good sounding clean copies are as rare for this title as for practically any we offer.

Fortunately we’ve made some strides of late finding the “right’ pressings for this band, and with better cleaning technologies we are finding that the better copies such as this one are sounding the way we want our Creedence records to sound.

Note that the Hoffman reissues and the MoFi pressing sound nothing like the Creedence records we all grew up with, and records that sound that enervated, small, lifeless and boring just can’t be what audiophiles want, can they?

Those of you who have been watching the site for a while have probably noticed that we hardly ever list Hot Stamper copies of Creedence records. That’s because it is DARN NEAR IMPOSSIBLE to find copies that sound any good, a fact that many of you have probably stumbled upon on your own.

The typical copy of this album is grainy, murky, and veiled — and that’s just for starters. It took us a HUGE stack of copies to find ANY that had bottom end weight, midrange presence, freedom from grain (mostly) and real energy. (more…)

Donovan – A Gift From a Flower To a Garden – Our Shootout Winner from 2011

More Donovan

More A Gift From a Flower To a Garden

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

Side one of this two record box set has Wear Your Love Like Heaven in Super Hot stamper sound, with some of the most natural vocal reproduction we heard in our entire shootout. Many copies had “hyped-up” phony sound — fine for the old consoles and radios of the day (1967) but not too enjoyable on the modern, much more revealing rigs we use today. The tonality of the midrange — where the guitars and vocals are found of course — must be correct for this music to work. This copy does a very respectable job on three of the sides, and that’s not easy to do. 

Not to mention condition issues. When’s the last time you saw a clean yellow label Epic original Donovan record in the bins? It takes us years to find enough clean copies to do a shootout like this, and we are out beating the bushes every week in the record capital of the world.

That said, Epic ’60s vinyl is rarely of audiophile quality. (more…)

Elton John – Tumbleweed Connection

xxxxx
xxxxx
xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame. 

A side two for the ages — it beat our best Ref Copy to earn a Four Plus (A++++) grade. Both sides are stunning with superb Demo Quality sound: huge, rich, spacious, dynamic and lively. An incredible recording and longtime member of our Top 100 — our pick for Elton’s very best music and sound. 

We rate records with a Four Plus grade so rarely that we don’t even have a graphic for it on our Sonic Grade chart seen above. The scale only goes up to three pluses, but this side two blew our minds to earn a fourth!  

This is an incredible recording, but finding killer pressings like this is no walk in the park. We’ve had countless copies with promising sound that were just not in any condition to sell, and plenty of clean ones that just didn’t sound good.

This copy really delivers on the sound side — you get stunning immediacy, big-time presence, tons of depth to the soundfield, full-bodied vocals, amazing transparency, and BOATLOADS of Tubey Magic. Elton John fans, today is your lucky day.  (more…)

Led Zeppelin – Houses of the Holy – Our Shootout Winner from 2010

xxxxx

A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume. 

A TRULY STUNNING COPY of this classic album! Both sides here are rich, warm and full-bodied with tons of energy and presence. It just doesn’t get much better than this, folks! We gave side two a Four Plus grade — note that we don’t even have a graphic for that! — and side one was also very strong.

Side two earned the rare Four Plus grade (making it the first copy of Houses ever to do so, I believe) with an insane combination of clarity, presence, size, richness, transparency, bottom end punch and more. Side one is not quite in the same heady league but is certainly very strong with a Double Plus grade. You’re going to have a ridiculously hard time finding another copy that can hold its own against this one. Frankly, I don’t think it can be done without the kind of operation we have here! (more…)

Elton John – Honky Chateau – Our Shootout Winner from 2007

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame. 

This British Import Honky Chateau is THE BEST SOUNDING COPY WE’VE EVER HEARD — BY FAR! We just finished a big shootout for this wonderful album, and this copy took top honors with MASTER TAPE SOUND!

This has to be one of the best sounding rock records of all time — certainly worthy of a spot on our Top Rock LPs List. A Hot Stamper copy like this really tells you why. The highs are silky sweet, the vocals are full-bodied and breathy, and the tonal balance is perfection from top to bottom. (more…)

Creedence Clearwater Revival – Bayou Country – Our Shootout Winner from 2012

More Creedence Clearwater

More Bayou Country

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

This is the first White Hot Stamper copy of Bayou Country to ever hit the site. We were shocked at how good this one sounds — on both sides — compared to the copies we’ve heard over the years. It is TOUGH to find a pressing of this album that didn’t turn out bright and edgy, but here’s one that was worth the headache of playing a ton of mediocre copies. Seriously, we played a huge stack of these and most had us running for cover.

Man, the average copy of this album is an unmitigated disaster. Let’s start with the vocals. I’m not sure who’s idea it was to have John Fogerty’s vocals sound as if they were recorded via telephone, but every copy we played had an edgy quality to Fogerty’s voice. On some copies the edge is bad enough to render the copy completely worthless sonically. Who can sit and listen to a record that makes you cringe every time the singer says anything? Not us.

Furthermore, most copies are badly congested and far from transparent. After dropping the needle on the first few copies and hearing the muddy music and gritty vocals we nearly gave up, but I’m glad we stuck to it long enough to find a few copies that did a good job conveying this classic music. (more…)

Julie London – Make Love To Me

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame. 

This outstanding original Liberty Turquoise mono pressing boasts solid Double Plus (A++) grades, or close to them, on both sides. Thanks to superb engineering and vintage All Tube mastering, this 1957 LP is wonderfully rich and sweet, with a breathy, intimate Julie London performing live in your listening room. It’s also pressed on unusually quiet vinyl – Mint Minus Minus, with no issues to speak of – they don’t come quieter. (more…)

Led Zeppelin – IV – With This Copy You Better Be Ready to Rock

xxxxx

A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.

We did a massive shootout in 2012 for Zep’s beloved fourth album and this British pressing earned a nearly perfect score with some of the BIGGEST, BOLDEST, HARDEST Rockin’ sound we have ever heard on the album. Without a doubt this is the best sounding IV side two we’ve ever played, with the biggest bottom of them all.

When the Levee Breaks, a problematical track on even the best copies, finally sounds the way you’ve always heard it in your head — relentless and so powerful it’s downright scary.

But the best copies are so good, and so much fun, that it was definitely worth the trouble. Because the best copies ROCK, and it is a positive THRILL to hear this record rock the way it was meant to. If you have big speakers and the power to drive them, your neighbors are going to be very upset with you.

Let’s get right to why this copy is SO DAMN GOOD.

Side Two

The biggest, boldest, most dynamic, punchiest and liveliest of them all. Zero smear, live-in-your-listening-room presence, with a beautifully extended and amazingly natural and correct top end, nothing could touch this one.

Note that the vocals for the first track are always somewhat edgy on even the best copies. After playing scores and scores of copies, having adjusted the VTA every which way we could, no copy did not have at least some edge on Plant’s vocal. We’re pretty sure by now it’s that way on the tape. Our job is to find the copy that reproduces it as accurately as possible. (more…)