A QUICK TEST: The best copies have texture and real dynamics in the brass. The bad copies are smeared, grainy and unpleasant when the brass comes in. Toss those bad ones and start shooting out the good ones. Believe me, if you find a good one it will be worth all the work.
Sonic Grade: F
Although it’s been many years since I last played it, I’m fairly confidant that the Sundazed only hints at the real sound of the best copies. Most Sundazed records would end up in our Hall of Shame if we ever bothered to audition them.
Being in the “record business,” such as it is, I’ve played my share and more of awful sounding Heavy Vinyl.
Even back in the (embarrassing) days when we were selling them we carried only about one out of ten that were in print. A big portion of the nine we didn’t stock were just awful as I recall. (more…)
A classic case of Live and Learn. Scroll down to read what we learned from our recent shootout. To illustrate how the game is played we’ve copied some of the previous commentary into this listing to show the change in our understanding from 2004 to today.
Folks, if you’re looking for Classic Rock that appeals to adults with sophisticated tastes forty plus years after it was made, this is the album for you.
What’s especially remarkable about this album is the quality of the string arrangements. I don’t know of another pop record that uses strings better or has better string tone. The strings are all over this record, not only adding uniquely interesting qualities to the backgrounds of the arrangements, but actually taking the foreground on some of the songs, most notably Sixty Years On. When the strings give in to a lovely harp just before Elton starts singing, the effect is positively glorious. It’s the nexus where amazing Tubey Mgical sound meets the best in popular music suffused with brilliant orchestral instrumentation. Who did it better than The Beatles and Elton John? They stand alone. (more…)
- A stunning Demo Disc quality early pressing of one of the most difficult-to-find records in the world of Classic ’60s Rock
- You get two incredible sides each rating a Triple Plus (A+++) or very close to it
- The sound is HUGE, full-bodied and lively throughout – check out that killer bottom end and the amazing transparency
- Amazing sound for so many classics: When The Music’s Over, Moonlight Drive, Love Me Two Times and more
- Nearly impossible to find copies that play anywhere near this quietly, let alone ones that sound like this!
PHENOMENAL sound for the Doors sophomore classic. You won’t believe how good this copy is — incredibly rich and full yet still clean, clear and dynamic with a big bottom end, driving rock and roll energy and huge amounts of space. Thanks Bruce Botnick, you are da man!
Honestly, we must return or reject 80% of the copies that come through the door, which should go a long way towards explaining why they hit the site with such irregularity. We know what the best stampers are and have for quite a while. What we have a devil of a time doing is finding anyone selling the album who knows how to grade it properly, especially when it comes to the kind of groove damage that’s common to records played on turntables that lack anti-skate adjustment. What good is a record with distortion on vocal peaks, not to mention inner grooves that are borderline unlistenable? (more…)
Before I get too far into the story of the sound, I want to say that this album appears to be criminally underrated as music nowadays, having fallen from favor with the passage of time.
It is a surely a MASTERPIECE that belongs in any Rock Collection worthy of the name. Every track is good, and most are amazingly good. There’s not a scrap of filler here. The recording by Bruce Botnick is hard to fault as well.
1970 was a great time in music. Tea for the Tillerman, Bridge Over Troubled Water, Moondance, Sweet Baby James, Tumbleweed Connection, After the Goldrush, The Yes Album, McCartney, Elton John, His Band And Street Choir, Deja Vu, Workingman’s Dead, Tarkio, Stillness, Let It Be — need I go on?
Even in such illustrious company — I defy anyone to name ten albums of comparable quality to come out in any year — Alone Together ranks as one of the best releases of 1970.
We struggled for years with the bad vinyl and the murky sound of this album. Finally, with dozens of advances in playback quality and dramatically better cleaning techniques, we have now managed to overcome the problems which we assumed were baked into the recording. I haven’t heard the master tape, but I have heard scores of pressings made from it over the years. I confess I actually used to like and recommend the Heavy Vinyl MCA pressing. Rest assured that is no longer the case. Nowadays it sounds as opaque, ambience-challenged, lifeless and pointless as the rest of its 180 gram brethren.
A distinguished member of the Better Records Rock and Pop Hall of Fame.
We award this copy’s side one our very special Four Plus A++++ grade, which is strictly limited to pressings (really, individual sides of pressings) that take a given recording to a level we’ve never experienced before and had no idea could even exist. We estimate that about one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade. You can’t get much more rare than that.
- Beyond White Hot stamper sound on side one of this Turquoise Liberty Mono pressing – the sound is guaranteed to blow your mind
- Julie is in the room with you – intimate, breathy and Tubey Magical like practically nothing you’ve ever heard
- For late night listening this may be the best Sultry Female Vocal recording ever made
- “…one of the purest, most subtle lounge albums of all time (not to mention one of the best vocal jazz albums ever).”
This side had breathy resolution that was hard to believe, along with size and immediacy that no other side of any copy could touch. Phenomenal. (more…)
- An outstanding copy of this classic album, rating exceptionally good Double Plus (A++) grades on both sides
- Honky Chateau contains some of the most Tubey Magical High-Production-Value rock music ever recorded – thanks Ken Scott!
- Not the quietest copy we’ve ever played – Mint Minus Minus to EX++ on both sides – but obviously one of the better sounding
- 5 stars: “The most focused and accomplished set of songs Elton John and Bernie Taupin ever wrote … It’s one of the finest collections of mainstream singer/songwriter pop of the early ’70s.”
If you doubt that Elton John was a kind of Pop Music Genius for much of the ’70s, just play this record. These eleven tracks should easily serve as all the proof you need. There’s not a dog in the bunch. Drop the needle on any track, you simply can’t go wrong.
We go years between shootouts for Honky Chateau. It’s beyond difficult to find clean British copies of this album with the right stampers, let alone copies that have Hot Stamper sound. Few albums are tougher for us to find with great sound and quiet vinyl. Most of the copies we buy from record dealers in England are noisy and only a fraction of them have the kind of sound that serious audiophiles are going to pay good money for.
Superb Music, Amazing Sound
This has to be one of the best sounding rock records of all time — certainly worthy of a prized spot on our Rock and Pop Top 100 List. It’s a shining example of just how good High-Production-Value rock music of the ’70s can be. (more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
Side two of this White Hot Stamper June Christy record on the original Capitol Turquoise label is AMAZING, both musically and sonically. It has all the TUBEY MAGIC we know these old records are famous for, but this copy gives you something you may never have heard on a vintage pressing before: real frequency EXTENSION, both high and low. Who knew an old record could have extended highs like these and such deep bass?
I can honestly say I have never heard any June Christy record sound as good as this copy does. (more…)
- You’ll find outstanding Double Plus (A++) sound from first note to last on this Elton John classic
- The overall sound here is incredibly big, rich, spacious and dynamic with plenty of presence and bottom end weight
- An incredible recording and longtime member of our Top 100 — our pick for Elton’s very best music and sound
- 5 stars: “….their most ambitious record to date… A loose concept album about the American West… draws from country and blues in equal measures…”
Superb Music and Sound
This has to be one of the best sounding rock records of all time — certainly worthy of a Top Ten spot on our Top 100 list. Engineered by Robin Geoffrey Cable at Trident, there is no other Elton John recording that is as big and powerful as Tumbleweed. (more…)
- You’ll find outstanding Double Plus (A++) sound on this original copy of Cat Stevens’ brilliant third album
- The sound is so transparent, open, and spacious that nuances and subtleties that escaped you before are now front and center
- When you hear I Wish I Wish and I Think I See The Light here you will understand why we say that this is one of the greatest popular recordings in the history of the world
- The original A&M LPs we like are nearly impossible to find with good sound and quiet vinyl – this copy plays quieter than any we currently have in stock
- “Mona Bone Jakon is a delight, and because it never achieved the Top 40 radio ubiquity of later albums, it sounds fresh and distinct.”
Right off the bat, I want to say this is a work of GENIUS. Cat Stevens made three records that belong in the Pantheon of greatest popular recordings of all time. In the world of Folk Pop, Mona Bone Jakon, Teaser and the Firecat and Tea for the Tillerman have few peers. There may be other Folk Pop recordings that are as good but we know of none that are better. (more…)