A List of Records that Are Usually Noisy

Art Garfunkel – Breakaway

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Both sides are transparent, open, and spacious, with dramatically more life and energy than the typical pressing. The bottom end on this copy is surprisingly meaty as well, with far more punch than most of the pressings we played. 

The keyboards are full and rich, the guitars ring just right. This copy is killer in practically every way. You will be hard-pressed to imagine it sounding much better than it does here.

The problem with this album is that, for whatever reason, practically every copy you find is, to some degree, grainy, harsh and shrill in the loudest passages of the music. When the music gets loud, the sound often becomes strained and unpleasant. A copy like this one that doesn’t do that is the exception, not the rule. (more…)

The Doors – Morrison Hotel – Our Shootout Winner from 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame

Rich, big and full-bodied, with clarity and energy to spare, this is the way you want to hear the Doors’ Bluesy Rock. Roadhouse Blues, Waiting For The Sun and Maggie McGill are KILLER on this pressing – all you Doors fans are gonna flip. Circus Magazine praised it as “possibly the best album yet from the Doors” and “Good hard, evil rock, and one of the best albums released this decade.”

Too many pressings aren’t rich and full-bodied enough to allow Jim Morrison to sound right. He’s The Lizard King, not The Frog Prince for crying out loud. When he doesn’t sound big, powerful, and borderline scary, what’s the point?

Not to worry. On these two sides, he sounds AMAZING. Just listen to him screaming his head off on Roadhouse Blues and projecting the power of his rich baritone on Blue Sunday. Nobody did it any better. (more…)

Creedence Clearwater Revival – Creedence Clearwater…

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Creedence Clearwater…

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  • An insanely good copy with Shootout Winning Triple Plus (A+++) sound from start to finish  
  • These sides are exceptionally low-distortion, lively, solid and dynamic – just what this music needs
  • Probably the most difficult CCR studio album to find with great sound – and here it is!
  • 4 stars: “… the band’s sound is vibrant, with gutsy arrangements that borrow equally from Sun, Stax, and the swamp.”
  • Featuring classics such as I Put a Spell on You, the extended-length jam Susie Q (8:37, perfect for Underground Radio), The Working Man, Porterville and more

It’s unlikely you will be demonstrating your system with this record, but you may find yourself enjoying the hell out of it for what it is — an early example of Roots Rock that still holds up today.

This is an album that’s nearly impossible to find with excellent sound and clean surfaces. This is one of the best copies we’ve managed to get on the site in the last year by a HUGE margin. (more…)

June Christy – The Misty Miss Christy – Our Shootout Winner from 2006

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This very nice looking Capitol LP has SUPERB SOUND. It’s RICH, SWEET and full of TUBEY MAGIC. It could use a bit more top end but other than that it’s hard to imagine June sounding much better than she does here. (more…)

Creedence Clearwater Revival – Bayou Country

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Bayou Country

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  • A KILLER Shootout Winning Triple Plus (A+++) copy – you won’t find better sound for this band on vinyl 
  • Proud Mary and Good Golly Miss Molly are absolute MONSTERS on this early pressing – you will be floored
  • Our pick for the best sounding CCR recording – when you have a copy that sounds like this one, and, trust me, a copy as good sounding as this one is tough to find
  • 4 1/2 stars: “All the songs add up to a superb statement of purpose, a record that captures Creedence Clearwater Revival’s muscular, spare, deceptively simple sound as an evocative portrait of America.”

It’s beyond tough to find copies that aren’t bright, gritty, grainy or edgy — that’s how most Creedence records sound I’m afraid — but here’s a Bayou Country that’s fairly smooth, exceptionally lively, mostly transparent and just plain rockin’ enough to make your day. (more…)

Creedence Clearwater Revival – Cosmo’s Factory

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Cosmo’s Factory

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  • KILLER Triple Plus (A+++) sound from the first note to the last – it doesn’t get any better than this folks! 
  • The sound is incredibly present and punchy with great clarity, excellent bass, freedom from grain and real swamp rockin’ energy
  • So many great songs: Run Through the Jungle, Lookin’ Out My Back Door, Who’ll Stop the Rain, etc.
  • A 5 star album and arguably the best record the band ever made: “…an album made during stress and chaos, filled with raging rockers, covers, and intense jams…”

We’ve made some strides of late (in 2015 as a matter of fact) finding the “right’ pressings for this band on some of their albums, especially this one, and with improved cleaning technologies we’re finding that the better copies such as this one are sounding the way we want our Creedence records to sound.  

Note that the Hoffman reissues and the MoFi pressing sound nothing like the Creedence records we all grew up with, and records that sound that small, lifeless, boring or wrong just can’t be what audiophiles want, can they? (more…)

The Doors – Strange Days – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame

This is THE BEST SOUNDING COPY OF STRANGE DAYS to EVER hit the site! We’ve only found one or two copies that were in the same league as this one, and they went directly into the hands of our best longtime customers who had been waiting patiently for a killer pressing. Side one rated between A++ and A+++ and side two earned top A+++ honors. 

Both sides are MAGICAL, dramatically better than the vast majority of copies we come across. The sound is rich, warm, clean, clear and amazingly transparent. The vocals sound JUST RIGHT. You would have to have a ton of copies at your disposal to have any chance of finding one that had even one side that sounds as good as BOTH sides sound here. This one is a MONSTER. (more…)

Eagles – Hotel California – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

TWO SUPERB SIDES — super transparent, super hi-rez, with tons of energy and tubey magic! We just finished a mega-shootout for this title, dropping the needle on more than a dozen copies, and this bad boy earned Best In Show. Side two earned our top A+++ grade while side one was just half a plus behind. Most copies out there won’t come even close to this one on EITHER side.  

Both sides have superb, mind-blowing, Demo Disc Quality Sound. Drop the needle on any track on either side to hear what we’re talking about. The highs are silky and delicate, the bottom end is tight and punchy, and the vocals sound AMAZING. The bass is PERFECTION, which really brings out the reggae feel of the song Hotel California. It’s so deep and loping, the effect is practically narcotic. (more…)

Creedence Clearwater Revival – Creedence Clearwater…

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

It’s unlikely you will be demonstrating your system with this record, but you may find yourself enjoying the hell out of it for what it is — an early example of Roots Rock that still holds up today.

TRACK LISTING

Side One

I Put a Spell on You 
The Working Man
Suzie Q

Side Two

Ninety-Nine and a Half (Won’t Do)
Get Down Woman 
Porterville 
Gloomy 
Walk on the Water

AMG Review

Released in the summer of 1968 — a year after the summer of love, but still in the thick of the Age of Aquarius – Creedence Clearwater Revival’s self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty’s Americana fascinations. While many of Fogerty’s obsessions and CCR’s signatures are in place — weird blues (“I Put a Spell on You”), Stax R&B (Wilson Pickett’s “Ninety-Nine and a Half”), rockabilly (“Susie Q”), winding instrumental interplay, the swamp sound, and songs for “The Working Man” — the band was still finding their way. Out of all their records (discounting Mardi Gras), this is the one that sounds the most like its era, thanks to the wordless vocal harmonies toward the end of “Susie Q,” the backward guitars on “Gloomy,” and the directionless, awkward jamming that concludes “Walking on the Water.” Still, the band’s sound is vibrant, with gutsy arrangements that borrow equally from Sun, Stax, and the swamp.

We Shootout Cosmo’s Factory

[Note that we have not played the Heavy Vinyl pressing of CCR’s first album. Having heard AP’s Cosmo’s Factory we have no intention of playing any CCR title on that label. We’re assuming, rightfully or otherwise, that the AP versions will not be to our liking. Ultimately we guarantee that our Hot Stampers will beat any pressing you may have, including, perhaps especially, any of those by Analogue Productions.]

Our story begins: Years ago a customer sent me his copy of the Analogue Productions LP (mastered by Hoffman and Gray) in order to carry out a little shootout I had planned among the five copies I could pull together: two MoFi’s, the Fantasy ORC reissue, a blue label original, the AP, and another reissue.

Let’s just say there were no real winners, but there sure were some losers.

My take on the Hoffman version is simply this: it has virtually no trace of TUBEY ANALOG MAGIC. None to speak of anyway. It sounds like a clean, tonally correct but fairly bass-shy CD. No pressing I played managed to be so tonally correct and so boring at the same time. The MoFi has some funny EQ colorations, the kind that bug the hell out of me on 98% of their crappy catalog, but at least it sounds like analog. It’s warm, rich and sweet. The AP copy has none of those qualities.

This is simply more pointless 180g sound, to my ear anyway. I couldn’t sit through it with a gun to my head.

It’s an all-but-IMPOSSIBLE record to find with good sound. It’s shocking how bad most of the original blue label pressings are. No top, no bass and hard mids — not exactly a recipe for audiophile happiness. The ORC (Original Rock Classics) Fantasy reissues we’ve played are usually a joke as well; there’s not a whole lot above 6k on most of those pressings and the bass is hollow.

Bottom line: You would need a LOT of vintage tubes in your system to get the AP record to sound right, and then everything else in your collection would sound wrong.

Eagles – On The Border – Our Shootout Winner from 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

TWO STUNNING SIDES on this British SYL pressing. You Never Cry Like A Lover and The Best Of My Love have SUPERB Glyn Johns Demo Disc Sound. The LIFE and ENERGY of this copy are going to knock you out of your seat! Most copies left us with a headache, but this one had us begging for more! 

You Never Cry Like A Lover and The Best Of My Love have SUPERB Glyn Johns Demo Disc Sound. I’m a HUGE fan of the material on this album. I find it to be some of the most sophisticated and enjoyable music these guys ever wrote, and that’s saying a lot. As audiophiles, many of you have probably never taken the time to appreciate how good the album is, because the typical domestic copy barely hints at the kind of magic you’ll hear on a British SYL Hot Stamper pressing. (more…)