This London LP has a very good A+ to A++ side two. Lively and not too bright with nice space and clarity, the Jeux D’Enfants is very enjoyable. Le Rouet D’Omphale (the Spinning Wheel) which follows is even better! Natural and dynamic with rich strings, the tonality is wonderfully balanced.
Performed with the Paris Conservatory Orchestra under Jean Martinon, this record also features Bizet’s Jeux D’Enfants and Saint-Saens’ Danse Macabre and Le Rouet D’Omphale.
Side one, unfortunately, is not up to the same standard. Both sides, of course, have been through our exensive cleaning process and should sound substantially better than average.
This rare Shaded Dog pressing has an absolutely AMAZING side two. It’s transparent, with sweet (yes, for the Prokofiev 5th!), smooth and rich strings. Listen to how natural the woodwinds sound on this side
Side two here is the fluke, since most of the time this record sounds terrible. But now we know how well engineered it really is. We have the copy right here to prove it!(more…)
Triple Plus on side one for the Symphony No. 1 – the sound is extraordinarily big, lively, clear and above all Tubey Magical. Side two is nearly as good, with all the same attributes, as rightly befits a true Golden Age Classic from 1959. Recorded inKINGSWAY HALLwith the London Symphony, this Decca licensed title has orchestral sound to rival the best you’ve heard.
Both sides of this wonderful pressing are simply phenomenally good sounding, with size and scope the likes of which you rarely hear on record.(more…)
This Minty looking RCA Living Stereo LP has AMAZING SOUND. It’s everything a Living Stereo record should be — warm and rich with lots of depth and silky highs. The lower strings on this record are hands down some of the best I’ve ever heard. They’re so rich and textured. Out of all the Decca recorded RCAs I’ve had the pleasure (or misfortune as the case may be!) of listening to, this is definitely one of the top dogs.
If this record were quiet it would easily fetch $300; unfortunately that ain’t the case. The only reason we’re offering this copy for sale is because the sound — and the music — are OUT OF THIS WORLD!
Superb Super Hot Stamper sound for Les Patineurs, and the Le Cid is just a step behind at A+ to A++. We had a copy of the famous Greeensleeves pressing for our shootout, along with a number of Londons, and this Stereo Treasury had the highest overall sonic grades of all of them. The original Blueback pressing — true, we only had the one, so take it for what it’s worth — was a complete disaster: shrill, with no top or bottom to speak of.
Both these pieces are audiophile Must Own Demonstration pieces, full of depth, ambience, and wonderfully correct instrumental timbres, especially from the woodwinds. Add explosive dynamics and deep bass and you have yourself a genuine audiophile recording. (more…)
This English Stereo Treasury pressing (on an odd lookinig Orange label, with handwritten stampers I have never seen before) has a SUPERB side two and side one is almost as good! The original release is London CS 6101 and I doubt most copies of it would sound this good.
This is Classic Old School Decca sound, rich and smooth with an exceptionally wide and deep soundstage. All the instruments are clear and have good texture, which is what one rarely hears on the most early pressings, which tend to be thick and dark. A little more top and this side two would have earned the full Three Pluses.(more…)
It’s been quite a while since I played the Classic pressing, but I remember it as fairly typical of their mediocre-at-best catalog, tonally fine but low-rez and lacking space, warmth and above all Tubey Magic. I don’t think I’ve ever played an original or a VICS reissue that didn’t sound better, and that means that the best grade to give Classic’s pressing is probably a D: below average.