_Conductors – Fremaux

Saint-Saens – Carnival of the Animals – 180g Klavier Debunked

More Camille Saint-Saens (1835-1921)

Carnival of the Animals

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Sonic Grade: D

Hall of Shame pressing. 

Yet another murky, smeary Audiophile Piece of Trash from the mastering lathe of the formerly brilliant Doug Sax. He used to cut the best sounding records in the world. Then he started working for AP and to my knowledge hasn’t cut a good sounding record since.

For those of us who remember his consistently superb work in the ’70s, we sadly note that he passed away in 2015. I was honored to have met him a few years back at a Chopin concert performed by Lincoln Mayorga. 

I found both he and Lincoln to be gentlemen and artists of the highest caliber. Needless to say, this Klavier is not the kind of record that he would want to be remembered by.

On this record, in Doug’s defense it’s only fair to point out that he had only dub tapes to work with, which is neither here nor there as these pressings are not worth the dime’s worth of vinyl used to make them. (more…)

Massenet – Le Cid Ballet Music – Klavier Debunked

More of the music of Jules Massenet (1842-1912) 

Le Cid Ballet Music 

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Sonic Grade: D

Hall of Shame pressing. 

This hi-fi-ish Doug Sax/ Acoustic Sounds re-butchering of the Fremaux on Klavier is insufferable. Back in the day audiophiles in droves bought them from all the major mail order audiophile record dealers (you know who I’m talking about), apparently not noticing the overblown bass and spark-spark-sparkling top end. (Perhaps the same audiophiles who think that Mobile Fidelity makes good sounding records?)

If your system needs boosted bass and highs try this Klavier pressing. Better yet, fix your stereo so you won’t need phony audiophile records like this one to make it sound good! (more…)

Saint-Saens – The Best Danse Macabre on Record

More of the music of Camille Saint-Saens (1835-1921)

Danse Macabre / Ravel, Debussy, Chabrier

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A distinguished member of the Better Records Orchestral Music Hall of Fame.      

This White Hot EMI pressing has some of the loveliest orchestral music reproduction we’ve ever heard. Man, this copy sure has it going on: it’s super clean and clear, tonally correct from top to bottom, with all of the weight of the orchestra down low on both sides.

If you want a classical record to TEST your system, if you want a classical record to DEMO your system, you will have a hard time finding a better pressing than this very copy.

Debussy – Prelude A L’apres-midi D’un Faune is excellent here as well – it’s a piece we rarely have recordings of on the site. (more…)

Massenet / Le Cid / Fremaux / City of Birmingham Symphony

More of the music of Jules Massenet (1842-1912) 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This is a record that clearly belongs on a Super Disc list; if Harry hadn’t already put it there we certainly would have. (We would love to compile a Super Disc list of our own, but unless you have just the right copy of whatever title you find on the list, you may not have anything like Super Disc sound quality, so why a list at all? It creates more problems for audiophiles than it solves.)  (more…)

Fremaux Conducts the Saint-Saens Symphony No. 3

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“I gave everything to it I was able to give. What I have here accomplished, I will never achieve again.”

  • One of Saint-Saens’ greatest masterpieces returns to Better Records with true Demo Disc sound
  • Huge, lively, spacious, dynamic – both sides earned our top grade of Triple Plus (A+++) or close to it
  • What this copy did better than practically any other was show us just how rich, smooth and Tubey Magical 1973 EMI sound could be
  • “The whole work is a magnificent and fantastical symphonic machine that’s an apotheosis of the orchestral technology of the late 19th century.”

More of the music of Camille Saint-Saens (1835-1921)

The legendary Stuart Eltham engineered this recording for EMI in 1973. You may know his work better from a longtime audiophile TAS List favorite, Massenet’s Le Cid (1971), again with Fremaux conducting the Birmingham Symphony Orchestra. (more…)