_Conductors – Fjeldstad

Sibelius / Violin Concerto / Ricci – Fjeldstad – Reviewed in 2011

More of the music of Jean Sibelius (1865-1957)

Violin Concerto / Ricci – Fjelstad

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This is a wonderful sounding London Stereo Treasury pressing featuring one of our favorite violinists, Ruggiero Ricci, performing the Sibelius Violin Concerto in D Minor. The tone of the violin on side one is just right — every nuance of Ricci’s bowing can clearly be heard!   

While the violin sounds amazing on side one, the orchestra lacks a bit of weight. This side is also not quite as tubey magical as it could be. In our opinion, however, the violin tone and the incredible dynamics are more than enough to award this an A++ grade.

Side two actually has a bit more fullness, but this also seems to rob the violin of some of its presence. We gave this side an A+.

Grieg / Peer Gynt / Fjeldstad / LSO – Our Shootout Winner from 2005

More of the music of Edvard Grieg (1843-1907)

More Peer Gynt / Fjeldstad / LSO

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This is overall the best sounding pressing of the Fjeldstad / LSO we have ever played, with BETTER than Super Hot Stamper sound on both sides. For those of you who know your Londons, when you see the label on this LP you will no doubt be shocked: This is the last pressing in the world that one would expect to sound good. 

Of course we here at Better Records don’t give a sh*t about any such conventional wisdom / collector bias. We like audiophile quality sound and we don’t give a damn where we find it. Up against the competition this copy was superb in practically every way, excelling with orchestral size, weight and energy like virtually no other.

This is to be expected from a recording of its renown. What was not to be expected was the actual pressing that delivered those sonic qualities

We’ve loved the Blueback pressings in the past; this time not so much (too crude and opaque with jello for bass. (more…)

Haydn / The Surprise Symphony / Fjeldstad

More of the music of Joseph Haydn (1732-1809)

More The Surprise Symphony / Fjeldstad

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This vintage RCA Living Stereo Camden LP has Super Hot Stamper sound on both sides. It’s one of the best Camdens, if not actually THE best. In true Living Stereo fashion, a natural, realistic concert hall perspective unfolds before you. As we noted about side one: it’s rich, smooth, sweet and tubey — what’s not to like? Lovely sheen on the strings too. This is our kind of sound! 

Fjeldstad’s performance is excellent as well. Fjeldstad, you may remember, is the man behind the definitive Peer Gynt on Decca (SXL 2012). His recordings may not be common but they have never disappointed. If you can’t own all 104 of Haydn’s symphonies, make sure that at least this one is in your collection. (more…)

Grieg / Peer Gynt / Fjeldstad / LSO – Speakers Corner Reviewed / VTA Advice

More Edvard Grieg (1843-1907)

More Peer Gynt / Fjeldstad / LSO

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Sonic Grade: C+

The Fjeldstad has long been one of our favorite performances of Peer Gynt here at Better Records. 

This record is handy for VTA set-up as well, a subject discussed below in our listing from 2010.

The sound is excellent for a modern reissue*, but in the loudest sections the orchestra can get to be a bit much, taking on a somewhat harsh quality. (The quieter passages are superb: sweet and spacious.)

So I adjusted the VTA a bit to see what would happen, and was surprised to find that even the slightest change in VTA caused the strings to lose practically all their rosiny texture and become unbearably smeared.

This is precisely why it’s a good heavy vinyl recording for setting up your turntable. If you can get the strings to play with reasonably good texture on this record you probably have your VTA set correctly. (more…)

Grieg / Peer Gynt / Fjeldstad

More of the music of Edvard Grieg (1843-1907)

More Peer Gynt / Fjeldstad

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

One of the greatest records in the London catalog. As you may have read elsewhere on the site, the Londons to me have the best overall sound of any Golden Age label. As good as RCA and Mercury were, the Londons are more consistently sweet, tonally correct, dynamic and natural sounding. This is a perfect example.  

Amazing DEMO QUALITY SOUND. This is the best sounding copy of this record I have ever heard! Side two is astonishingly good: there’s nothing like it.

Speakers Corner Heavy Vinyl and the Loss of Transparency

More Peer Gynt

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We recently gave the Heavy Vinyl pressing from Speakers Corner, the same one that we had previously recommended back  in the ’90s, a sonic grade of C+ in our current Heavy Vinyl Scorecard section. To our ears now it has many more shortcomings than it did back then, which we discuss below.

So often when we revisit the remastered pressings we used to like on Heavy Vinyl we come away dumbfounded — what on earth were we thinking? These are not the droids sounds we are looking for. Perhaps our minds were clouded at the time.
(more…)