_Conductors – Dorati

Tchaikovsky / The Nutcracker Ballet / Dorati – Our Shootout Winner from 2010

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

The Nutcracker Ballet / Dorati

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This London Symphony recording is without a doubt THE BEST SOUNDING Nutcracker we have ever played here at Better Records, and that includes not only the full ballet but the suites and excerpts as well. The sound in a word is GLORIOUS. This copy, with 8 1/2 pluses total for the four sides, has DEMO DISC quality sound on three out of four sides. We shot out nine original maroon label copies (and one oval label Philips pressing) so we had our work cut out for us when it came to this masterwork of Tchaicovsky’s. It was an absolute JOY to hear his sublime orchestration recorded so faithfully and naturally by the Mercury team, using 35MM film no less. 

The review which can be seen by clicking on the Nutcracker Review tab above discusses Dorati’s sprightly performance guiding the LSO. He brings this music to LIFE like no other conductor of which I am aware.

A top performance with top quality sound. Let’s get right to each of the four sides. (more…)

Respighi / Ancient Airs and Dances / Dorati

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Both sides of this TAS List early Colorback RFR copy have SUPER Hot Stamper sound, so much richer and sweeter and less strident than the typical copy you might find. (I must admit the Mercury approach to sound has not worn as well as I might have hoped. When it comes to the Big Three from the Golden Age, these days we prefer London, followed by RCA, then Mercury.) 

Of course the music is wonderful, with Respighi looking back and paying homage to the music and the musical structures of the past. This is no Pines of Rome. Please see the Ancient Airs and Dances tab above for more on the music.

Side One

A++ Superb Living Presence sound. Listen especially to how textured and natural he cellos sound, as well as the strings in general. Mercury rarely recorded strings properly but here they sound tonally correct, neither nasally nor strident. (more…)