A distinguished member of the Better Records Orchestral Music Hall of Fame.
This lovely Mercury Golden Import LP not only has Super Hot Stamper sound on side one, which is where Gaite Parisienne can be found, but it also boasts one of the greatest performances of the piece ever recorded.
Dorati is surely The Man when it comes to energy, drive and dynamic excitement with this venerable warhorse. He and his Minneapolis Symphony play the hell out of this boisterous music, and luckily for us audiophiles, the Mercury engineers give us Demonstration Quality Sound to go with it.
The original Mercury release of this record (90016) is a shrill piece of trash, as is the Mercury Wing pressing. So many of the early Mercurys were poorly mastered it seems. We audiophiles must wait for reissues (either by Mercury or in this case by Philips once they had bought Mercury) to show us how good the sound of a particular recording might actually be. (Of course what you really need is the right copy to know ultimately how good the recording can be, and to find it you might have to clean and play ten LPs, or more. That’s where we come in.) (more…)