_Composers – Verdi

Verdi, Rossini, et al. / Venice – Solti – Classic Records Debunked

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Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP debunked.

Classic Records remastered LSC 2313 (VICS 1119) and even the people that like the sound of Classic’s Heavy Vinyl complain about it, so you can imagine what we think.

What a piece of garbage. Smeary and shrill, it gives no indication of the beauty that is on the tape. 

Verdi / Rossini / Overtures and Intermezzos

More Living Stereo

More Verdi / Rossini / Overtures and Intermezzos / Solti

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This White Hot Stamper Plum Victrola pressing has GORGEOUS Tubey Magical Analog sound the likes of which you may have never heard. Yes, it’s that good! Recorded in England by Decca in 1959, with Solti at the helm of the Orchestra of the Royal Opera House, Covent Garden, the music herein was originally released on the album Venice, LSC 2313, with a lovely die-cut cover. Six years later, still clearly in the Golden Age of Tubes, it was reissued on Victrola, and it would be hard to imagine it sounding any better than it does here. (We keep a noisy Venice as a ref but it sure doesn’t sound like this pressing.) 

At one time we had a copy of this record that we felt suffered from reversed absolute polarity, but we found no such problem with this copy — it sounds amazing! (more…)

Ballet Music From The Opera on Classic Records Vinyl

More Ballet Music From The Opera / Fistoulari

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Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP debunked.

Classic Records ruined this album, as one would have expected. Their version is dramatically more aggressive, shrill and harsh than the Shaded Dogs we’ve played, with almost none of the sweetness, richness and ambience that the best RCA pressings have in such abundance. In fact their pressing is just plain awful, like most of the classical recordings they remastered, and should be avoided at any price. 

Most audiophiles (including audiophile record reviewers) have never heard a classical recording of this quality. If they had Classic Records would have gone out of business immediately after producing their first three Living Stereo titles, all of which were dreadful and labeled as such by us way back in 1994. I’m not sure why the rest of the audiophile community was so easily fooled, but I can say that we weren’t, at least when it came to their classical releases. (We admit to having made plenty of mistaken judgments about their jazz and rock, and we have the We Was Wrong entries to prove it.)