_Composers – Sibelius

Sibelius / Symphony #2 / Barbarolli

More of the music of Jean Sibelius (1865-1957)

Symphony #2 / Barbarolli

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

A truly extraordinary recording mastered beautifully but pressed on vinyl that has never been known for its quiesecece (if I can get by with that ten cent word).

The strings are clear and textured, yet rich and full-bodied. The bottom is big and weighty. The horns are tubey and full-bodied and never screech through even the most difficult passages.

My notes mention that it’s rich and tubey but clear and lively; big, with great energy, and lastly, superbly spacious and never harsh or shrill. (It can be a bit dark in places; as you know this is much preferable to the alternative.)

About as close to live music as I think this piece can sound in my listening room. (more…)

Liszt / Les Preludes / Dorati – Reviewed in 2008

More Franz Liszt’s music

Les Preludes / Dorati

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This copy with Philips stampers has a fairly quiet and good sounding side one, which has the work by Smetana and A Night On Bald Mountain. Side two is thin and bright. Dorati is excellent on material like this and plays it with great verve. 

Performed by the London Symphony Orchestra under the direction of Antal Dorati. This performance also includes Smetana’s “The Moldau”, Mussorgsky’s “Night On Bald Mountain”, and Sibelius’ “Valse Triste.”

Sibelius, Liszt, Dukas et al. / Bernard Herrmann Conducts – London Phase 4 Debunked

More Bernard Herrmann

More London Phase 4 Debunked

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Sonic Grade: F

Hall of Shame pressing.

While preparing for a Finlandia shootout recently we happened to drop the needle on this album, a 1977 Phase 4 recording made in Kingsway Hall and engineered by Arthur Lilley. We could hardly believe how bad it sounded. The multi-miking is the worst I have ever heard! We like lots of Phase 4 recordings — especially those of Bernard Herrmann — but this is definitely not one of them. 

Are they all bad? Who can say? We sure aren’t going to be wasting any more time and money on the album in order to find out, I can tell you that.

The Obsession soundtrack is a dog as well; audiophiles looking for good sound are best advised to avoid them both. 

 

Finlandia – Striving for Orchestral Clarity with Decca and Failing with RCA

 

More of the music of Jean Sibelius (1865-1957)

More of the music of Edvard Grieg (1843-1907)

 

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The original RCA Living Stereo pressings we played in our 2014 shootout were not competitive with the best Deccas and London reissues.

Original is better? In our experience with Finlandia, not so much.

 

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The record you see above is yet another wonderful example of what the much-lauded Decca recording engineers were able to capture on analog tape all those years ago. The 1961 master has been transferred brilliantly using “modern” cutting equipment (from the early-’70s, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer.
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Sibelius / Violin Concerto / Heifetz – Classic Records Reviewed

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More of the music of Jean Sibelius (1865-1957)

More Jascha Heifetz

Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked.

Classic remastered this title in the ’90s — it’s one of the better Heifetz recordings. As expected, their version was awful, as bad as LSC 1903, 1992, 2129 and others too numerous to list.  

It’s both aggressive and lacking in texture at the same time, the worst of both worlds. Bernie’s cutting system is what I would call Low Resolution — the harmonics and subtleties of the sound simply disappear. If you have the Classic, do your own shootout. We guarantee any Hot Stamper pressing will murder theirs. (more…)