_Composers – Rimsky-Korsakov

Chabrier / Espana & Rimsky-Korsakov / Argenta – Our Shootout Winner from 2013

More of the music of Emmanual Chabrier (1841-1894) 

More Espana & Rimsky-Korsakov / Argenta 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This London Whiteback (CS 6006) TAS List Super Disc really IS a Super Disc, with SUPERB SUPER Hot Stamper sound on both sides. It easily bested the Blueback we put up against it, and most of the pressings of Ansermet’s performance on London/Decca that we like (CS 6438). (more…)

Music of Old Russia / Milstein / Irving – Our Shootout Winner from 2013

More of the music of Tchaikovsky 

Milstein / Irving 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This rare, hard to find original Blue Angel stereo pressing has exquisite sound. As we noted in our listing for Milstein’s Saint-Saens Third, it is the rare Heifetz album on Shaded Dog (or any other label) that could hope to compete with it.

We would rank this Angel recording/pressing with the best of Rabin and Milstein on Capitol, as well as the wonderful Ricci and Campoli discs on London/Decca. (more…)

The Tale of Tsar Saltan – What to Listen For: The Triangle

More Rimsky-Korsakov

More The Tale of Tsar Saltan / Ansermet

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your pressing of the album. 

This is a work that makes extensive use of the triangle, and I don’t know when I’ve ever heard a better recording of that instrument. (I think there are actually two being played.) It’s incredibly sweet, detailed and extended, without calling attention to itself in an unnatural manner. When you hear it, you know it, and I’m hearing it in my head as this is being written. 

Want a good tweeter test next time you’re in the market for new speakers? Play a record with a well-recorded triangle. It’s a surprisingly hard instrument to reproduce.  (more…)

We Review the Chesky Scheherazade

More Rimsky-Korsakov

More Scheherazade

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Sonic Grade: F

Hall of Shame Record and another Remastered Audiophile Pressing debunked.

Chesky is one of the WORST AUDIOPHILE LABELS in the history of the world. Their recordings are so artificial and “wrong” that they defy understanding. That some audiophiles actually buy into this junk sound is equal parts astonishing and depressing. Their own records are a joke, and their remasterings of the RCA Living Stereo catalog are an abomination. If there is a more CLUELESS audiophile label on the planet, I don’t know who it could be, and I don’t want to find out. 

Diffuse, Washed Out, Veiled, and Just So Damn Vague

 

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Rimsky-Korsakov – The Tale of Tsar Saltan on Speakers Corner

Sonic Grade: C

We cracked open the Speakers Corner pressing shown here in order to see how it would fare up against a pair of wonderful sounding Londons we were in the process of shooting out a while ago. Here’s what we heard in our head to head comparison.

The soundstage, never much of a concern to us at here at Better Records but nevertheless instructive in this case, shrinks roughly 25% with the new pressing; depth and ambience are reduced about the same amount. But what really bothered me was this: The sound was just so VAGUE.

There was a cloud of musical instruments, some here, some there, but they were very hard to SEE. On the Londons we played they were clear. You could point to each and every one. On this pressing it was impossible.

Case in point: the snare drum, which on this recording is located toward the back of the stage, roughly halfway between dead center and the far left of the hall. As soon as I heard it on the reissue I recognized how blurry and smeary it was relative to the clarity and immediacy it had on the earlier London pressings. I’m not sure how else to describe it – diffuse, washed out, veiled. It’s just vague.
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Chesky Records Disgraces Itself with a Flat, Pointless Scheherazade

More Rimsky-Korsakov

More Scheherazade – Reiner

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Sonic Grade: F

Hall of Shame Record and another Remastered Audiophile Pressing debunked.

Chesky is one of the WORST AUDIOPHILE LABELS in the history of the world. Their recordings are so artificial and “wrong” that they defy understanding. That some audiophiles actually buy into this junk sound is equal parts astonishing and depressing. Their own records are a joke, and their remasterings of the RCA Living Stereo catalog are an abomination. If there is a more CLUELESS audiophile label on the planet, I don’t know who it could be, and I don’t want to find out. 

Who Can’t Hear Differences in Sound from Side to Side?

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Audiophile Reissues of the Reiner/CSO Recording

Both the Chesky and Classic reissue pressings of LSC 2446 are just plain terrible. Embarrassingly the latter is found on the TAS List.

There is a newly remastered 33 RPM pressing of the album garnering rave reviews in the audiophile press. We will didn’t like it either.

Please note that in many of the reviews for the new pressing, the original vinyl used for comparison is a Shaded Dog pressing. In our experience almost no Shaded Dog pressings are competitive with the later White Dog pressings, and many of them are just plain awful, as we have noted previously on the site.

The “original is better” premise of most reviewers renders the work they do practically worthless, especially to those of us who take the time to play a wide variety of pressings, judging them on the merits of their sound, not the color of their labels.
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The Tale of Tsar Saltan and Our Rare Four Plus Grade

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See all of our Rimsky-Korsakov albums in stock

  • This AMAZING side one with the complete Tsar Saltan was so good we gave it our rare Four Plus (A++++) grade
  • We freaked out when we heard this side – it took the sound beyond anything we had ever experienced for the work
  • It’s so rich and real, with huge WHOMP factor down low, as well as clear, uncolored brass and robust lower strings – wow!
  • We figure about one out of a hundred sides earn our Four Plus grade – you can’t get much more rare than that

We award this copy’s side one our very special Four Plus (A++++) grade, which is strictly limited to pressings (really, individual sides of pressings) that take a recording to a level never experienced by us before, a level we had no idea even existed. We estimate that about one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade.

This London pressing contains a stunningly BEAUTIFUL Tale of the Tsar Saltan Suite. It’s clearly one of the great Demo Disc Quality recordings from the Golden Age (or any age for that matter), with everything that a top Golden Age Orchestral recording should have: all the magic; all the timbral and harmonic subtlety; all the sweetness and warmth; all the Tubey Magical richness.

All that and more. Folks, this is the kind of record that makes you sit up and take notice. Finally, HERE is the kind of sound that can bring an orchestra to life in your very own listening room. (more…)

Our Favorite Recording of Scheherazade

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I attended this Dec. 2013 concert; it was a thrill like no other. (Well, maybe The Planets.)

“Guest conductor Rafael Frühbeck de Burgos’s attention to detail delivers the razzle dazzle and also discovers renewed radiance in ‘Scheherazade.'”

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We did a monster shootout for this music in 2014, one we had been planning for more than two years. On hand were quite a few copies of the Reiner on RCA; the Ansermet on London (CS 6212, his second stereo recording, from 1961, not the earlier and noticeably poorer sounding recording from in 1959); the Ormandy on Columbia, and a few others we felt had shown potential.

The only recordings that held up all the way through — the fourth movement being THE Ball Breaker of all time, for both the engineers and musicians — were those by Reiner and Ansermet. This was disappointing considering how much time and money we spent finding, cleaning and playing those ten or so other pressings. (more…)