This Odyssey budget pressing has long been favorite of ours here at Better Records. It’s too bad that most of them don’t sound very good, with the shrill, hard string tone we’ve come to expect from Columbia in the ’60s. Fortunately this pressing does not have that problem! We played a number of these recently, and this copy was the best of them all on BOTH sides! Side one is really rich and warm with lovely, smooth strings that don’t get shrill. It’s very hard to believe that there’s a much better sounding copy out there. Side one of course has the complete Eine Kleine Nachtmusik. (more…)
The Mozart side of this Red Seal pressing from 1968 sounds AMAZING. I have never heard better staging for a chamber work of this kind. All five instruments are so clearly set apart from each other and tonally correct (for the most part) that it is nothing less than fascinating to be able to follow each instrument as it weaves its way through the score. If you’ve suffered through the horrendously sour and screechy recordings Heifetz and Piatigorsky are known for in audiophile circles — LDS 2513 and LDS 6159, you will be glad to know that this side one sounds NOTHING like them. (more…)
This is not your typical DG, and as far as we’re concerned that’s a good thing! If you end up with this copy you may find yourself agreeing with us that it actually sounds pretty much like a good RCA pressing from the era, with the kind of rich, sweet sound that the best RCAs are famous for, and rightly so.
The sound on side one is spacious and sweet, with good texture to the strings, far from the smeared, hard, steely sound that so many DG pressings suffer from. And side two is even better! More transparent, with better texture and even richer sound.(more…)
This EARLY heavy cardboard Stereo in Red DG Large Tulips pressing is nothing short of PHENOMENAL on side one. It’s SPACIOUS and three-dimensional that goes beyond practically any classical recording I’ve ever played. I would rank it in the Top One Per Cent for those two qualities. You hear into the soundstage on this record like you will not believe.
The string tone is especially rich and sweet on this side, yet full of texture and that lovely rosiny quality that vintage pressings capture so well. (Sometimes capture so well. Side two here has a slightly smeary quality that hurts it in that area.)(more…)
This is a Super Hot Stamper Two-Pack that comprises a White Dog RCA original for side one and a Red Label reissue for side two, for the simple and obvious reason that the “bad” sides of each of these LPs are not nearly as good as the “good” sides. When you play the weaker sides you will no doubt appreciate why we felt it was appropriate to bundle two very different records together to make a truly SUPERB one.
If you’ve suffered through the horrendously sour and screechy recordings Heifetz and Piatigorsky are known for in audiophile circles — LDS 2513 and LDS 6159 — you will be glad to know that the two good sides here sound NOTHING like them. (Reversing your polarity on LDS 6159 helps but it can’t fix sound that’s that bad.) (more…)
This IMMACULATE set has dry, edgy, screechy sound — until you reverse your absolute phase! Then it sounds pretty good! It certainly will never win any awards, but it’s practically unlistenable without the phase reversed.
Now I can’t say that’s true for all six sides. I play graded all six sides — they range from M- to slightly worse, about as quiet as these Soria pressings ever are — but I only reversed the phase on side one after dropping the needle on the other sides and suffering through the brittle sound.(more…)
Easily one of the finest string quartet recordings we have ever had the pleasure to play, this Philips pressing earned strong grades on both sides for its lovely recreation of space, Tubey Magical richness, and rosiny string textures.
It sounds very much like live music, or at least what you imagine this music would sound like live. Of course, live classical music is shocking in its clarity and freedom from artificiality, and no recording I have ever heard duplicates that sound with perfect fidelity, but when the pressing is as clear and transparent and natural as this one, your ability to suspend disbelief seems to require no effort at all.(more…)
This is a RARE and WONDERFUL SOUNDING original Capitol pressing of Milstein playing pieces for violin and orchestra by Mozart, Beethoven, Stravinsky, Saint-Saens and others. The recording of the Mozart Rondo on side one boasts DEMO DISC quality sound. Side one is amazingly rich, sweet and tubey magical. The violin is tonally correct, with the kind of immediacy few violin records (in our experience) manage to capture as well, while still retaining the correct size of the instrument.(more…)