_Composers – Mendelssohn

The Heifetz-Piatigorsky Concerts

More of the music of Amadeus Mozart (1756-1791)

The Heifetz-Piatigorsky Concerts

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This is one of the pressings we’ve discovered with Reversed Polarity.

This IMMACULATE set has dry, edgy, screechy sound — until you reverse your absolute phase! Then it sounds pretty good! It certainly will never win any awards, but it’s practically unlistenable without the phase reversed. 

Now I can’t say that’s true for all six sides. I play graded all six sides — they range from M- to slightly worse, about as quiet as these Soria pressings ever are — but I only reversed the phase on side one after dropping the needle on the other sides and suffering through the brittle sound. (more…)

Mendelssohn / Scotch Symphony / Maag – Reviewed in 2011

More of the music of Felix Mendelssohn (1809-1847)

Scotch Symphony / Maag

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A distinguished member of the Better Records Orchestral Music Hall of Fame

Both sides of this record have that classic Decca chocolatey, rich, sweet sound. It”s not for everybody, it”s probably not the sound one would hear in a concert hall, but we love it and so do many audiophiles. 

The performance here by Maag is legendary and definitive. The sound is perfectly suited for this music, with massed strings to die for. This is classic Tubey Magical Decca orchestral sound. If you want immediacy, buy a Mercury. If you want luscious, rich string tone, this London should be right up your alley.

Side two had less smear and less distortion and congestion than we heard on side one. It’s also even RICHER sounding, if such a thing is possible. More transparent too. A good balance of clarity and richness. A++ all the way. (more…)

Mendelssohn and Bruch / Violin Concertos / Ricci / Gamba – Our Shootout Winner from 2011

More of the music of Felix Mendelssohn (1809-1847)

Violin Concertos / Ricci / Gamba

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A distinguished member of the Better Records Orchestral Music Hall of Fame

One of the great London violin concerto records. With a Super Hot Stamper copy such as this one, the Mendelssohn here has DEMO QUALITY SOUND!

In Ruggiero Ricci’s hands both works are nothing short of magical (although the Bruch never sounds especially good in our experience). If you want to know why people drool over Golden Age recordings, listen to the violin on side one. If you’re not careful you may find yourself drooling too. (more…)

Mendelssohn / Violin Concerto in E Minor / Rybar – Our Shootout Winner from 2011

More of the music of Felix Mendelssohn (1809-1847)

Violin Concerto in E Minor / Rybar

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This Whitehall budget reissue stereo pressing has SUPERB Super Hot Stamper sound on both sides and a performance by Peter Rybar that can hold its own against any you may have heard.   

This recording easily beats most vintage Shaded Dogs, Mercurys and London records we’ve ever played here at Better Records, and it was released on vinyl by a relatively obscure budget label that most audiophiles have never even heard of and would probably not want to be caught dead with.

Which is a good reason to judge records by playing them, not reading about them, on the net or in magazines. The sound of this record is so wonderful that, had it been a rare Shaded Dog, Merc or London it would have sold for something approaching twice the money we are asking here. In my experience relatively few of those recordings are as good as this one. (more…)

Mendelssohn & Schubert / Symphony No. 4 & Symphony No. 5 – Reviewed in 2014

More of the music of Felix Mendelssohn (1809-1847)

More of the music of Franz Schubert (1797-1828)

Symphony No. 4 & Symphony No. 5

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A distinguished member of the Better Records Orchestral Music Hall of Fame

The strings are rich, with lovely rosiny texture and virtually no tube smear. Played with zest and the recording is every bit as lively. 

The grade on side one could even be better than Two Pluses — we just don’t have enough clean copies to know. Big bass at the end, powerful dynamics too.

Side two was good but nothing like this amazing side one. Too much smear hurts it badly, and the mark is not helping either.

We’re pricing this one for just the one side. Fortunately it’s the complete symphony, one of Mendelssohn’s most famous works.


Artist Biography by Rovi Staff

Mendelssohn was the only musical prodigy of the nineteenth century whose stature could rival that of Mozart. Still, his parents resisted any entrepreneurial impulses and spared young Felix the strange, grueling lifestyle that was the lot of many child prodigies.

Mendelssohn was a true Renaissance man. A talented visual artist, he was a refined connoisseur of literature and philosophy. While Mendelssohn’s name rarely arises in discussions of the nineteenth century vanguard, the intrinsic importance of his music is undeniable. A distinct personality emerges at once in its exceptional formal sophistication, its singular melodic sense, and its colorful, masterful deployment of the instrumental forces at hand.

A true apotheosis of life, Mendelssohn’s music absolutely overflows with energy, ebullience, drama, and invention, as evidenced in his most enduring works: the incidental music to A Midsummer Night’s Dream (1826-1842); the Hebrides Overture (1830); the Songs Without Words (1830-1845); the Symphonies No. 3 (1841-1842) and No. 4 (1833); and the Violin Concerto in E minor (1844).

TRACK LISTING

Side One

Symphony No. 4 (Mendelssohn)

Side Two

Symphony No. 5 (Schubert)

Mendelssohn & Prokofiev / Concertos / Heifetz / Munch – Our Shootout Winner from 2011

More of the music of Felix Mendelssohn (1809-1847)

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This BETTER than Super Hot Stamper (A++ to A+++) White Dog pressing has DEMO DISC QUALITY SOUND on side one for the Mendelssohn concerto! It really has the Breath of Life. On top of that it’s quiet, playing mostly Mint Minus, something that we don’t run into too often with fifty year old Living Stereo pressings! Now I see why Harry Pearson put this record on his TAS List. Most copies do not sound remotely as good as this one on side one. (Side two is a step down; it would almost have to be.)  

And the performance by the Boston Symphony under Munch is the best we’ve ever heard. The orchestra is on fire with passion for this music. (more…)

Bach, Mendelssohn, Widor / Discovery / Welch

More Johann Sebastian Bach (1685-1750) 

More Bach, Mendelssohn, Widor / Discovery / Welch 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This is an INCREDIBLY RARE Wilson Audio LP in IMMACULATE condition, with works by Bach, Mendelssohn, Widor and others. Click on the images of the record labels for a full track listing. This is actually an amazing sounding record. I’ve owned a copy for over 20 years. It’s some of the best sounding organ music with the deepest bass I’ve ever heard.

Tchaikovsky / 1812 Overture (LSC 2241) – Classic Records and the TAS List

 

More Tchaikovsky (1840-1893)

More 1812 Overture

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Sonic Grade: D

 Hall of Shame pressing and another Classic Records LP debunked.

HP put the Shaded Dog pressing (the only way it comes; there is no RCA reissue to my knowledge) on his TAS List of Super Discs, and with good reason: it’s wonderful! [We used to like it a lot more than we do now. Stick with the Decca Alwyn if you can find one that sounds like this one does.]

But for some reason he also put the Classic Records Heavy Vinyl reissue on the list, and that record’s not even passable, let alone wonderful. It’s far too lean and modern sounding, and no original Living Stereo record would ever sound that way, thank goodness. 

If they did few audiophiles would still be paying the top dollar collector prices that the Shaded Dog commands to this day.    (more…)

Mendelssohn & Prokofiev Concertos (LSC 2314) on Classic Records Heavy Vinyl

More of the music of Felix Mendelssohn (1809-1847)

More of the music of Sergei Prokofiev (1891-1953)

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Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked. 

Classic Records ruined this album, as expected. Their version is dramatically more aggressive, edgy and smeared than the better vintage pressings. In fact it’s just plain awful, like most of the classical recordings they remastered.

We have a section for all the Classical Records we have reviewed on the site to date.

We also have a section for all the Heavy Vinyl Classical Records we have reviewed on the site.

We have a number of Commentaries specifically addressing issues we’ve encountered when playing classical recordings.