_Composers – Holst

Holst / The Planets – Can You Imagine Sound this Bad from a TAS List Super Disc? We Can, We Played It.

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This 2-pack boasts White Hot Stamper sound on side two for the Mehta Planets. Yes, it IS possible. Side two shows you what this record is actually capable of — big WHOMP, no SMEAR, super SPACIOUS, DYNAMIC, with an EXTENDED top. It beat every London pressing we threw at it, coming out on top for our recent shootout. Folks, we 100% guarantee that whatever pressing you have of this performance, this copy will trounce it.

But side one of this London original British pressing was awful. We wrote it off as NFG after about a minute; that’s all we could take of the bright, hard-sounding brass of War.

Can you imagine sound this bad from a TAS List Super Disc record? We can, we played it. (more…)

Holst / The Planets / Solti / LPO – MoFi (and UHQR) Debunked

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Sonic Grade: Regular MoFi LP: F / UHQR: D

Both Hall of Shame pressings.

We recently auditioned an excellent sounding Decca Purple Label British import LP, the same performance, the same recording that Mobile Fidelity remastered (#510), but, thankfully, it sounded A WHOLE LOT BETTER!

I just listened to both and a catalog of the faults of the MFSL pressing would be quite lengthy. I won’t waste your time listing them. Although this recording is not perfect, the Decca pressing shows it in its proper light.

It finds the right balance between the multi-miked sound of the Super Disc List Mehta and a vintage recording from the Golden Age such as the famous Boult. The sound is very dynamic and the brass has tremendous weight. The MoFi is thin and bright.

Their UHQR is somewhat better, not quite as thin and phony up top, but not really very good either. Avoid them both.

Holst / The Planets / Steinberg – Our Shootout Winner from 2008

More the music of Gustav Holst (1874-1934)

More The Planets / Steinberg

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Side one here is AGAIG, as good as it gets. It shows the listener more of everything that’s wonderful about this wondrous work. Side two is very nearly as good, and was only beaten slightly by one other copy in our shootout. This pressing gives you the complete work in the best sound we can find. 

This was one long shootout, two and a half years in the making. And I spent at least ten years before that collecting enough copies to be able to find some pattern in the stampers that clued me in as to what to look for. It was a long time coming but we expect you will find it was all worth it in the end. This music is so important and moving; it belongs in every audiophile’s collection. To get Steinberg’s version into your collection has not been easy, until now. This is the one. 

Holst / The Planets / Boult – Our Shootout Winner from 2011

More the music of Gustav Holst (1874-1934)

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This 1967 recording of the work has one very special quality that’s not often heard on classical vinyl — THE FEEL OF LIVE MUSIC. This is also something you will not often hear us say about EMI recordings from the late ’60s and ’70s. (Unlike HP and most audiophiles in the ’70s, we find EMI’s recordings leave a lot to be desired, lacking in warmth, with a thin, sour, overly clear presentation. Great for muddy equipment but bad news on higher resolution modern rigs.) 

Super Hot Stampers on both sides means this Planets can take on any pressing you have of the piece and show you what you’ve been missing out on all these years.

(There are a LOT of bad Planets out there. With its monstrously large orchestra and chorus, it’s not an easy work to capture on tape.) (more…)

Holst – The Planets – Testing with Mars and Saturn

More Gustav Holst

More The Planets

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Another in our series of Home Audio Exercises with specific advice on What to Listen For (WTLF) as you critically evaluate your copy of The Planets.

Mars on the first side and Saturn on the second present serious challenges for any vinyl pressings you may own. Generally speaking, the White Hot copies tend to have a bit more top end extension, and/or more lower end weight. Let’s get to the specifics of the two movements we feel are the best test for The Planets as a whole.

The War Test — Side One

War, the first movement, has the string players “bouncing” their bows upside down to create the effect you hear. It’s not fingers plucking the strings; it’s the wood of the bows bouncing on the strings. The quality of that technique is so obvious and correct sounding on the good copies and so blurry and indistinct on the bad ones that you could almost judge the whole first side by that sound alone. When it’s right it’s really right. 

And of course the players are spread out wider and the soundfield is so much more transparent when these types of sonic qualities are brought out. This bouncing bow test makes it easy to separate the better copies from the also-rans when it comes to smear, resolution, transparency and the like. (more…)

Holst / The Planets / Solti / LPO – Our Shootout Winner from 2010

More the music of Gustav Holst (1874-1934)

More The Planets / Solti / LPO

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This is a fairly quiet, excellent sounding Decca in the Box Purple Label British import LP. This is the same performance, the same recording that Mobile Fidelity remastered (510), but, thankfully, this copy sounds A WHOLE LOT BETTER! 

This pressing is very dynamic and the brass has tremendous weight.

Holst / The Planets / Previn / LSO – Our Four Plus Shootout Winner from 2013

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The Planets / Previn / LSO

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This Beyond White Hot Stamper Planets has Out Of This World sound on side two, where it earned a Four Plus sonic grade for its MINDBLOWING orchestral power, especially from the brass section, a subject we discuss at length below. 

This is some of the best sound I have ever heard coming out of my two speakers, if not THE best. Side two of this very copy takes the recording to a level we had no idea was possible. Out of the fifty or so copies of The Planets we’ve played in the last decade or so, this is without a doubt the best side two of them all.

We can only hope to find a side one as good in the next ten years. It probably exists, but will it take us another fifty copies to run into it? Only time will tell! (more…)

Holst / British Band Classics Vol. 1 / Fennell – Our Shootout Winner from 2011

More of the music of Gustav Holst (1874-1934)

More British Band Classics Vol. 1 / Fennell

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This RARE Super Hot Stamper Mercury Mono original pressing has the kind of BIG, LIVELY, tonally correct sound that not one out of fifty mono records we play can lay claim to. If more mono records sounded like this one I wouldn’t be so down on mono all the time.

But they don’t. Most mono records sound SMALL. When you have big speakers, set far apart and far from the back wall, in a pretty good sized room, small is just not the sound you want to hear! Especially when it comes to classical music. I want a front row seat, and this record is a first class ticket to one.  (more…)

Holst / British Band Classics Vol. 2 / Fennell

More the music of Gustav Holst (1874-1934)

More British Band Classics Vol. 2 / Fennell

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Side one big, full and dynamic, with horns and winds that are never screechy. (Side two of this first LP is very screechy and not at all to our liking.) 

Side two of the second record has the sound of live music. Huge space, clear yet rich, this is the sound we were looking for! (more…)

Holst, Steinberg and The Planets – A Shootout Years in the Making

More of the music of Gustav Holst (1874-1934)

More Steinberg and The Planets

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In July of 2005 we noted on the site that Hot Stampers for this album were discovered, and interested parties should watch the site for killer copies in the coming months. Obviously we didn’t know at the time that the number of coming months would be THIRTY TWO. That’s how long it would be before we could offer our loyal customers truly Hot Stampers, but hey, good things come to those who wait, right?

We had to wait for two things: the revolutionary cleaning techniques that we developed during that time (the heart of which is our $7000 record cleaning machine) which allowed us to get these records to sound better and play quieter, and, secondly, better equipment. (Check out our Revolutionary Changes in Audio commentary for the latest in changes to the stereo.) (more…)