This very nice looking London Phase 4 LP has SUPERB SOUND for some of these pieces. Especially noteworthy is the ’Psycho Narrative For Orchestra’, at 14 minutes the longest piece here. Written purely for string orchestra, the tonality is Right On The Money (ROTM), with cellos that growl like the real thing.
In fact, so much of this sounds so good, and is such a brilliant showcase for one of the great orchestral colorists, Bernard Herrmann, that you’ll be asking yourself why more classical music doesn’t sound like this.(more…)
An OUTSTANDING RECORDING — with a huge three-dimensional stage, open, clear, extended up top and down low — the sound on this White Hot Side One is nothing short of AMAZING. And side two isn’t far behind!
Side one boasts some wonderful material from Mysterious Island and Jason and the Argonauts. Who else but Herrmann could have orchestrated such phantasmagorical goings on?
The Three Worlds Of Gulliver Suite takes up all of side two. The complete score from which the suite is taken can be found on the original Herrmann album The Three Worlds of Gulliver, a long-time and extremely rare member of the TAS Super Disc List.(more…)
Presenting two insanely good sides back to back on this domestic RCA pressing. Both sides have tons of energy, loads of detail and texture, superb transparency and excellent clarity. This is the very definition of DEMO DISC sound.
The Citizen Kane Suite on this album is to die for — BIG, BOLD, DYNAMIC sound like few records you own. It’s real desert island disc for me. (The CD by the way is actually quite good. I have it in the car and play it often.)(more…)
These are just some of the recordings of the music of Bernard Herrmann that we’ve auditioned and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place on our site, in your collection, and might even belong in a Hall of Shame.
A Free Service provided to the Audiophile Public, courtesy of Better Records.
An orchestral dreadnought such as this requires mastering and pressing of the highest quality. The music by its very nature taxes the limits of LP playback itself, with deep bass notes; incredible dynamics from every area of the stage; masses of strings playing at the top of their registers with abandon; huge drums; powerful brass effects — every sound an orchestra can produce is found on this record, and then some.
You will hear plenty of sounds that defy description, that’s for sure. Some of the time I can’t even imagine what instrument could possibly make such a sound!