_Composers – Grieg

Grieg / Piano Concerto – Curzon

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This is a WONDERFUL London Whiteback pressing of works by Grieg and Franck, with some of the most natural piano concerto sound we’ve heard around here in quite a while. We had a couple of copies of this one — two to be exact — and this was clearly the better sounding of the two.

The recording has a mid-hall perspective, more like the sound of live music than the famous Rubinstein recording for RCA, just to take one example. The piano is warm and full-bodied, the strings rich and sweet — who can ask for more?

Transparency and an extended top end were both key to the better sounding copies. You really hear into the soundfield with the best pressings, and all the harmonics are clear and right when the top end is correct. (more…)

The Music of Edvard Grieg on Golden Age Vinyl – These Four Didn’t Make the Grade

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These are just some of the recordings of the music of Edvard Grieg that we’ve auditioned and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place on our site, in your collection, and may even belong in our Hall of Shame.

A Free Service provided to the Audiophile Public, courtesy of Better Records. 

More Pressings of Grieg’s Music We’ve Reviewed

Speakers Corner Heavy Vinyl and the Loss of Transparency

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We recently gave the Heavy Vinyl pressing from Speakers Corner, the same one that we had previously recommended back  in the ’90s, a sonic grade of C+ in our current Heavy Vinyl Scorecard section. To our ears now it has many more shortcomings than it did back then, which we discuss below.

So often when we revisit the remastered pressings we used to like on Heavy Vinyl we come away dumbfounded — what on earth were we thinking? These are not the droids sounds we are looking for. Perhaps our minds were clouded at the time.
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Schumann & Grieg / Piano Concertos / Lupu / Previn / LSO – Our Shootout Winner from 2008

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This is an EXCELLENT SOUNDING London pressing of the famous TAS list LP. I’ve never heard a quieter copy. Usually these are noisy as hell and this one plays dead quiet most of the time, and Mint Minus the rest.

HP was right: the Grieg here has the best sound. The piano is amazingly well recorded; the sound is rich and powerful. The orchestra sound better on the Grieg as well; it’s slightly more compressed and leaner on the Schumann side.  

Grieg / Peer Gynt Suite / Barbirolli (SR 90164) – Reviewed in 2010

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This is an original Mercury LP with an AMAZING sound and EXTREMELY quiet vinyl! This has got that Mercury LIFE to it! The sound may be slightly on the dry side, but all the instruments have wonderful texture and tonality.

And of course, this is music that belongs in any collection. It’s some of the greatest and most accessible classic music ever written.  (more…)

Grieg / Peer Gynt Suites / Fiedler (LSC 2125) – Reviewed in 2008

More of the music of Edvard Grieg (1843-1907)

More Peer Gynt Suites / Fiedler

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Red Seal pressing with EXCELLENT SOUND!

Fiedler is wonderful here, which is to be expected. What’s unusual about this Red Seal is how good the sound is. It’s extremely transparent and tonally correct. It sounds to me like a flat transfer. Some tubey colorations would be nice, especially in the louder passages. The sound also lacks a bit of weight in the bottom end. But these faults are mostly made up for by the tremendous clarity and freedom from distortion that this pressing has. I doubt if the Shaded Dog has those qualities.

Grieg / Music From Peer Gynt / Fiedler – A Cisco Disaster

More of the music of Edvard Grieg (1843-1907)

Music From Peer Gynt / Fiedler

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Sonic Grade: F

Hall of Shame pressing from Cisco / Impex

Pretty bad, on a par with the shrill crap Classic Records has been dishing out for years, but in the opposite tonal direction: dull and deadsville. (more…)

Various / Heart of the Piano Concerto – Rubinstein – Reviewed in 2008

More Living Stereo

Various / Heart of the Piano Concerto

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This is an EXCEPTIONALLY GOOD SOUNDING Shaded Dog pressing with fairly quiet vinyl. What’s surprising about this is how transparent and low distortion it is. Just as with Destination Stereo (LSC 2307), the excerpts here frequently sound better than they do on the original complete performances. Rubinstein’s piano is solid and clear sounding, which is rarely the case, especially for his Beethoven concertos. Those almost never sound good, but the excerpt here for Concerto #3 is excellent. 

Duke Ellington – Interpretations of Peer Gynt & more

More Duke Ellington

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A distinguished member of the Better Records Jazz Hall of Fame.

One of Ellington’s most enjoyable classic collaborations with Billy Strayhorn.

A++, huge, so big it really fills the room from wall to wall, floor to ceiling. Not many records can do that.

Clear and hi-rez. It could use more richness — that alone would earn it another plus. (more…)

Grieg / Peer Gynt / Fjeldstad / LSO – Our Shootout Winner from 2005

More of the music of Edvard Grieg (1843-1907)

More Peer Gynt / Fjeldstad / LSO

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This is overall the best sounding pressing of the Fjeldstad / LSO we have ever played, with BETTER than Super Hot Stamper sound on both sides. For those of you who know your Londons, when you see the label on this LP you will no doubt be shocked: This is the last pressing in the world that one would expect to sound good. 

Of course we here at Better Records don’t give a sh*t about any such conventional wisdom / collector bias. We like audiophile quality sound and we don’t give a damn where we find it. Up against the competition this copy was superb in practically every way, excelling with orchestral size, weight and energy like virtually no other.

This is to be expected from a recording of its renown. What was not to be expected was the actual pressing that delivered those sonic qualities

We’ve loved the Blueback pressings in the past; this time not so much (too crude and opaque with jello for bass. (more…)