White Hot sound on side two of this original copy – shockingly good. Ella sounds rich, Tubey Magical and breathy — this is a real Demo Disc. Side one is very good as well, nicely warm and rich by track two. Nelson Riddle’s arrangements are especially interesting and artful throughout.
It is our opinion that the mono takes all the fun out of the Nelson Riddle’s deliberately wide, spacious orchestral presentation surrounding Ella. Which is too bad: the mono pressings are five times as common as the stereo ones.(more…)
This original Six Eye LP has the smooth brass and full-bodied strings that allow this wonderful music to astound.
Smooth and solid, not brash or blary, what really impressed about the sound here was how full it was, yet it was never thick or murky. Instead it was transparent in the lower mids and below, and that sound was just glorious after listening to too many thin and brash pressings. The piano is solid, rich, high-rez and very percussive — there is no tubey Old School smear to be heard, and that too was a surprise.
I’ve always loved these performances, but the shrill Columbia sound has been hard to get past. So many copies suffer from upper-midrangy, glary, hard sound and blary brass. I’ve come to accept that this is nothing more nor less than the “Columbia Sound,” and as a consequence rarely put much effort into surveying their recordings.
I won’t say all that’s changed; it really hasn’t. The vast majority of Columbia classical pressings are still going to sound as awful as they have in the past.
What has changed is that finally, with this copy (and the stereo/room we have in 2015) we’ve found the sound that we’ve been looking for on the legendary MS 6091.(more…)
WOW! Triple Plus (A+++) sound on ALL FOUR SIDES for this Ella & Louis classic. This copy sold for $850 and we think it was worth every penny — it blew our minds!
The sound is big, open, rich and full, with the performers front and center. Ella and Louis are no longer representations — they’re living, breathing persons. We call that “the breath of life,” and this original stereo pressing has it in spades.
Their voices are so rich, sweet, and free of any artificiality, you immediately find yourself lost in the music, because there’s no “sound” to distract you.(more…)
WOW! This Original Six Eye Stereo pressing does EVERYTHING we ever hoped for from this great album! We’ve been searching for a killer copy of this one forever but without much luck. Here’s the first one to ever hit the site, and it is a MONSTER. Both sides have KILLER A+++ sound — super tubey magical and tonally balanced with real depth to the soundfield.(more…)
I’ve always loved these performances, but the shrill Columbia sound has been hard to get past. So many copies suffer from upper-midrangy, glary, hard sound and blary brass. I’ve come to accept that this is nothing more nor less than the “Columbia Sound,” and as a consequence I rarely put much effort into surveying their prodigious catalog these days.(more…)
With Triple Plus (A+++) grades on both sides of this exceptionally well-recorded album, this copy surely qualifies as an Audiophile Demo Disc, the best copy to hit the site in years!
From the first few moments of the title track you’ll be blown away by the in-the-room immediacy of The Man himself
This copy is hi-res without sacrificing the Analog warmth that makes the recording so exceptional, especially for one from 1978
5 stars: “Stardust showcases Nelson’s skills as a musician and his entire aesthetic — where there is nothing separating classic American musical forms, it can all be played together — perhaps better than any other album…”
This early Columbia 360 Label pressing has Super Hot Stamper sound on both sides. Exceptionally rich and Tubey Magical from start to finish. The sound on this vintage pressing is natural and above all musical. Both works are performed with consummate skill and attention to detail, the result magnificent.
I’ve always loved these performances, but the crude, smeary and painfully-shrill-when-loud Columbia recording quality has always been a barrier to their enjoyment. So many copies suffer from upper-midrangy, glary, hard sound and blary brass. I’ve come to accept that this is nothing more nor less than the “Columbia Sound.” As a consequence we rarely put much effort into surveying their vintage pressings; the good ones are just too hard to find.(more…)
The best copy I’ve ever heard. Takes this recording to a new level beyond the best shaded dogs. It’s plainly cut cleaner. One dead giveaway is that the tape hiss is reproduced accurately for the first time, which means that all the high frequencies and their attending harmonics are fully evident, for the first time in my experience anyway.
The explosive opening on this wonderful LP is a prime example of DEMONSTRATION QUALITY sound. Incredibly deep and powerful bass. Great brass. (more…)
This Living Stereo Shaded Dog pressing has a great side two. As I’m sure you’ve found, many vintage pressings are dull and opaque. This one has tonally correct strings, as well as the top end and rosiny texture that’s so often missing. (more…)