Falla’s Three-Cornered Hat is positively WONDERFUL on this copy (A++), and the Sinfonia Sevillana by Turina on side two is every bit as good! The second suite on side one is particularly lovely — check out how rich and full the sound is. Side two has a HUGE soundstage, as wide as they come. The sound is very rich and full of audiophile colors — this is the kind of record that you’re going to love playing for your audio pals!
Argenta brings the authentic Spanish flavor out in these works. Like so many audiophile reviewers over the years, you may find these performances definitive.
The strings on the first side are a bit dry to start, like the sound many of you will recognize from Mercury’s classical records. Still, there’s much to like about the sound and you’ll have a very hard time finding a copy that’s any better. Most pressings do not have such an extended top end, and that quality here really brings this music to life.(more…)
Side two here has a SUPERB sounding Bolero, and an EVEN BETTER Alborado del Gracioso, possibly the best we have ever heard. True A Triple Plus sound.
As you probably know, Bolero is very hard to find on vinyl properly performed with audiophile quality sound. The sound of Bolero here is excellent: very natural, not harsh at the end where the trombones comes in, and the not too compressed. (This is probably the biggest problem with most recordings of the work. Compression makes the quieter parts ravishingly open and clear, and positively ruins the climax with distorted compressor overload.)
Alborado… has some of the best sound we have heard on London. It’s spacious, dynamic and clear. With an extended top end the strings and horns sound harmonically correct. The orchestra from top to bottom is tonally correct as well.(more…)
DEMO QUALITY SOUND from 1959 on this famous TAS List Super Disc recording. This copy of CS 6046 has an especially good Falla side, with Super Hot Stamper sound and fairly quiet vinyl. The Rodrigo side is no slouch either, earning a grade of A+, although it could certainly use more top end (which was the case last time we did a shootout with this title as I recall).
The Falla side is amazingly natural sounding; the string tone is Right On The Money, something that cannot be said of most vintage Living Stereos and Mercury pressings.
The overall sound is rich, sweet and tubey magical. The hall is spacious, with superb depth, allowing your speakers to simply disappear and an orchestra to appear in their place.(more…)
The famous Ansermet recording of El Retablo de Maese Pedro (Master Peter’s Puppet Show) has been mastered on this London Stereo Treasury Import LP to near PERFECTION. This is High Fidelity Audiophile Demo Disc Quality Gold, with bells, drums, voices, trumpets, strings, woodwinds and more, all sounding so real it will take your breath away. This Golden Age tape has been mastered brilliantly with “modern” mastering equipment (from the mid-’60s, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer. (more…)
This London is energetic, dynamic, spacious, transparent, rich and sweet. James Walker was the producer, Roy Wallace the engineer for these 1961 sessions in Geneva’s glorious Victoria Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording Technology. (more…)
Spain has been an audiophile favorite for a very long time. Everybody should know it by now, what with both Chesky and Classic Records remastering it in the ’90s, dismally of course, as neither of these companies showed the slightest sense that they understood how lackluster, if not downright awful, the products of their efforts turned out.
No doubt Analogue Productions will see fit to ruin the recording the way they ruined Scheherazade.(more…)