This SUPERB WHITE HOT STAMPER copy is our overall winner from the recent huge Hot Stamper shootout we did for Ambrosia’s second — and second best — album. Friends, it’s been a long time coming but, judging by this copy and the others which fared well, it was worth it. We LOVE this music.
Ambrosia is one of the few groups that has mastered the technique of being both far-out galactic in scope of vision and mainstream AM commercial in execution… There is an unusual dreamlike quality that pervades its work. The songs seem to be reaching the listener direct from some strange and beautiful realm of the unconscious. It is an experience rare in popular music today, or at any time.
We here present one of the best sounding copies for Somewhere I’ve Never Travelled we have ever played. Side one rated A+++, As Good As It Gets, with a side two that was not far behind at A++. From beginning to end this pressing is KILLER.(more…)
AN AMAZING RODEO and an EVEN BETTER BILLY THE KID! We are BIG fans of this performance and this copy will show you exactly why. Side one (Rodeo) rates A++; it is clear and dynamic with an unusually three-dimensional soundfield, giving the instruments their own space and allowing you to hear right INTO the music. Side two (Billy The Kid) earned top A+++ honors with serious weight down low, a wonderfully sweet top end, more texture to the strings and HUGE dynamics.
On most copies the brass has a tendency to get shrill, but not here! Also, check out the HUGE cymbal crashes on side two. You’re going to have a very hard time finding another copy that delivers like this one does.
This recording will show you what’s wrong with so many highly-revered, top dollar Golden Age recordings, the kind that end up on the TAS List and cost a fortune. The freedom from coloration on BOTH sides of this record are remarkable and might make you change your mind about some of the more famous shaded dog and Mercury Living Presence titles you hold dear.(more…)
Side one is White Hot, with some of the best 1959 Living Stereo we’ve ever heard. Explosive dynamics, HUGE space and size, with unerringly correct tonality, this is a Demo Disc like no other. When “in -the-know” audiophiles discuss soundstaging and depth, they had better be talking about a record that sounds like this. Shockingly real – proof positive that the cutting systems of the day are capable of much better sound than we normally assume.
This reasonably quiet RCA Shaded Dog LP has DEMONSTRATION QUALITY SOUND on BOTH sides. It is without a doubt THE best sounding copy we have ever heard*.(more…)
Super Hot Stamper sound on BOTH sides, with side one so energetic and exciting it would easily qualify as a Demo Disc. This title is almost impossible to find in anything but beat up condition. Records like these got played over and over and few survived the ten grams of stylus pressure and mis-aligned cartridges of the day. (more…)
This record is so good on side two it almost left me speechless. How is this title not on the TAS List? Why is it not one of the most sought-after recordings in the RCA canon?
Beats the hell out of me. But wait just one minute. Until a month ago I surely had no idea how good this record could sound, so how can I criticize others for not appreciating a record I had never taken the time to appreciate myself?
Which more than anything else simply begs the question — why is no one exploring, discovering and then elucidating for the record loving public the wonderful qualities of these vintage recordings (besides your humble writer of course)?
HP has passed on; who is fit to carry his mantle into the coming world of audio? Looking around I find very few prospects. But I digress.(more…)