One of the great London violin concerto records. With a Super Hot Stamper copy such as this one, the Mendelssohn here has DEMO QUALITY SOUND!
In Ruggiero Ricci’s hands both works are nothing short of magical (although the Bruch never sounds especially good in our experience). If you want to know why people drool over Golden Age recordings, listen to the violin on side one. If you’re not careful you may find yourself drooling too.(more…)
Superb sound. The violin is wonderful on both sides. The Mozart is absolutely gorgeous; the best I’ve ever heard it.
The orchestra on the Bruch side gets a little congested in the louder passages, which is typical for records of this era.
Laredo plays these pieces beautifully. The Bruch is an especially romantic work and his violin sings sweetly and with deep emotion throughout. The Mozart is more spritely and he plays it with the light touch it requires. You will have a hard time finding a better violin concerto record. This ranks with the best of them.
Both sides of this Shaded Dog pressing of Heifetz and the New Symphony Orchestra of London have sound that earned the quite respectable sonic grades of A+ to A++.
Side one is tonally correct and lively, but suffers from a bit of the all-too-common tube smear, no doubt from the mastering chains and record presses that were in use at the time. (Most modern mastering chains and record presses are, to our ears, even worse, so this is not to denigrate the engineers at RCA in any way. It’s simply to say that with Tubey Magic you often get tubey smear.)(more…)
CS 6337. This Minty looking London Whiteback LP has THE MOST AMAZING SCOTTISH FANTASIA I have ever heard! Folks, it doesn’t get any better than this. I would say this is one of the five best sounding violin recordings I have ever heard. Interestingly, the violin sound that we typically put up with is found on side two of this very album. It’s easy to forget that there are actually records that sound like side one, and that side two really isn’t the way an orchestra is supposed to sound.
The Hindemith side is weak on this pressing. The Bruch found here is musically every bit as good as the famous Heifetz recording (LSC 2603) and so is the sound. (The sound is actually better I would guess, but without a Hot Copy of 2603 — very hard to find, by the way — I can’t really make that claim honestly.)
Violin concerto fans will love this one, especially those who appreciate the real thing and not the typically shrill and aggressive sound of most of the modern 200 gram reissues by you know who.
Performed by the London Symphony Orchestra, this record also features Hindemith’s Violin Concerto (1939).
WHITE HOT Stamper sound for the Bruch side of this original RCA Shaded Dog, one of the best Heifetz concerto titles of all time. (I’m trying to think of a Heifetz title that sounds better and coming up blank.)
This was our shootout winner on side two, beating all comers, earning our highest grade, the full Three Pluses (our blue ribbon, gold medal, and best in show all wrapped into one). The sound is nothing short of DEMO DISC QUALITY.
If you want to demonstrate the magic of Living Stereo recordings, jump right to the second movement of the Bruch. The sonority of the massed strings is to die for. When Heifetz enters, the immediacy of his violin further adds to the transcendental quality of the experience. Sonically and musically it doesn’t get much better than this, on Living Stereo or anywhere else.(more…)