The reproduction of the violin here is superb — harmonically rich, natural, clean, clear, resolving. What sets the truly killer pressings apart is the depth, width and three-dimensional quality of the sound, as well as the fact that they become less congested in the louder passages and don’t get shrill or blary. The best copies display a Tubey Magical richness — especially evident in the basses and celli — that is to die for.
Big space, a solid bottom, and plenty of dynamic energy are strongly in evidence throughout. Exceptional resolution, transparency, tremendous dynamics, a violin that is present and solid — this copy takes the sound of the recording right to the limits of what we thought possible from Philips.
As we listened, we became completely immersed in the music on the record, transfixed by the remarkable virtuosity he brings to such a difficult and demanding work.(more…)
This is a lovely sounding record, with a smooth, natural top end, the opposite of a hi-fi spectacular. Some may find it dull, but it’s actually correct.
Monteux has a wonderful feel for this symphony. His Beethoven in general is actually quite good. This music belongs in any serious collection. String tone is everything in the Pastoral, and Living Stereo gives you the string tone rarely found elsewhere.
CS 6535. This is the best sounding Backhaus LP I’ve ever heard. The piano is natural and full bodied, as would be expected from the Decca engineers of the day. They were still making good records in 1967, when RCA had gone Dynagroove.
This British London Blueback original pressing has better than A+ Hot Stamper sound on both sides. The music is lively and well-played, as one would expect from the venerable Karl Munchinger leading the Vienna Phil.
The sound is quite good but very different for each of the two sides. For more on the sound please see our notes below.(more…)
Bright phony string tone, MoFi’s trademark sound for classical recordings. Anyone who has ever attended a concert knows that strings in real life simply do not sound anything like they do on these MoFi records.
The London pressing of this recording is no great shakes either; any pressing should be avoided.(more…)
This is an EXCEPTIONALLY GOOD SOUNDING Shaded Dog pressing with fairly quiet vinyl. What’s surprising about this is how transparent and low distortion it is. Just as with Destination Stereo (LSC 2307), the excerpts here frequently sound better than they do on the original complete performances. Rubinstein’s piano is solid and clear sounding, which is rarely the case, especially for his Beethoven concertos. Those almost never sound good, but the excerpt here for Concerto #3 is excellent.
This wonderfully quiet (for the most part) Shaded Dog pressing has EXCEPTIONALLY good sound for side two, which is where the Kodaly Duo for Violin and Cello can be found. Rarely have I heard these two instruments sound better than they do here. With a sonic grade of A++ to A+++, you can be sure the sound is right up there with the best of the classical recordings we have to offer.
The Beethoven on side one has many good qualities as well, but the acoustic in which it is performed is not nearly as good as that of this side two.(more…)