_Composers – Albeniz

Albeniz / Suite Espanola / De Burgos – Our Shootout Winner from 2006

More of the music of Isaac Albeniz (1860-1909) 

More Albeniz / Suite Espanola / De Burgos 

xxxxx

A distinguished member of the Better Records Orchestral Music Hall of Fame

This London LP from 1968 has some of the MOST DYNAMIC SOUND I have ever heard on a classical recording. The sound here is BIGGER and BOLDER than any pressing of this record I’ve ever played. The dynamics are absolutely startling in their power here. To be fair the other copy we have on the site has a more extended top end, which is a shortcoming that this copy has — it’s a bit rolled off in the extreme highs. But that other copy lacks weight, so that the orchestral climaxes are thin and feel strained. (more…)

John Williams / Guitar Concertos & more / Groves – Superb Sound from Columbia in 1977

More John Williams 

xxxxx

A distinguished member of the Better Records Orchestral Music Hall of Fame

This Columbia record from 1977 has GLORIOUS Demo Disc Quality sound on its White Hot side one, rivaling the very best orchestral guitar recordings by the likes of Rodrigo, Falla and Albeniz on Golden Age London vinyl we have ever heard.

If I could have only one guitar concerto recording in my collection, there’s a very good chance I would choose this one — that’s of course assuming I could have a copy that sounds as good as this one does on side one. It’s spacious and open and three-dimensional in a way that few classical recordings we play are, and we an awful lot of top quality classical records.  (more…)

Albeniz / Falla / Granados / Spain / Reiner

More of the music of Isaac Albeniz 

More Albeniz / Falla / Granados / Spain / Reiner 

xxxxx

A distinguished member of the Better Records Orchestral Music Hall of Fame

Spain has been an audiophile favorite for a very long time. Everybody should know it by now, what with both Chesky and Classic Records remastering it in the ’90s, dismally of course, as neither of these companies showed the slightest sense that they understood how lackluster, if not downright awful, the products of their efforts turned out.

No doubt Analogue Productions will see fit to ruin the recording the way they ruined Scheherazade. (more…)

TAS List Thoughts on Albeniz – Where on The List Is This Record?

More of the music of Isaac Albeniz (1860-1909) 

More TAS List Thoughts on Albeniz 

xxxxx

Another nail in the coffin for HP’s TAS List. The fact that questionable entries such as Reiner’s Pines of Rome make the cut, and an amazing recording such as this doesn’t, should tell you everything you need to know concerning the value of such an incomplete list.

This is truly DEMONSTRATION QUALITY SOUND! Records simply do not get any more spacious, open, transparent, rich and sweet.

Our Hot Stamper Classical Pressings will be dramatically more transparent, open, clear and just plain REAL sounding, because these are all the areas in which heavy vinyl pressings tend to fall short in in our experience.


Further Reading

Check out our new section: The Better Records Hall of Fame for Orchestral Music.

We have a section for all the Classical Records we have reviewed on the site to date.

We also have a section for all the Heavy Vinyl Classical Records we have reviewed on the site.

We have a number of Commentaries specifically addressing issues we’ve encountered when playing classical recordings.

Albeniz / Suite Espanola / De Burgos – What to Listen For

More Isaac Albeniz

More Suite Espanola / De Burgos

xxxxx

Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Suite Espanola. 

Wow, is this record ever DYNAMIC! I would put it in the top 2 or 3 percent of the most dynamic recordings we have played over the course of the last twenty five years. It also has tons of DEPTH. The brass is at the far back of the stage, just exactly where they would be placed in the concert hall, which greatly adds to the realism of the recording.

The strings may not be quite as sweet as the best earlier Londons, but the trade off is well worth it when you hear a record with this kind of LIFE and so little distortion.

Note that careful VTA adjustment for a record with this kind of dynamic energy is a must. Having your front end carefully calibrated to this record is the only way to guarantee there is no distortion or shrillness in even the loudest passages. (more…)

Chopin – Fantasy-Impromptu and More with Philippe Entremont

More Frederic Chopin (1810-1849)

xxxxx

A distinguished member of the Better Records Orchestral Music Hall of Fame.

The subtitle of the album reads Philippe Entremont Plays Best-Loved Piano Pieces.

After hearing this one as well as another exceptionally good sounding copy, we would like to amend that to Philippe Entremont Plays the Hell Out of These Best-Loved Piano Pieces.

Truly this is an undiscovered gem from Columbia in 1966. (more…)

Iberia from 1960 – Amazing on the Original and the Right Reissues Too

1960 – A Great Year for Top Quality Recordings of Timeless Music

When you look closely at all the great records that were released that year — some of which can even be purchased in Hot Stamper form on this very site — you may come to agree with us that 1960 was a wonderful year for recorded music.

Click HERE to see the records currently on the site that were recorded or released in 1960.

And HERE to see the records from 1960 that we’ve reviewed, a substantially larger group as you can imagine, with more than 90 entries at the time of this writing.

 

xxx.jpg
 A Top Quality Reissue

xxxx
 A Wonderful Original

More of the music of Isaac Albeniz (1860-1909)

James Walker was the producer, Roy Wallace the engineer for these sessions from May of 1960 in Geneva’s glorious sounding Victoria Hall. It’s yet another remarkable Demo Disc from the Golden Age of Vacuum Tube Recording Technology, with the added benefit of mastering using the more modern cutting equipment of the ’70s. (We are of course here referring to the good modern mastering of 30+ years ago, not the bad modern mastering of today.)

The combination of old and new works wonders on this title as you will surely hear for yourself on both of these better than Super Hot sides.

The sound of this copy is so transparent, undistorted, three-dimensional and REAL, without any sacrifice in solidity, richness or Tubey Magic, that we knew we had a real winner on our hands as soon as the needle hit the groove.

We were impressed with the fact that it excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, pulling the listener into the space of the concert hall in an especially engrossing way.

Side One – Iberia (1-4)

A huge hall, correct string tone, spacious and open as practically any orchestral recording you can find! (more…)