45 RPM Pressings

Laurindo Almeida Virtuoso Guitar Is — Or Can Be — An Awesome Direct to Disc

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A distinguished member of the Better Records Jazz Hall of Fame.

Virtuoso Guitar is yet another in the long list of recordings that really comes alive when you Turn Up Your Volume.

This White Hot Crystal Clear 45 RPM Direct-to-Disc fulfills the promise of both the direct to disc recording medium AND the 45 RPM cutting speed so much in vogue these days. We had a big pile of these pressings to play through. When we came upon this one halfway through our shootout, it was so big, so clear, so dynamic, so energetic, so extended on the top and bottom, we almost could not believe what we were hearing especially compared to the others copies we played.   (more…)

Prokofiev’s Lt. Kije at 45 RPM – An Audiophile Pressing to Shame Them All

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This Japanese 45 RPM remastering of our favorite recording of Prokofiev’s wonderful Lt. Kije Suite has DEMONSTRATION QUALITY SOUND. For starters, there are very few records with dynamics comparable to these. Since this is my favorite performance of all time, I can’t recommend the record any more highly. 

Most of what’s “bad” about a DG recording from 1978 is ameliorated with this pressing. The bass drum (drums?) here must be heard to be believed. We know of no Golden Age recording with as believable a presentation of the instrument as this.

The drum is clearly and precisely located at the back of the stage; even better, it’s as huge and powerful and room-filling as it would have been had you attended the session yourself. That’s our idea of hi-fidelity here at Better Records. (more…)

Stockhausen / Noda – Zyklus & Eclogue on Direct to Disc (Reviewed in 2011)

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This RCA 45 RPM Direct-to-Disc fulfills the promise of both the direct to disc recording medium AND the 45 RPM cutting speed so much in vogue these days. As with the Virtuoso Guitar record we listed today, the sound is simply SUPERB — open, dynamic and distortion free. This is a real DEMO DISC, no doubt about it.

I’ve known this record had top quality sound for decades; we started way back in 1987 selling these kinds of audiophile pressings and this one was clearly a Top Title even back then. I’m happy to say that, unlike most of the audiophile pressings we used to sell, this title has actually gotten BETTER with time.  (more…)

Tsuyoshi Yamamoto – Midnight Sugar – 2 45 RPM Discs

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Sonic Grade: B

We haven’t played a copy of this record in years, but back in the day we liked it, so let’s call it a “B” with the caveat that the older the review, the more likely we are to have changed our minds.

This 45 RPM Three Blind Mice 180g Double LP has DEMO DISC SOUND! The 33 RPM versions were pretty darn amazing but these 45s take the sound of this recording to an entirely new level. 

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers.

There are a couple of quite obvious benefits to mastering this music at 45 RPM. One is that Yamamoto tends to use his right hand in a percussive manner, which creates tracking problems on most any set up. At 45 RPM the mastering engineer is able to cut those transients, full of difficult to deal with harmonics, much more cleanly and accurately. The result is a sense of “ease” that you don’t hear on the 33.

It’s a bit like having a slightly underpowered system which makes loud passages or transients seem to be right at the edge of distortion, and then switching to a more powerful amplifier and hearing those passages reproduced with the relaxed quality that more headroom gives you.

Also the sound opens up quite a bit on these 45s so that more of the room ambience is heard. The Japanese are famous for their close-miking, and sometimes the sense of real musicians in a real space is lacking. Here much of that quality is restored.

Yamamoto is one of the few Japanese jazz players who has any feel for the medium. If you like bluesy jazz piano with amazingly dynamic sound, you can’t go wrong here. 

TRACK LISTING

Midnight Sugar
I”m A Fool To Want You
The Nearness Of You
It Could Happen To You
Sweet Georgia Blues

Kenny Burrell – Midnight Blue – One Customer’s Take on the 45

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A good customer had this to say about a recent shootout:

“By the way side 2 of Midnight Blue bested every other copy I played including the 45 RPM Blue Note [Analogue Productions] reissue. The 45 RPM is very good. You know that technically it is right, but at the same time it’s missing something. When I listened to the [Hot] stamper copy you dug up for me I found it a little noisy at first and wasn’t sure if I could live with it. However after returning to the 45 RPM there was no enjoyment, so I dropped the needle on the stamper one more time, and then I heard it…”

I know what you mean about these modern reissues “missing something”. No matter how well mastered they may be, they’re almost always missing whatever it is that makes the analog record such a special listening experience. I hear that “analog” sound practically nowhere else outside of the live event. 

Thanks for your letter. 
TP

Our Classic Review

Pretty flat and lifeless. You would never understand why audiophiles rave about this recording by listening to the Classic Records pressing.

We played it up against our best, and as expected it was nothing to write home about. Since Rudy has remastered and ruined practically all the Blue Note CDs by now, you will have your work cut out for you if you want to find a good sounding version of Midnight Blue. This sure ain’t one.

Of course we would be more than happy to get you an amazing sounding copy — it’s what we do — but the price will be five to ten times (or more) what the Classic costs. In our opinion it’s money well spent, as you will see in our review below.

Since the Classic conveys very little of what the musicians were up to whilst recording the album, our advice is to cross it off your list of records of interest. It’s thirty bucks down the drain.

Curtis Counce LP Testimonial – Wow, It Beat the Fantasy 45!

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Our good customer Victor sent us this note to tell us how much better his real Contemporary jazz album sounded compared to the Fantasy 45 180g pressing he owns.

“Hi Tom,

Wanted to let you know I did a comparison between the yellow label Contemporary label Curtis Counce, Counceltation Vol. 2 (which I bought sealed from you) and a Fantasy 45 rpm from Analogue productions: Curtis Counce – You Get More Bounce With Curtis Counce – which is in fact the same album but with a different title and cover. 

Well I was very anxious to try this comparison, but was not expecting the results. The yellow label was so transparent and tonal weight to the Fantasy 45 rpm there was no contest. The 45 rpm sounded like someone turned on a high bypass filter. The yellow label was balanced throughout. Clean. (more…)

The Planets Remastered on 2 Japanese 45 RPM LPs – Just Awful

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This Minty looking EMI 45 RPM Japanese Import 2 LP set with the OBI strip and Little Sign Of Play (LSOP) is widely considered one of the great Planets, but it’s not, based on our playing of a copy we had years ago, which means it belongs in our Hall of Shame.

The best copies on British or Dutch EMI vinyl are clearly better than this “audiophile” pressing. What else is new? 

Metallica – Ride The Lightning (45 RPM) – MoFi Debunked

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Sonic Grade: F

This is the Warner Brothers 45 RPM 180g Double LP Half-Speed Mastered at Mobile Fidelity from the original analog master tapes.

Hall of Shame pressing and another Half-Speed Mastered Audiophile Pressing Debunked

Compressed, sucked-out mids, no deep bass and muddy mid-bass, the mastering of this album is an absolute disaster on every level. If you want to know how clueless the average audiophile is, a quick Google search will bring up plenty of positive comments from listeners and reviewers alike. 

A 45 RPM Bloated Mess from Acoustech

guaraldi45

 

We played an amazing Hot stamper copy that got the bottom end on this album as right as we’ve ever heard. The contribution of the bass player was clear and correctly balanced in the mix, which we soon learned to appreciate was fundamentally important to the rhythmic drive of the music.

The bass was so tight and note-like you could see right into the soundstage and practically picture Monte Budwig plucking and bowing away.

This is precisely where the 45 RPM pressing goes off the rails. The bloated, much-too-heavy and poorly-defined bass of the Heavy Vinyl remaster makes a mess of the Brazillian and African rhythms inherent in the music. If you own that $50 waste of money, believe me, you will not be tapping your foot to Cast Your Fate to the Wind or Manha de Carnival.
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