Bob and Ray Throw a Stereo Spectacular just happens to be our favorite Test Disc, eclipsing all others in the areas of naturalness and difficulty of reproduction. Any tweak or new room treatment — we seem to do them almost weekly these days — has to pass one test and one test only — the Bob and Ray Test.
This record has the power to help you get to the next level in audio like no other. Six words hold the key to better sound: The Song of the Volga Boatman.
For the purpose of mounting new carts, our favorite track is The Song of the Volga Boatman on Bob and Ray Throw a Stereo Spectacular (LSP 1773). It’s by far the most difficult track we know of to get to sound right.
There are about twenty places in the music that we use as tests, and the right setting is the one that gets the most of them to sound their best. With every change some of the twenty will sound better and some will sound worse. Recognizing when the sound is the biggest, clearest, and most balanced from top to bottom is a skill that has taken me twenty years to acquire.
It’s a lot harder than it looks. The longer you have been in audio the more complicated it seems, which may be counterintuitive but comports well with our day-to-day experience very well.
All our room treatments and tweaks must pass The Bob and Ray Test as well. It’s the one record we have relied on more than any other over the course of the last year or two.
Presenting as it does a huge studio full of brass players, no record we know of is more dynamic or more natural sounding — when the system is working right. When it’s not working right the first thirty seconds is all it takes to show you the trouble you are in.
If you don’t have a record like that in your collection, you need to find one.
It will be invaluable in the long run. The copy we have is so good (White Hot, the best we have ever played), and so important to our operation here, that it would not be for sale at any (well, almost any) price.
The Bob and Ray Trombone / Trumpet Test
One of the key tests on Bob and Ray that keeps us on the straight and narrow is the duet between the trombone and the trumpet about half way through The Song of the Volga Boatman. I have never heard a small speaker reproduce a trombone properly, and when tweaking the system, when the trombone has more of the heft and solidity of the real instrument, that is a tweak we want to pursue. The trumpet interweaving with it in the right rear corner of the studio tests the transients and high frequency harmonics in the same section. With any change to the stereo, both of those instruments are going to sound better. For a change to be positive they must both sound better.
What to Listen For (Side One)
That first crack of thunder on side one is an obvious test for bottom end size and weight. On the better copies it really rattles the room.
But the real test for side one is Buck Dance. For the Hall of Fame copy we wrote:
Without a doubt this is the best sound I have ever heard for side one of this album. The sound here is so amazing I’m willing to go out on a limb and make the following recklessly bold statement. Buck Dance on this pressing has the most extended, natural and harmonically correct high frequencies I have ever heard from my speakers (or anyone else’s for that matter).
And the crazy thing about it is, when played against an actual original pressing of Music for Bang, Baa-room and Harp, this copy, which one would assume is made from a dub, SOUNDS FAR BETTER. Now of course we don’t have ten copies of LSP 1866 which would allow us to find one with an even better Buck Dance than the one heard here on Bob and Ray, which means we cannot be definitive in any way about the disparity in sound between the two albums.
We can only judge the records we have in hand, not the ones we might have heard years ago or — even worse — speculate about the sound of records we have not actually played, recently or otherwise. So we will stick to the facts, and the facts of this side one are that it is ABSOLUTELY AMAZING sounding.
Bob and Ray and the TAS List
The album comprises a group of selections taken from the best of the early Living Stereo releases, some of which obviously sound better than others, all interspersed with dry dialogue and sound effects by Bob and Ray. From start to finish this record is a blast. The entertainment value is off the scale.
Harry Pearson put this record on his TAS List of Super Discs. When you hear a copy sound as good as this one does you will have no doubt that it belongs there. (Other records on the list, not so much. Played Summer Side of Life or Warm Shade of Ivory lately? These aren’t exactly Super Discs.)
We all owe HP a huge debt of gratitude for turning us on to this wonderful record, which also happens to be my favorite LSP of all time. I might not have ever played it were it not for the TAS List. (That’s actually a bit misleading; any classic Living Stereo gets played around here because the potential for good sound — and therefore a sizable return on investment — is fairly high.)
- Hot Stamper Pressings of Living Stereo Recordings Available Now
- Hot Stamper Pressings of TAS List Super Disc Albums Available Now
Narration with sound effects by Bob and Ray: “Bob and Ray visit Dr. Ahkbar at the castle”
George Melachrino and his orchestra: “Riders in the sky” (from the LP “Under Western Skies”)
Skitch Henderson and his Orchette: “Minuet on the rocks” (from the LP “Pop Goes The Concert”)
Narration with sound effects by Bob and Ray: “Bob and Ray in the round room”
Dick Schory’s New Percussion Ensemble: “Buck Dance” (from the LP “Music For Bang, Baa-Room and Harp”)
Lena Horne: “New-Fangled Tango” (from the LP “Lena Horne At The Waldorf-Astoria”)
Narration with sound effects by Bob and Ray: “Bob and Ray – The Thing”
Guckenheimer Sour Kraut Band: “Second Hungarian Rhapsody” (from the LP “Music For Non-thinkers”)
Radio City Music Hall Organ – Richard Leiber: “The First Noel” (from the LP “Christmas Holidays At Radio City Music Hall”)
Julie Andrews: “We’ll Gather Liliacs in the Spring” (from the LP “Julie Andrews Sings”)
Sauter-Finegan Orchestra: “Song of the Volga Boatman” (from the LP “Memories Of Goodman and Miller”)
Narration with sound effects by Bob and Ray: “Bob and Ray in the Laboratory”
Abbe Lane: “Whatever Lola Wants” (from the LP “Be Mine Tonight”)
The Belafonte Singers: “The Ox Drivers” (from the LP “Presenting the Belafonte Singers”)
Narration with sound effects by Bob and Ray: “Bob and Ray – The End”