More of the Music of Sergio Mendes and Brasil ’66
Reviews and Commentaries for the Music of Sergio Mendes and Brasil ’66
Sonic Grade: C
We were very impressed with the Speakers Corner pressing of this album when it came out on Heavy Vinyl in 2001. We simply could not find a vintage pressing that could beat it. I actually took it over to a good customer’s house so that he could hear how much better the album sounded on Heavy Vinyl when played head to head with whatever vintage pressing he might have.
I’m sure you can see where this is going. I Could Not Have Been More Wrong. His copy smoked mine right from the get-go. I wiped the egg off my face, wrote down the stamper numbers for his copy, and proceeded to get hold of some good early pressings so that I could hear the album sound as good as his copy did.
Eventually — eventually in this case being at least five years and maybe more — we felt we had this album’s number and knew which pressings tended to have the goods and which ones didn’t. All that was left was to do the shootout so that we could actually be sure, or sure enough, keeping in mind that all knowledge about records is provisional.
The Speakers Corner pressing is decent, not bad, but by no stretch of the imagination would it ever be able to compete with any Hot Stamper pressing found on our site.
Most pressings of this album are grainy, shrill, thin, veiled, smeary and full of compressor distortion in the louder parts.
This is hardly a recipe for audiophile listening pleasure.
But there are good sounding pressings. You must have to work to find them.
Audiophile Sound to Die For
As you may have noticed, we here at Better Records are HUGE Sergio Mendes fans. Nowhere else in the world of music can you find the wonderfully diverse thrills that this group offers. We go CRAZY for the breathy multi-tracked female vocals and their layers of harmonies, the brilliant percussion, and, let us never forget, the critically important piano work and arrangements of Sergio himself.
Brasil ’66, Equinox and Stillness are ALL Desert Island Discs for us, but we enjoy the hell out of their other albums as well. This stuff never sounds dated to us. We love the albums of Antonio Carlos Jobim, Joao and Astrud Gilberto from the period, albums which no doubt served as templates for the style Sergio wanted to create with his new ensemble, but Brazil 66 is clearly a step up in every way: songwriting, arranging, production, and quality of musicianship.
For audiophiles it just doesn’t get any better. Almost. Stillness is still the Ultimate, on the level of a Dark Side of the Moon or Tea for the Tillerman, but the first album and Equinox and specific tracks on their other albums are not far behind.
TRACK LISTING:
Side One
With a Little Help from My Friends
Roda
Like a Lover
The Frog
Tristeza (Goodbye Sadness)
Side Two
The Look of Love
Pardizer Adeus (To Say Goodbye)
Batucada (The Beat)
So Many Stars
Look Around
As a general rule, this Heavy Vinyl pressing will fall short in most of the following areas:
Further Reading
Below you will find our reviews of the Heavy Vinyl pressings we’ve played over the years, well over 200 at this stage of the game. Feel free to pick your poison.
And finally,
A Confession
One final note of honesty. Even as recently as the early 2000s we were still somewhat impressed with many of the better Heavy Vinyl pressings. If we had never made the progress we’ve worked so hard to make over the course of the last twenty or more years, perhaps we would find more merit in the Heavy Vinyl reissues so many audiophiles seem impressed by.
We’ll never know of course; that’s a bell that can be unrung. We did the work, we can’t undo it, and the system that resulted from it is merciless in revealing the truth — that these newer pressings are second-rate at best and much more often than not third-rate and even worse.
Some audiophile records sound so bad, I was pissed off enough to create a special list for them.
Setting higher standards — no, being able to set higher standards — in our minds is a clear mark of progress. Judging by the hundreds of letters we’ve received, especially the ones comparing our records to their Heavy Vinyl and Half-Speed Mastered counterparts, we know that our customers see things the same way.