Listening in Depth to Parsley, Sage, Rosemary, and Thyme

More of the Music of Simon and Garfunkel

Reviews and Commentaries for Parsley, Sage, Rosemary and Thyme

Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Parsley, Sage, Rosemary, and Thyme.

Here are some albums currently on our site with similar Track by Track breakdowns.


Side One

Scarborough Fair/Canticle

Listen carefully to the voices on this track, one of our favorites to test with. On the best copies they sound exceptionally delicate yet full-bodied.


The percussion on this track is a great test for smear, a problem that plagues most pressings to one degree or another. On the better copies you’ll distinctly hear the sound of the drummer’s hands hitting the skins of the bongos, as well as lots of ambience and echo around the drums.

Note also that every stereo copy we’ve ever played spits at least a little on this song.

Homeward Bound

This song has a bit of a radio EQ and will never be Demo Quality, but on a Hot Stamper copy with reasonably good life and energy it can sound musical and involving.

The Big Bright Green Pleasure Machine
The 59th Street Bridge Song (Feelin’ Groovy)

Side Two

The Dangling Conversation

On the most transparent copies you’ll really be able to get a true sense of the depth of the studio. Listen closely and you should be able to spot the placement of all the instruments in the soundfield, with the strings in the back and the voices up front.

Flowers Never Bend With the Rainfall
A Simple Desultory Philippic (Or How I Was Robert McNamara’d…)

This song is clearly Dylan-influenced, and the sound falls right in line. It should sound lively, with good texture on the vocals and plenty of fuzz on the fuzzed-out electric guitar.

For Emily, Whenever I May Find Her

The best copies of this song represent Tubey Magical Analog at its best! The acoustic guitar and voice have the potential to be exceptionally rich, warm, and sweet. The Red Label reissues generally fail to present the right sound for this track.

A Poem on the Underground Wall
7 O’Clock News/Silent Night


Recordings that Are Good for Testing Smear

Recordings that Are Good for Testing Sibilance

Recordings that Are Good for Testing Transparency Vs Opacity

Recordings that Are Demo Discs for Tubey Magic

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