One of our good customers had this to say about some Hot Stampers he purchased recently:
[The Abraxas White Hot Stamper] is a monster. Practically tore down the walls. The most remarkable drums I’ve ever heard, especially on side two. The sound is completely circumambient, completely enveloping, but always musical with lovely harmonics even when blasting in the tuttis.
The Mobile Fidelity, which I own, is an attenuated portraiture of the real thing. I will soon be dropping it off at the local Salvation Army store.
Quick question: Did you buy your MoFi before or after I put it in my Mobile Fidelity Hall of Shame?
And wrote this review of it?
See what happens when you don’t read my blog? You end up with crappy remastered records like the ones Mobile Fidelity has been spewing out for more than forty years.
Some forum posters take us to task for criticizing the old MoFi that everybody knows made lousy records, not the new MoFi, which they believe — for reasons that I cannot begin to understand — makes good sounding records.
If this is the pride of the new MoFi, and it seems to be, I will leave it to those who post on forums to defend it. I certainly am not up to the task.
People have been known to ask us:
At the very least let us send you a Hot Stamper pressing — of any album you choose — that can show you what is wrong with your copy. And if for some reason you disagree that our record sounds better than yours, we will happily give you all your money back and wish you the best.
To learn more about records that sound dramatically better than any Half-Speed ever made (with one rare exception, John Klemmer’s Touch), please consult our FAQs:
Below you will find our breakdown of the best and worst Half-Speed mastered records we have auditioned over the years.
- Half-Speed Mastered Disasters
- Half-Speed Mastered Mediocrities
- Half-Speed Mastered Winners
- Half-Speed Masters – The Complete List
New to the site? Start here.