More Records We Only Offer on Imported Vinyl
On the best copies the energy factor is OFF THE CHARTS. The highs are silky sweet, the bottom end is meaty, the drums are punchy and the vocals are present and tonally correct. The piano has real weight, the synths float breathily in the air, and there’s wonderful three-dimensional depth to the soundfield.
There’s a POWER to the sound that the average copy only hints at. The crashing guitar chords that are the hallmark of The Who Sound often lack the weight of the real thing; they don’t punch you in the gut the way Townsend no doubt wanted them to.
Moon’s drums need to blast away like cannons. This is the quintessential Who sound. Everybody who’s ever seen them live knows it. I saw them back in the day when Moon was still behind his kit and it’s a sound I’ll never forget.
Most copies don’t have nearly this much Tubey Magic — you aren’t going to believe all the richness, sweetness, and warmth here. The clarity and transparency are superb in their own right, and the impressive dynamic range really allows this copy to communicate the explosive energy of The Who at their peak..
As with any Who album, this is obviously not your typical Audiophile Demo Disc. We don’t imagine you’ll be enjoying this one with wine, cigars, and polite conversation. This one is for turning up loud and rockin’ out — in other words, it’s our kind of record!
Turn It Up
Now if you want to play this record at 70 db, little of our commentary about the power of this recording will make much sense. There are some dumb ideas floating out there in Audiophile land, but playing your records quietly in order to hear them better has to be one of the dumbest. Anybody who plays a record like Quadrophenia at moderate levels should be taken out in the street and hosed down. How do you think Townsend went deaf, by playing his music too softly? He played his music LOUD because that’s the way he wanted you to hear it. Moon beats the hell out of his drums because he likes the sound of drums beaten HARD.
If you don’t have the stereo to play this record right, don’t make excuses and don’t make up bizarre theories about volume levels in the home. You’re not fooling anybody with those kinds of rationalizations. If your speaker distorts that’s your problem, pal. Don’t lay that trip on me.
Some of us have done our homework and take pride in what we’ve managed to accomplish. We’ve been challenging ourselves and our systems with records like Zep II and Aqualung and Quadrophenia for thirty years. We know how good these records can sound on systems that have what it takes to play them at good loud levels. If you’re not going to play this Hard Rockin’ Record right, better to save your money for the kinds of records that sound fine at moderate levels. This is not one of them.
We’ve identified a number of Demo Discs for Bass on the site, and there are surely many more to come.
Whomp is a quality of the bottom end we look for here at Better Records. If you have speakers that move a lot of air down low and like to play your music loud, you know what whomp is all about.
You can find your very own Hot Stamper pressings by using the techniques we lay out in Hot Stamper Shootouts — The Four Pillars of Success.
And finally we’ll throw in this old warhorse discussing How to Become an Expert Listener, subtitled Hard Work and Challenges Can Really Pay Off.
Because in audio, much like the rest of life, hard work and challenges really do pay off.