One of our good customers had this to say about some Hot Stampers he purchased recently:
Loving the recent records… the $900 White Album is blowing my mind… keep thinking I’m going to have to wipe Paul McCartney’s spit off my toes…
And the K. D. Lang… words fail for the sound here (not to mention the music) – it’s MASSIVE and lush.
Also, I’ll include the new AP Kind of Blue UHQR with this return for you to hear. I have been burning in a new phonostage, and my previous impressions were a bit rough and ready given that I was having to use a temporary phonostage at that time… so now I’d say that while yes there is more air in this issue/pressing than the claustrophobic and downright weird MoFi, this doesn’t sound natural; instruments (esp. horns) have no edge to them; piano and horn fade together in a single midi-like tone… see what you think and let me know.
Looking forward to hearing it. Nothing could be more wrong sounding than the new MoFi Kind of Blue, but AP could certainly give it a run for its money in the weird Audiophile Remastering Race to the Bottom that these awful labels are currently involved with in the production of Heavy Vinyl LPs.
What you describe are the trademark sounds of bad mastering equipment, which is all that Analogue Productions has available to them it seems.
I defy anyone to name one good record this company has ever released. I sure can’t.
As you may have read elsewhere on this blog:
As long as Analogue Productions is around, at least no one can say that Mobile Fidelity makes the worst sounding audiophile records in the history of the world. They are certainly some of the worst, but not so bad that they have never made a single good sounding record, which is the title that Chad Kassem holds (to the best of our knowledge. Obviously we have only played a small fraction of the records released by him. In our defense let me say that that small fraction was all we could take.)
Thanks for your letter. That White Album was indeed killer. For $900 it had better be!