We would be foolish to make claims for “audiophile quality” sound on Springsteen’s albums — they are what they are. The simple claim we make for our Hot Stampers is that the best of them sound as good as the album can sound, and we back that up with a 100% Money Back guarantee.
It’s tough to find great sounding copies of this album — or any Springsteen album for that matter — but this one is a HUGE step up, with the kind of clarity and fullness that most copies have in short supply.
If you’re bored by the first chorus of the title song, that’s a bad sign, and that was exactly our experience with most of the pressings that hit the table. When we threw this one on, things changed considerably. Bruce was really screaming, the drums were really pounding, and before we knew it we were really rockin’ out and enjoying the music.
Not many copies have this kind of full, solid lower midrange. When you hear the album this way, without the edgy, thin sound that plagues most pressings, it really works wonders for the music. The vocals and instruments are more real, and the improved low end lets the whole thing rock.
What to Listen For
This copy has the kind of sound we look for in a top quality ’80s Rock record: immediacy in the vocals (so many copies are veiled and distant); natural tonal balance (most copies are at least slightly brighter or darker than ideal; ones with the right balance are the exception, not the rule); good solid weight (so the bass sounds full and powerful); spaciousness (the best copies have wonderful studio ambience and space); and last but not least, transparency, the quality of being able to see into the studio, where there is plenty of musical information to be revealed in this sophisticated recording.
A Tough Record to Play
Springsteen albums rank high on our Difficulty of Reproduction Scale. Do not attempt to play them using anything other than the highest quality equipment.
Unless your system is firing on all cylinders, even our hottest Hot Stamper copies — the Super Hot and White Hot pressings with the biggest, most dynamic, clearest, and least distorted sound — can have problems . Your system should be thoroughly warmed up, your electricity should be clean and cooking, you’ve got to be using the right room treatments, and we also highly recommend using a demagnetizer such as the Walker Talisman on the record, your cables (power, interconnect and speaker) as well as the individual drivers of your speakers.
This is a record that’s going to demand a lot from the listener, and we want to make sure that you feel you’re up to the challenge. If you don’t mind putting in a little hard work, here’s a record that will reward your time and effort many times over, and probably teach you a thing or two about tweaking your gear in the process (especially your VTA adjustment, just to pick an obvious area most audiophiles neglect).