- With Triple Plus (A+++) sound or something close to it on both sides this is as good a copy as we have ever offered
- Geoff Emerick engineered, creating a unique sound – a sound which only works if you have the right pressing
- This dense, darkly serious album contains some of the best songs EC ever wrote – the last of his True Classics
- Allmusic 5 Stars: “Essentially, the songs on Imperial Bedroom are an extension of Costello’s jazz and pop infatuations on Trust. Costello’s music is complex and intricate, yet it flows so smoothly, it’s easy to miss the bitter, brutal lyrics.”
- If you’re an Elvis Costello fan, and what audiophile wouldn’t be?, this title from 1982 is surely a Must Own
- The complete list of titles from 1982 that we’ve reviewed to date can be found here.
Six of Elvis’s first seven albums received a Five Star rating from Allmusic, the exception being Almost Blue, and we generally would agree with that assessment (although Get Happy should probably also get Four Stars, not Five).
Which is to say that Elvis Costello is a brilliant artist whose albums work as albums, a fact that is in danger of being lost in a world of single-song downloads and greatest hits packages. We record-playing audiophiles are inclined to start at the beginning of a side and let it flow through to the end, and that is clearly the best way to appreciate and enjoy the work of this very gifted man.
Click on the Tracklist tab above to see a sample of some of the lyrics to a few of the songs on the album.
This vintage British pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What The Best Sides Of Imperial Bedroom Have To Offer Is Not Hard To Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes even as late as in 1982
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional space of the studio
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
That Midrangy Sound
Some of that sound is baked-in, so to speak, meaning even the best pressings will have it. Geoff Emerick and Costello were not going for anything like the sound of Armed Forces or Trust (their two best-sounding albums from an audiophile perspective). They wanted Imperial Bedroom to have its own sound, a sound unique to this one album, and they clearly succeeded in carrying out that desire.
Which is a long way of saying that if you get a bad sounding copy of the album, don’t be surprised. Most of them sound that way; the margin for error in the mastering and pressing stages is close to zero.
What We’re Listening For On Imperial Bedroom
- Energy for starters. What could be more important than the life of the music?
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness common to most LPs.
- Tight, note-like bass with clear fingering — which ties in with good transient information, as well as the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the players.
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, way behind the speakers. They’re front and center where any recording engineer worth his salt would have put them.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
The best British imports have the fullest, richest, most natural, least-EQ’d sound. The more of that sound they have — along with freedom from smear, good frequency extension, vocal presence, rock energy, studio space and the like — the higher the sonic grade.
No domestic copies we’ve ever played were all that much better than awful, by the way. Like most Elvis Costello albums — but not all; an important caveat — the British pressings are the only way to go if you are looking for audiophile sound.
Ah, but which British pressings? That’s always the question, one which we have devoted many of our waking hours to answering. It took us a long time to get here, but we now have the copy that sounds the way we always wanted Imperial Bedroom to sound.
Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of later pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don’t have the vintage analog magic of these wonderful recordings.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that’s certainly your prerogative, but we can’t imagine losing what’s good about this music — the size, the energy, the presence, the clarity, the weight — just to hear it with less background noise.
With a sampling of some of our favorite lyrics.
the old conceits
The glib replies,
the same defeats
Keep your finger on important issues
With crocodile tears and a pocketful of tissues
I’ve got a feeling
I’m going to get a lot of grief
Once this seemed
Now I am
Tears Before Bedtime
The Long Honeymoon
Man Out of Time
Almost doing things
we used to do
There’s a girl here
and she’s almost you
All the things that your eyes once promised
I see in hers too
Now your eyes are red from crying
And in Every Home
The Loved Ones
Don’t get smart
He snaps back
just like elastic
Spare us the theatrics
and the verbal gymnastics
We break wise guys
just like matchsticks
Kid About It
Boy With a Problem
You Little Fool
Having gotten country out of his system with Almost Blue, Elvis Costello returned to pop music with Imperial Bedroom — and it was pop in the classic, Tin Pan Alley sense. Costello chose to hire Geoff Emerick, who engineered all of the Beatles’ most ambitious records, to produce Imperial Bedroom, which indicates what it sounds like — it’s traditional pop with a post-Sgt. Pepper production.
Essentially, the songs on Imperial Bedroom are an extension of Costello’s jazz and pop infatuations on Trust. Costello’s music is complex and intricate, yet it flows so smoothly, it’s easy to miss the bitter, brutal lyrics.
The interweaving layers of “Beyond Belief” and the whirlwind intro are the most overtly dark sounds on the record, with most of the album given over to the orchestrated, melancholy torch songs and pop singles.
Never once do Costello & the Attractions deliver a rock & roll song — the album is all about sonic detail, from the accordion on “The Long Honeymoon” to the lilting strings on “Town Cryer.”
Of course, the detail and the ornate arrangements immediately peg Imperial Bedroom as Costello’s most ambitious album
1977 My Aim Is True
1978 This Year’s Model
1979 Armed Forces
1980 Get Happy!!
1981 Almost Blue
1982 Imperial Bedroom
1983 Punch the Clock
1984 Goodbye Cruel World
1986 King of America
1986 Blood & Chocolate
1991 Mighty Like a Rose