When Classic Records was blowing out its unsold inventory through the Tower Records Classical Annex in Hollywood many years ago — apparently they had run into some financial trouble — this was a title you could pick up for under ten bucks. I remember it being $7, but my memory may not be correct on that point. Whatever the price, it was cheap.
And even at that price it seemed nobody really wanted it. Which is as it should be. Heavy Vinyl or no Heavy Vinyl, a bad record is a bad record and not worth the bother of sitting down and listening to it.
If you own this record, my guess is it is pristine.
If you played it at all, you played it once and put it away on a shelf where it probably sits to this very day. Good records get played and bad records don’t. If you have lots of pristine records on your shelves, ask yourself this question: Why don’t I want to play them?
You may not like the implications of the answer: They aren’t any good.
And that means you should never have bought them in the first place. But we all make mistakes. Owning up to them may be hard, but it is the only way to make any real progress in this hobby.
The One Out of Ten Rule
If you have too many classical records taking up too much space and need to winnow them down to a more manageable size, pick a composer and play half a dozen of his works. Most classical records display an irredeemable mediocrity right from the start; it doesn’t take a pair of golden ears to hear it.
If you’re after the best sound, it’s the rare record that will have it, which makes clearing shelf space a lot easier than you might imagine. If you keep more than one out of ten you’re probably setting the bar too low, if our experience is any guide.
If you want nothing but amazing sounding classical records, we typically have quite a selection.