Michael Fremer spends two hours and ten minutes on his site going through a list of 100 All Analog In Print Reissued Records You Should Own
On this list is the 45 RPM Bernie Grundman cutting of Time Out. Fremer apparently likes it a whole lot more than we do. We think it is just plain awful. The MoFi Kind of Blue is on this same list, another pressing that is astonishingly bad, or at least very, very wrong. If you’re the kind of person who might want to give Michael Fremer the benefit of the doubt when it comes to All Analog records he thinks sound good, ones he thinks you should own, try either one of them. If you think they sound just fine, you sure don’t need me to tell you that I find them completely and utterly unlistenable.
There might be some decent records on the list, but if it has two massive failures that I just happened to come across over the span of the five minutes I spent watching the video, I would suspect the winners are few and far between. As a practical rule, if you want good sounding vinyl, you should avoid anything on his list. And if you do try some and do like them, let me know which ones you think sound good and maybe I will get hold of some copies and listen to them for myself.
Here is what we had to say about the Brubeck that Mikey recommends. We called it:
Sonic Grade: F.
Not long ago we found a single disc from the 45 RPM four disc set that Classic Records released in 2002 and decided to give it a listen as part of a shootout. My notes can be seen below, but for those who have trouble reading my handwriting, here they are:
Big but hard
Zero (0) warmth
A bit thin and definitely boring
No F***ing Good (NFG)
Does that sound like a record you would enjoy playing? I sure didn’t.
But this is the kind of sound that Bernie Grundman managed to find on Classic Record after Classic Record starting in the mid-90s when he began cutting for them.
We’ve been complaining about the sound of these records for more than twenty years, but a great many audiophiles and the reviewers who write for them told us we were wrong. If you have a copy of this album on Classic, at 33 or 45, play it and see if you don’t hear the problems we ascribe to it.
To see what we had to say about the 33 RPM version on Classic many years ago, click here.
Maybe we got a bad 45 and the others are better. That has not been our experience.
In these four words we can describe the sound of the average Classic Records pressing.
Not all of their records are as bad sounding as Time Out. We favorably review some of the better ones here.
Reviewer malpractice? We’ve been writing about it since the ’90s.