Fleetwood Mac / Bare Trees – Listening in Depth

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Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Bare Trees. Here are some albums currently on our site with similar Track by Track breakdowns.

TRACK LISTING

Side One

Child of Mine

A real rocker from Danny Kirwan. If the electric piano is rich on your copy and you have some top end and space you are probably off to a very good start.

The Ghost
Homeward Bound
Sunny Side of Heaven

A wonderfully poignant, even melancholy instrumental track by Bob Welch. Not sure if that’s him on guitar but the playing is beautiful. The high point of side one.

Side Two

This is where most of the best music on Bare Trees can be found. We like every song on this side.

Bare Trees

If this song doesn’t get your blood pumping, you need to turn up the volume another click or two. There is tremendous energy and joy in this song, and it needs to be played loud to get those feelings across.

Sentimental Lady
Danny’s Chant
Spare Me a Little of Your Love

This is a tough track to get right. The Brit is smoother and sweeter, which works on this song. Bad copies can sound hard on Christine’s vocals as well as the chorus.

Dust

One of my all time favorite Fleetwood Mac songs. On a good copy this track sounds so sweet. The texture to the voices is right on the money — neither grainy nor dull.

Thoughts on a Grey Day

What to Listen Fo

Less grit – smoother and sweeter sound, something that is not easy to come by on Bare Trees.

A bigger presentation – more size, more space, more room for all the instruments and voices to occupy. The bigger the speakers you have to play this record the better.

More bass and tighter bass. This is fundamentally a rock record. It needs weight down low to rock the way Martin Birch wanted it to.

Present, breathy vocals. A veiled midrange is the rule, not the exception.

Good top end extension to reproduce the harmonics of the instruments and details of the recording including the studio ambience.

Last but not least, balance. All the elements from top to bottom should be heard in harmony with each other. Take our word for it, assuming you haven’t played a pile of these yourself, balance is not that easy to find.

Our best copies will have it though, of that there is no doubt.

One Tough Album (To Find AND To Play)

Not only is it hard to find great copies of this album, it ain’t easy to play ’em either. You’re going to need a hi-res, super low distortion front end with careful adjustment of your arm in every area — VTA, tracking weight, azimuth and anti-skate — in order to play this album properly. If you’ve got the goods you’re gonna love the way this copy sounds. Play it with a budget cart / table / arm and you’re likely to hear a great deal less magic than we did.